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I'm a seldom contributor but often reader of AAF and thought I'd post my impressions of a pair of Giyas I recently purchased.
A bit about me: I'm a long time audiophile with some 30+ years on and off purchasing swapping and enjoying equipment (I started young). Since moving from New York to Austin, TX about 20 years ago I've reignited the audiophile in me listening to great music that hopefully sonically sounds great. Since in TX I went from Carver AL IIIs to ML SL3s, a short stint with Thiel CS3.6s to ML Summits to Usher BE20Ds and now to the Vivids G2s. On to the star of the show: After listening to many speakers at RMAF, in audio stores and fellow Aphiles' homes I narrowed down my search to 4 speakers: TAD CR1s, Vandersteen 7s, Magico S5 Mk IIs and EA MM2s. While at the Dallas EA dealer he also had a pair of Vivid Giya G1s driven by a Gryphon Coliseum stereo amp in a well - treated room similar to my own and I was smitten. This was my kind of sound - dynamic, effortless regardless of volume, realistic (not overly warm or sterile - just right) and accurate. Some four months later I purchased a pair of what I'd call "reconditioned" Giya G2s from Six Audio, the home base for Vivid in England. The speakers were a demo pair with some serious scratches and we struck a deal to have them repainted (color of my choice) with upgraded Series 2 tweeters and mid - tweets installed. After some break - in I am thrilled with the sound. Devil in details: After reading via forums, contacting reviewers and correspondence with Vivid versus my hands - on experience, listening, measuring and adjusting / tweaking below are a few areas where I hope I can add some good advice: - Take the grills off for the best experience. I've read that it doesn't make a difference - it does, spacial cues are more solid, overall imaging is better solidified and less amorphous. - Raising the speakers off the ground is as important as toe - in/out and placement. IME the best height for my sweet spot chair and room is where the front 3 drivers' height very closely matches the height of the G1 Spirit. For me, the speakers can be a bit tipped up in the highs when on the floor and more so with any toe - in. How much is my upstream equipment, is TBD. Either way the benefit to the sound stage and ability to relay a "wall of sound" is better raised ~4". Makes sense since Laurence Dickie had stated the G1 tweeter was a bit too high for most listening chairs' height and he accordingly adjusted the G1 Spirit tweeter and front driver array lower. I listened and measured before finding this fact and ended up ~1" from the G1 Spirit driver array height. Bueno! - Treatment matters - much more so with the Vivids. My assumption is that given the catenary shape of the smaller drivers + overall design the off - axis output is huge, much more than with other speakers I have heard and owned. First and second reflection points are key to get the most out of the Vivids. I recommend absorption unless your room is large enough to benefit from diffusion. - Bass sensitivity to placement: With side firing woofers you now have 4 sources in 4 different locations dispersing bass into a room. Good news is - it definitely helps with evening out bass across low frequencies, the bad news is - highly sensitive to placement. In my case I was able to recover ~5 DB from a 60Hz dip in my room versus the Ushers' front - firing woofers. That's it for now. My next step is to fine tune and work to procure better amplification like Luxman M800 or M900 monoblocks. I hope this helps any new owners or current owners of Vivids. Happy Listening! Last edited by sssb6; 09-21-2019 at 01:29 PM. |
#2
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Enjoy your new Vivid Speakers!
