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#1
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Anyone ever do a direct comparison?
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#2
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#3
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Believe there is 501 vs 1.2's in the search -- which is you're friend.
Bob
__________________
Amps: Dan D'Agostino Progression Monos on 20A dedicated breakers. Preamp: Dan D'Agostino Progression Preamp. Digital Source: dCS Paganini 4 stack (Transport/DAC/Clock/Upsampler). Analogue Preamp: VAC Renaissance SE Phono stage with XLR Output Option & with Nordost Tyr 2 P/C and Tyr 2 XLR's. Analogue Sources: SME 20/2 w/SME V arm & Nordost Valhalla TA cable, Palo Santos Presentation Cartridge & Akai GX-400D Reel-to-Reel w/relapped heads by JRF Magnetic Sciences. Akai RC-17 cabled remote. Vibration Control: TT on HRS M3X 1921 shelf, Stillpoint Ultra SS under dCS Transport, Stillpoint Ultra-Mini's under dCS 3 Stack. HRS NA100's under Ansuz D8 Power Distribution Bar. Speakers: Wilson Audio Alexia in Argento Silver/Black grills. Power Cables: 3 each 2.5M Nordost Odin Supreme Reference on amps & preamp. Nordost Valhalla V1 on dCS Transport. Power Distribution Bar: Ansuz Mainz Diamond 8(D8) fed by Ansuz Diamond Power Cable. Power Outlets:Furutech GTX-D NCF (R) duplex outlet, GTX Wall Plate & Duplex Cover (x2). Speaker Cables: 3M Nordost Odin Supreme Reference with 4 Nordost Sort Lifts. Signal Cables: Nordost Tyr 2 XLR's 2M on dCS Paganini and Mono amps. Nordost Valhalla 2's 110 ohm Digital AES/EBU on dCS internal connections and Crystal Cable Firewire 1394 cables on dCS. Clock Cables: 3 each 75 ohm 1.25M Nordost Valhalla BNC/BNC Digital Headphones: Selling - 6M Cardas Clear HP cables. Vintage Koss Pro IV AA. RCM: Audio Desk PRO Tube Test Gear: Mint late '60's/calibrated Heathkit TT-1A & current SOTA MaxiMatcher Power and Preamp tube test sets. |
#4
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#5
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Why limit my choices? Life is too short the "settle". Don't you agree? Based on the experience of some members here, they are more "restless" than I am. I enjoy my system for 12+ hours a day. No need to stop now
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#6
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Thanks Joe for all your help on amps! You are a leading expert indeed! ![]() |
#7
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Thank you so much for making my journey extremely fun and exciting. Your passion is contagious and I immensely enjoy our exchanges. When I go to a restaurant, I don't pick the same old thing from the menu. I experiment and savor every bite. PS. I had the MC601's, miss them very much, but still want the MC1.2KW's. Hopefully I'll scratch that itch along with the MC2301's. Life is good. ![]() |
#8
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I can't help but think the 501/1.2kw is a similar sound and the 601 is more forward? Perhaps quicker? On another note, I just checked and the nearest Bryston dealer is 4+ hours away. Seriously? This coast of Florida sucks for high end audio.
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#9
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![]() ![]() Are you listening more than 12 hours a day ? Wow. |
#10
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Mc1.2kw is still the better of the three. Mc501 was not so close to the mc1.2kw, mc601 was a closer step towards mc1.2kw. It is a significant difference when you line them up side by side, however mc601 on its own is fabulous- I do have to say, bi-amp mc601 still doesn't give you the dynamic power and headroom single mc1.2kws give.
IMO, mc1.2kw is still the amp to get. That's the beauty of Mc isn't it? They always stand great on their own!
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Dream System: XRT2K, XCS2K, MC2KW x3, XRT1Kx 6, Focal EM SUB x4, MC1.2KW x10, MX151, C1000C/P/T, Kaleidescape Media Library, MVP891, MCD1100, Apple MacBook Pure Music(USB), Cineversum FORCE ONE (2.35:1), dnp 08-85 156" (2.35:1) |
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