#551
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MEMO: To All Bryston Customers
SUBJECT: Bryston Model A1 Loudspeaker – Customer Feedback September, 2018 ‘Hi James I just purchased a pair of Bryston Model A1 loudspeakers. After only 2 listening sessions … all I can say is WOW! These babies are the real deal. Effortless power. Will write more once they get settled into my room and I finish tweaking placement, etc. ... but super happy so far! Back to an all-Bryston system once again - from source to speakers!! Love it ” TJ |
#552
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Hi Folks,
Got our first order for a pair of T-REX Active speakers today. All the way from California! |
#553
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Awesome James
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#554
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Big Congrats!
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Ivan FLORIDA MX136, MC1.2KW(10) MC2KW(2), MCD1100, MS750(2) MVP881, C1000C/P/T, MPC1500, HT-2 SUBS(2) HT3F(2) WS350(2) XRT2K, XCS2K, XR27(2) XCS350(2) JL GOTHAM v2 SUBS(2) SILENZIO MUSIC SERVER, LUMAGEN RADIANCE SCALER, SONY VPH-G90U 4K PROJECTOR, STEWART 120" MOTORIZED SCREEN, CINEMA-TECH SEATING, WW PLATINUM CABLES Reference System: ACCUPHASE A300 AMPS, C3900 PRE-AMP, DP1000 CD/SACD TRANSPORT, DC1000 DIGITAL PROCESSOR, DG-68 DIGITAL EQUALIZER, T1200 FM STEREO TUNER, PS1230 POWER SUPPLY, HRS-SXR CUSTOM RACK w/ M3X SHELVES, TAD REFERENCE ONE MK2 LOUDSPEAKERS, WW PLATINUM CABLES CAPE COD MX150, MC501(2) MC1.2KW(10) MC2301(2) MR88, MVP881, MCD1100, MDA1000, C1000C/P/T, MPC1500, ESOTERIC K-01X 30th ANNIVERSARY (BLACK) SACD/CD PLAYER, G02-X CLOCK, HT3F(2) XRT2K, XCS2K, XR27(2) JL GOTHAM v2 SUBS(2) JL FATHOM F113v2 SUBS(4) SOUND ANCHOR STANDS(2) KALEIDESCAPE STRATO & TERRA SERVERS 80-TB, LUMAGEN RADIANCE SCALER, SONY VPH-G90U 4K PROJECTOR, STEWART 120" SCREEN, SONUS FABER STRADIVARI, SILENZIO MUSIC SERVER, FORTRESS SEATING, WW PLATINUM CABLES Analog Rig: CLEARAUDIO INNOVATION WOOD, UNIVERSAL ARM w/ Da VINCI' CART, 2nd UNIVERSAL ARM w/ GOLDFINGER STATEMENT CART, HRS-MXR REFERENCE RACK-GLOSS BLACK w/ M3X SHELVES, AESTHETIX RHEA SIG PHONO-PRE, BRYSTON BHA-1 HEADPHONE AMP, WW PLATINUM CABLES Reference System: BURMESTER 911MK3 AMP(3), 088 PRE-AMP, 089 CD PLAYER, 100 PHONO PRE-AMP, 948 POWER CONDITIONER, ACCUPHASE DG-68 VOICING EQUALIZER, AVID ACUTUS REFERENCE SP TT, GRAHAM PHANTOM II SUPREME ARM, BENZ MICRO LP-S CART, GRANDIOSO P1X/D1X STACK, G1X RUBIDIUM MASTER CLOCK, N05 NETWORK PLAYER, SILENZIO MUSIC SERVER, HRS-SXR CUSTOM RACK w/ M3X SHELVES, SONUS FABER AIDA SPEAKERS, JL FATHOM F113v2 SUBS(2) SOUND ANCHOR STANDS(2) WW PLATINUM CABLES Library System: GRANDIOSO M1 MONOBLOCK AMPS, C1 LINESTAGE PRE-AMP, K1X CD/SACD PLAYER, G1 MASTER RUBIDIUM CLOCK, E02 PHONO-PRE, SILENZIO MUSIC SERVER, AERIAL ACOUSTICS 20T V2, AERIAL SW12 SUBS(2), CANTON REF K1’s, VPI HRX TT w/ SDS POWER SUPPLY, ORTOFON CADENZA BLACK CART, KLAUDIO RCM, SHUNYATA DENALI 6000/S v2, SHUNYATA OMEGA QR’s, WW PLATINUM CABLES Esoteric/Bryston System: ESOTERIC C02-X PRE-AMP, P-02X TRANSPORT, D02-X DAC, G02-X CLOCK, BRYSTON 28B3 CUBED MONOBLOCK AMPS(4), BRYSTON BHA-1 HEADPHONE AMP, SHUNYATA DENALI 6000/S v2(2) EVEREST 8000 POWER CONDITIONER(2) ALTAIRA CG & SG HUBS, AMR-DP777-SE DAC, SILENZIO MUSIC SERVER, TAD REFERENCE ONE MK2 LOUDSPEAKERS, QUADRASPIRE RACK, WW PLATINUM CABLES Accuphase/Canton System: ACCUPHASE E800 INTEGRATED, DP570 CD/SACD PLAYER, T1200 FM STEREO TUNER, DG-68 VOICING EQUALIZER, PS530 POWER SUPPLY, CANTON REF K3’s, CANTON REF K5’s, SILENZIO MUSIC SERVER, HRS MXR REFERENCE MAHOGHANY RACK w/ M3X2 SHELVES, WW GOLD CABLES |
#555
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Love the pic Ivan
Can you send me it please james |
#556
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Consider it Done!