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Ivan FLORIDA MX136, MC1.2KW(10) MC2KW(2), MCD1100, MS750(2) MVP881, C1000C/P/T, MPC1500, HT-2 SUBS(2) HT3F(2) WS350(2) XRT2K, XCS2K, XR27(2) XCS350(2) JL GOTHAM v2 SUBS(2) SILENZIO MUSIC SERVER, LUMAGEN RADIANCE SCALER, SONY VPH-G90U 4K PROJECTOR, STEWART 120" MOTORIZED SCREEN, CINEMA-TECH SEATING, WW PLATINUM CABLES Reference System: ACCUPHASE A250 AMPS, C3850 PRE-AMP, DP950 CD/SACD TRANSPORT, DC950 DIGITAL PROCESSOR, DG-58 DIGITAL EQUALIZER, T1200 FM STEREO TUNER, PS1230 POWER SUPPLY, HRS-SXR CUSTOM RACK w/ M3X SHELVES, TAD REFERENCE ONE MK2 LOUDSPEAKERS, WW PLATINUM CABLES CAPE COD MX150, MC501(2) MC1.2KW(10) MC2301(2) MR88, MVP881, MCD1100, MDA1000, C1000C/P/T, MPC1500, ESOTERIC K-01X 30th ANNIVERSARY (BLACK) SACD/CD PLAYER, G02-X CLOCK, HT3F(2) XRT2K, XCS2K, XR27(2) JL GOTHAM SUBS(2) JL FATHOM F113v2 SUBS(4) SOUND ANCHOR STANDS(2) KALEIDESCAPE STRATO & TERRA SERVERS 80-TB, LUMAGEN RADIANCE SCALER, SONY VPH-G90U 4K PROJECTOR, STEWART 120" SCREEN, SONUS FABER STRADIVARI, SILENZIO MUSIC SERVER, FORTRESS SEATING, WW PLATINUM CABLES Analog Rig: CLEARAUDIO INNOVATION WOOD, UNIVERSAL ARM w/ Da VINCI' CART, 2nd UNIVERSAL ARM w/ GOLDFINGER STATEMENT CART, HRS-MXR REFERENCE RACK-GLOSS BLACK w/ M3X SHELVES, AESTHETIX RHEA SIG PHONO-PRE, WW PLATINUM CABLES Reference System: BURMESTER 911MK3 AMP(3), 088 PRE-AMP, 089 CD PLAYER, 100 PHONO PRE-AMP, 948 POWER CONDITIONER, ACCUPHASE DG-68 VOICING EQUALIZER, AVID ACUTUS REFERENCE SP TT, GRAHAM PHANTOM II SUPREME ARM, BENZ MICRO LP-S CART, GRANDIOSO P1/D1 STACK, G1 RUBIDIUM MASTER CLOCK, N05 NETWORK PLAYER, SILENZIO MUSIC SERVER, HRS-SXR CUSTOM RACK w/ M3X SHELVES, SONUS FABER AIDA SPEAKERS, JL FATHOM F113v2 SUBS(2) SOUND ANCHOR STANDS(2) WW PLATINUM CABLES Library System: GRANDIOSO M1 MONOBLOCK AMPS, C1 LINESTAGE PRE-AMP, K1X CD/SACD PLAYER, G1 MASTER RUBIDIUM CLOCK, E02 PHONO-PRE, SILENZIO MUSIC SERVER, AERIAL ACOUSTICS 20T V2, AERIAL SW12 SUBS(2), CANTON REF K1’s, VPI HRX TT w/ SDS POWER SUPPLY, ORTOFON CADENZA BLACK CART, KLAUDIO RCM, SHUNYATA DENALI 6000/S v2, SHUNYATA OMEGA QR’s, WW PLATINUM CABLES Esoteric/Bryston System: ESOTERIC C02-X PRE-AMP, P-02X TRANSPORT, D02-X DAC, G02-X CLOCK, BRYSTON 28B3 CUBED MONOBLOCK AMPS, SHUNYATA DENALI 6000/S v2(2) AMR-DP777-SE DAC, SILENZIO MUSIC SERVER, TAD REFERENCE ONE MK2 LOUDSPEAKERS, QUADRASPIRE RACK, WW PLATINUM CABLES Accuphase/Canton System: ACCUPHASE E800 INTEGRATED, DP570 CD/SACD PLAYER, T1200 FM STEREO TUNER, DG-68 VOICING EQUALIZER, PS530 POWER SUPPLY, CANTON REF K3’s, CANTON REF K5’s, SILENZIO MUSIC SERVER, HRS MXR REFERENCE MAHOGHANY RACK w/ M3X2 SHELVES, WW GOLD CABLES Bryston Active System: BP26 PRE-AMP, MPS2 POWER SUPPLY, BAX-1 CROSSOVER, BDA-3 DAC, BDP-3 PLAYER, BCD-3 CD PLAYER, BIT15(2), MODEL T ACTIVE SPEAKERS, 21B3 CUBED AMPS, SILENZIO MUSIC SERVER, TARGET RACK, WW SILVER CABLES Vintage System: LUXMAN CL-38u SE PRE-AMP, JBL L300 SPEAKERS, BRYSTON BDA-3 DAC, BCD-3 CD PLAYER, BIT15, 3B3 CUBED AMP, SILENZIO MUSIC SERVER, WW SILVER CABLES Shunyata Power/Digital cables, HRS Damping Plates, Stillpoints throughout all systems |
#3
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Would love to see some pics of the Vivids with the new paint job. Congrats.
