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McIntosh Audio A Tradition of Excellence |
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MCD500, MC252 Reviewed by Tone Audio
Looks like Jeff has published reviews of the McIntosh MCD500 (Dorgay) and MC252 (Kent/Dorgay) in the latest issue of Tone Audio at TONEAudio MAGAZINE | The e-journal of analog and digital sound.
They are both positive, however, based on my own experience i thought he would gush a bit more re: MCD500's sound, particularly at its price point. Those mega-buck players he has on hand must be unreal because the 500 is the best player i have ever heard and I havent even utilized the inputs to the DAC. So, is it just me or do ya'll think his review on par??
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Preamp: McIntosh C1100T/C1100C, McIntosh MX180 Amp: McIntosh MC611 (2), MC601 (3), MI254 Digital: McIntosh D1100, McIntosh MCT450, Meridian 808v6, Aurender N20, Aurender ACS10, Oppo 203 Analog: McIntosh MT10, Hana Umami Red Phono preamp: Simaudio Moon 610LP, 820S Signal cables: WW Gold Eclipse 7 speaker cables; Shunyata Sigma v2 XLR (2); Sigma v1 XLR (2), Transparent Ref XL (MM2) XLR; WW Silver Eclipse 7 (4) Digital cables: Shunyata Omega USB, Omega Ethernet, Sigma Ethernet; WW Platinum 7 Coax, AES/EBU Switch: Innuos PhoenixNet Power: Audioquest Niagara 7000, Audioquest 5000, Audioquest Dragon, Hurricane PC, Shunyata Alpha HC, AQ NRG Edison outlets, (8) 20 amp dedicated lines, 125 amp subpanel Speakers: Wilson Sasha DAW, Dynaudio Contour 30, Dynaudio Contour 25C Subs: REL s/812 (6), REL s/510 (3) Accessories: HRS M3X2 shelf (MT10), Stillpoints Ultra II v2 w/ bases (21), Ultra SS (12), Mini (12), LPi v1 Sound treaments: Artnovion |
#2
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Jason.......I have downloaded the issue most recent edition of Tone Audio, but have not found time yet to read it. I am looking forward to the MCD500 review. I'll have to return here after reading the review for a comment.
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Dan STUDIO - McIntosh C1000C/P, MC2301 (2), MR88, Aurender N10, Esoteric K-01X, Shunyata Sigma spdif digital cable, Sonos Connect, PurePower 2000, Stillpoints, Furutech Flux 50, Michell Gyro SE, Michell HR Power Supply, SME 309, Ortofon Cadenza Black, Wireworld, Sonus faber Amati Anniversario LIVING ROOM - McIntosh C2300, MC75 (2), MR85, Magnum Dynalab 205, Simaudio MOON Neo 260D-T, Schiit Audio Yggdrasil, Aurender N100H, Shunyata Sigma USB cable, Micro Seiki DD40, Ortofon Cadenza Blue, Nakamichi BX-300, Sony 60ES DAT, PS Audio P10, Furutech Flux 50, Sonos Connect, Stillpoints, Wireworld, Kimber, PMC EB1i, JL Audio f113 VINTAGE - McIntosh MA230, Tandberg 3011A tuner, Olive 04HD, Sony DTC-59ES DAT, McIntosh 4300V, JBL 4312A |
#3
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The price point where MCD500 resides is very competitive.
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#4
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Although a glowing review, I think Jeff's sample could have a slight fault cause he wrote in page 142, and I quote:
"My major complaint about the player is that it does not sense SACD automatically, forcing you to set it manually". Well, mine did sense it automatically, EVERY SACD disc I put in and played without a slight fault ... Amen! Nevertheless, a very glowing report that makes me a happy owner!
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Turntable: SME Synergy All-In-One Thorens TD147 Jubilee + Plixir LPS + Ortofon A-Mono DS Audio ION 1 SACD/DAC: Luxman D-10x Server: Roon Nucleus+ 8TB SSD + Plixir Elite LPS Bluray: ModWright Oppo UDP205 Amps: Air Tight ATC-5/ATM300R/ATH-3 Speakers: Avantgarde Uno XD Piano Black/Stealth Grey Cables & Interconnects: Audience Au24 SX Series Power Conditioner: Audience aR6 OX Rack & Amp Stands: Audio-Philar |
#5
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My SACD also automatically plays in this format on my MCD500, I have never had to set it manually.
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I would like to read a new review about the 501's
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#7
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Quote:
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#8
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Both reviews are fair and well-written. As an MC252 owner I was happy to see that amp get the respect it deserves.
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#9
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In my opinion, McIntosh is the only company that got digital right all of the way.
With so many "Me Too" CDP's on the market, it's easy for to me to sympathize with those that feel that vinyl is a better playback format. Last edited by gregswaim; 05-02-2009 at 09:09 AM. |
#10
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My MCD500 has also never failed to detect a hybrid SACD correctly. He specifically mentions the 500 falls short with regards to the frequency extremes, when comparing to his mega-bucks spinners. But, he states that amongst peers in its price class (and some more expensive), it is without fault.
After re-reading the review, my initial impression appears to be off. It isnt realistic that it would be on par with his 30K Naim.....it garnered a "highly recommend" which is high praise indeed given the quality of gear ToneAudio routinely reviews and their unbiased approach. i guess i was just wanting to see a 'professional' review as glowing as ours around these parts. Unfortunately, reading that quote from Ron C has me looking at my rack wondering how in the hell I could someday work a C500 2-box preamp into my system....would the sound be that much better than my 2300?? would the loss of tone controls be missed?? maybe in 2010 i will find out for now, its off to New Orleans..Jazzfest awaits. I love this time of year Jason
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Preamp: McIntosh C1100T/C1100C, McIntosh MX180 Amp: McIntosh MC611 (2), MC601 (3), MI254 Digital: McIntosh D1100, McIntosh MCT450, Meridian 808v6, Aurender N20, Aurender ACS10, Oppo 203 Analog: McIntosh MT10, Hana Umami Red Phono preamp: Simaudio Moon 610LP, 820S Signal cables: WW Gold Eclipse 7 speaker cables; Shunyata Sigma v2 XLR (2); Sigma v1 XLR (2), Transparent Ref XL (MM2) XLR; WW Silver Eclipse 7 (4) Digital cables: Shunyata Omega USB, Omega Ethernet, Sigma Ethernet; WW Platinum 7 Coax, AES/EBU Switch: Innuos PhoenixNet Power: Audioquest Niagara 7000, Audioquest 5000, Audioquest Dragon, Hurricane PC, Shunyata Alpha HC, AQ NRG Edison outlets, (8) 20 amp dedicated lines, 125 amp subpanel Speakers: Wilson Sasha DAW, Dynaudio Contour 30, Dynaudio Contour 25C Subs: REL s/812 (6), REL s/510 (3) Accessories: HRS M3X2 shelf (MT10), Stillpoints Ultra II v2 w/ bases (21), Ultra SS (12), Mini (12), LPi v1 Sound treaments: Artnovion |
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