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Ivan FLORIDA MX136, MC1.2KW(10) MC2KW(2), MCD1100, MS750(2) MVP881, C1000C/P/T, MPC1500, HT-2 SUBS(2) HT3F(2) WS350(2) XRT2K, XCS2K, XR27(2) XCS350(2) JL GOTHAM v2 SUBS(2) SILENZIO MUSIC SERVER, LUMAGEN RADIANCE SCALER, SONY VPH-G90U 4K PROJECTOR, STEWART 120" MOTORIZED SCREEN, CINEMA-TECH SEATING, WW PLATINUM CABLES Reference System: ACCUPHASE A300 AMPS, C3900 PRE-AMP, DP1000 CD/SACD TRANSPORT, DC1000 DIGITAL PROCESSOR, DG-68 DIGITAL EQUALIZER, T1200 FM STEREO TUNER, PS1230 POWER SUPPLY, HRS-SXR CUSTOM RACK w/ M3X SHELVES, TAD REFERENCE ONE MK2 LOUDSPEAKERS, WW PLATINUM CABLES CAPE COD MX150, MC501(2) MC1.2KW(10) MC2301(2) MR88, MVP881, MCD1100, MDA1000, C1000C/P/T, MPC1500, ESOTERIC K-01X 30th ANNIVERSARY (BLACK) SACD/CD PLAYER, G02-X CLOCK, HT3F(2) XRT2K, XCS2K, XR27(2) JL GOTHAM v2 SUBS(2) JL FATHOM F113v2 SUBS(4) SOUND ANCHOR STANDS(2) KALEIDESCAPE STRATO & TERRA SERVERS 80-TB, LUMAGEN RADIANCE SCALER, SONY VPH-G90U 4K PROJECTOR, STEWART 120" SCREEN, SONUS FABER STRADIVARI, SILENZIO MUSIC SERVER, FORTRESS SEATING, WW PLATINUM CABLES Analog Rig: CLEARAUDIO INNOVATION WOOD, UNIVERSAL ARM w/ Da VINCI' CART, 2nd UNIVERSAL ARM w/ GOLDFINGER STATEMENT CART, HRS-MXR REFERENCE RACK-GLOSS BLACK w/ M3X SHELVES, AESTHETIX RHEA SIG PHONO-PRE, BRYSTON BHA-1 HEADPHONE AMP, WW PLATINUM CABLES Reference System: BURMESTER 911MK3 AMP(3), 088 PRE-AMP, 089 CD PLAYER, 100 PHONO PRE-AMP, 948 POWER CONDITIONER, ACCUPHASE DG-68 VOICING EQUALIZER, AVID ACUTUS REFERENCE SP TT, GRAHAM PHANTOM II SUPREME ARM, BENZ MICRO LP-S CART, GRANDIOSO P1X/D1X STACK, G1X RUBIDIUM MASTER CLOCK, N05 NETWORK PLAYER, SILENZIO MUSIC SERVER, HRS-SXR CUSTOM RACK w/ M3X SHELVES, SONUS FABER AIDA SPEAKERS, JL FATHOM F113v2 SUBS(2) SOUND ANCHOR STANDS(2) WW PLATINUM CABLES Library System: GRANDIOSO M1 MONOBLOCK AMPS, C1 LINESTAGE PRE-AMP, K1X CD/SACD PLAYER, G1 MASTER RUBIDIUM CLOCK, E02 PHONO-PRE, SILENZIO MUSIC SERVER, AERIAL ACOUSTICS 20T V2, AERIAL SW12 SUBS(2), CANTON REF K1’s, VPI HRX TT w/ SDS POWER SUPPLY, ORTOFON CADENZA BLACK CART, KLAUDIO RCM, SHUNYATA DENALI 6000/S v2, SHUNYATA OMEGA QR’s, WW PLATINUM CABLES Esoteric/Bryston System: ESOTERIC C02-X PRE-AMP, P-02X TRANSPORT, D02-X DAC, G02-X CLOCK, BRYSTON 28B3 CUBED MONOBLOCK AMPS(4), BRYSTON BHA-1 HEADPHONE AMP, SHUNYATA DENALI 6000/S v2(2) EVEREST 8000 POWER CONDITIONER(2) ALTAIRA CG & SG HUBS, AMR-DP777-SE DAC, SILENZIO MUSIC SERVER, TAD REFERENCE ONE MK2 LOUDSPEAKERS, QUADRASPIRE RACK, WW PLATINUM CABLES Accuphase/Canton System: ACCUPHASE E800 INTEGRATED, DP570 CD/SACD PLAYER, T1200 FM STEREO TUNER, DG-68 VOICING EQUALIZER, PS530 POWER SUPPLY, CANTON REF K3’s, CANTON REF K5’s, SILENZIO MUSIC SERVER, HRS MXR REFERENCE MAHOGHANY RACK w/ M3X2 SHELVES, WW GOLD CABLES |
#557
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MEMO: To All Bryston Customers
SUBJECT: Dealer Feedback – Brian Gammon – Industry Veteran November 2018 James; I’ve been meaning to comment for the longest time regarding my Bryston system so far. As you know, over the past four years I’ve slowly and progressively updated my audio system using predominantly Bryston components. This was prompted by a move to a different house, giving me a larger space in which to integrate music listening & theater in one larger room. The room is 25’ x 18’ with a 10’ ceiling. Although not how I would have designed the build-out from raw space, the room has reasonable attributes, including only very nominal low frequency nodal issues, in part as it’s built over a full crawl space, not a concrete floor. I’ve located absorption panels in key locations in the front two-thirds of the room, including the area of the ceiling between the