- Buck
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Library: Speakers: Avalon Acoustics Isis, Subwoofers: (2) REL Acoustics 212SE Amplification: D’agostino Momentum preamplifier, D’agostino S250 stereo amplifier Digital: dCS Rossini CD/SACD transport, dCS Rossini DAC/streamer/master clock. Analog: Brinkmann Taurus table, Lyra Etna Lambda, Audio Research Ref. Phono 3 |
#4
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I just listened to these beautiful speakers last night and am also smitten. Steve, they met the main criteria I have for music, they sounded real. The speed of these speakers, the excellent dynamics and the accurate tone are just fantastic. Please post some pictures of these beautiful speakers, so that others may enjoy!
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#5
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Thanks Steve. A quick pic, will post more later.
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#6
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Very cool those look awesome.
- Buck
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Library: Speakers: Avalon Acoustics Isis, Subwoofers: (2) REL Acoustics 212SE Amplification: D’agostino Momentum preamplifier, D’agostino S250 stereo amplifier Digital: dCS Rossini CD/SACD transport, dCS Rossini DAC/streamer/master clock. Analog: Brinkmann Taurus table, Lyra Etna Lambda, Audio Research Ref. Phono 3 |
#7
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Thanks, it's a custom color paint that Vivid doesn't offer. It's from a Ford Mustang 2018 I think..
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#8
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Congratulations on your new speakers. They look great, as does the room. Can you fill us in on the rest of the system?
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Tony "Have you seen the stars tonight?" ________________________________ Main system: Linn Klimax Katalyst DSM; D’Agostino Momentum S250 & HD pre; Rega RP10 w/Rega Aphelion; Boulder 508; Sonus faber Amati Futura, REL Carbon Special; Shunyata Everest, Alpha & Sigma PC, Alpha IC & SC; UpTone EtherRegen; Quadraspire Sunoko-Vent T, ISOAcoustics Orea & HRS Damping 2nd system: Luxman SQ-N100, Sonus faber Minima Amator II, REL T-5, refurbished AR XA w/Nagaoka MP-200 & VPI cabling, Linn Klimax DSM Renew, Shunyata PS8 w/Defender & Viper, Nordost Blue Heaven PC & IC, Shunyata Venom sc, Symposium Svelte Shelves Workshop: Vintage Yamaha CA-1010 & CT-1010, PSB Imagine Mini, Squeezebox Touch, Schiit BiFrost, AZ & WW cables Digital Streaming source: SonicTransporter i7 w/Roon, Synology DS420+, English Electric 8switch Personal audio: Woo WA22, WA7 & WA8; Auralic Aries Mini, Sonore MicroRendu & UltraRendu; Shure SE535, Shure SH1540, Westone ES50 Custom, Sennheiser HD820, MrSpeakers Aeon Flow C; Various Moon Audio dragons Video: Sony XBR65X850C; Apple TV-4; Vienna Schönberg L/R, Webern center & surrounds; REL T1, T2, & T3; Arcam AVR850; Cambridge Audio 752BD; MIT-EXP SC |
#9
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Congrats !!
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Analog Sources - ClearAudio Innovation Turntable, Silver, 9" Universal arm, 9" Magnify arm Benz-Micro SLR Gullwing cartridge, Kiseki Purple Heart cartridge, Audio Research Ref Phono 3 phono preamp. Digital Sources - SonicTransporter i9 with Optical output music server running Roon software, Sonore Signature Rendu SE Optical Network Bridge, Bricasti M21 Dac. Pre and Power - Bricasti M20 Preamp, Bricasti M28 Mono Blocks. Speakers - Tidal Contriva G2, Cables and Accessories - Nordost Tyr 2 Speaker Cables. Nordost Heimdall 2 Interconnects. GIK Acoustics Q7D Diffusors, 244 as cloud traps. Furutech GTX-D NCF Rhodium Outlets (x2), Shunyata Denali 6000v2 Conditioner, Shunyata and Nordost Alpha and Odin Power cords. HRS S3 Isolation platforms (x3). |
#10
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Thanks folks. Now part of my signature:
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