speakers and the primary listening seats. My Bryston “experiment” started with an SP3 (now updated to include a recent gen HDMI board), a pair of Model T Signatures, and a pair of 7B’s (now 7B3’s). A bit later the BDA-3 DAC and the BLP-1 turntable joined the party. Every part of the Bryston chain has brought its’ own overall improvements, but there is one “signature” characteristic that I feel defines the Bryston system experience, which I’ll get to in a moment. I spend more time with music than movies (or concerts on disc). Faithful rendering of good recordings, whether recreating live performances or studio sessions, is my priority. (You guys know my background; I’ve been privileged to be part of an industry that I love for many years.) Each Bryston component that I’ve added, taken on individual merit, is great. • I’ve heard the 7B’s outstrip well regarded, legacy amps. • The turntable is everything I hoped it would be and more without spending the price of a car. • The SP3 in full Bypass mode allows the overall system to reveal each new improvement. • The Model T Signature speakers are credibly neutral, extended in frequency response, controlled without sounding overly analytical, and resolve detail in gobs for a monitor designed around dynamic drivers. (Not intended to suggest dynamic-driver speaker designs need take a back seat to any other designs, only that it takes careful attention in design and component selection to compete with the best planar designs in the critical midrange.) Interestingly, the Model T’s respond well and communicate clear differences in musical presentation with changes in room placement, angle relative to the listener, and so on. • The BDA-3 DAC is extremely flexible and sounds great overall, and particularly in the area of dynamics. Wherein hangs my main point – what I perceive as the “hallmark” of Bryston design, and possibly the reason why a mainly Bryston system just may be greater than the sum of its’ parts. Every serious manufacturer in audio can do nice tonality (although there are distinctions!). Every manufacturer can lay claim to appropriately neutral measurements, acceptable noise specs, at least half-decent phase characteristics, and so on. Dynamic contrasts, from the rendering of small transient details in the background through to mid-level contrasts and a sense of pace and timing overall in the music, is where I hear Bryston consistently bringing it. This provides a degree of overall transparency, by way of dynamic details, is tough to beat, certainly in the upper-mid price strata that Bryston products tend to occupy. Dynamic contrasts & transient details are what make recorded music remind me of the live experience. Over the decades, many Hi-Fi products have sounded very good, in varying ways and to different degrees, but not a lot have had the kind of micro-dynamic portrayal I’m currently enjoying. Thanks for it all! Regards Brian Gammon P.S. – I am going to contact you as I have decided to upgrade my Model T Signatures to the ACTIVE version as I agree with you that active systems take the performance up a rung! |
#558
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MEMO: To All Bryston Customers
SUBJECT: Bryston Model T Subwoofer – Customer Feedback October 2018 Hey James, The Model T sub arrived on Friday and I wrestled the beast into the living room. I mean that sucker is heavy! It's the size of a Middle T, but weighs in like a full sized Model T. Anyway, after getting things set up, I found out that my initial location I had envisioned the sub to live at was not a good choice. The sub was canceling out with the other two subs, the actual output dropped with three vs. the other two subs alone. The subs have a variable phase control so it's really easy to adjust phasing for maximum output. I did some 'manual' phasing by moving the sub to a new location in a more open part of the room.... YIKES! The output with the three subs in operation is like triple of what I had before. I had to turn down the output to the subs as it was over powering. I moved the sub about 7 feet over to a more open area and it just popped alive. Pretty impressive; I suppose I found the right phase point for all to work in harmony. I love this sub; it's not only subtle in appearance, it's gorgeous and amazingly solid. It feels like it's made from a solid Ash block of timber. I guess with the extreme build quality, it gets all the potential resonances out of the cabinet. Anyway, thanks again! Bruce |
#559
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MEMO: To All Bryston Customers
SUBJECT: Bryston Middle T LoudSpeaker – Customer Feedback February 2019 “Hi James, Just thought I’d let you know that the Middle T’s are in and installed. They sound fantastic … much better in my room than in dealer demo rooms. The ‘Walnut Espresso’ colour is very nice. I also got the Mini T center (in black). The first thing I noticed listening to familiar music is how well they separate out the instruments. Each instrument is effortlessly heard separate from the others and clearly in its place in the soundstage. Even my wife noticed this right away. My old speakers were pretty good but in comparison the instruments were kind of mushed together. Also, I had to use subs with the old speakers which meant that the output from the DAC had to be processed. The Middle T’s don’t require subs so I am able to listen to pure 2 channel without any processing. The resulting sound is beautiful, far and away the best I’ve heard in our home. Thanks again for your help with the decision.” Best regards, Wayne |
#560
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Hi Folks,
Please see attached an incredible review (English Translation) from a very prominent German Magazine on our Bryston Middle T Loudspeaker. Superb pictures as well! In case you do not have time to read the full review here is the conclusion. IN CONCLUSION: The Bryston Middle T are characterized by: 1. An "above everything" is balanced tonality; in very low-toned music, the bass likes to play something in the foreground, but does not sound unpleasant and does not cover other frequency ranges, but provides an impressive, stable foundation for the overall performance. 2. Wonderfully clear-cut mids. The midrange is clearly the absolute chocolate side of the Middle T. Resolution, fine dynamics, timbres and transient reproduction are exemplary. Whether voices or instruments, small ensembles or large orchestra, classical or hard rock - the centers of the Canadians are always exemplary. In the price comparison Middle T are here very far ahead. 3. A tweeter, which offers a decent resolution and generally supports the balanced sound rather than dominates. 4. A certain "minimum level requirement", whispering levels are not necessarily the business of Middle T. 5. A fascinating space. Localization, sharpness of contours and the illumination of the recording room in all dimensions are outstanding features of the Bryston speakers. 6. Great dynamic qualities. The excellent fine-dynamic differentiation to which the Middle T are capable comes into its own when you hear something louder. Since they seem to know no bounds, they are ideal for people who also like to hear loud music. I have a PDF of full review in English - jamestanner@bryston.com Last edited by James Tanner - Bryston; 03-02-2019 at 04:39 PM. |
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