#31
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Speaking of hard to find... Any Futura's being shipped with my name on them?
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Ivan FLORIDA MX136, MC1.2KW(10) MC2KW(2), MCD1100, MS750(2) MVP881, C1000C/P/T, MPC1500, HT-2 SUBS(2) HT3F(2) WS350(2) XRT2K, XCS2K, XR27(2) XCS350(2) JL GOTHAM v2 SUBS(2) SILENZIO MUSIC SERVER, LUMAGEN RADIANCE SCALER, SONY VPH-G90U 4K PROJECTOR, STEWART 120" MOTORIZED SCREEN, CINEMA-TECH SEATING, WW PLATINUM CABLES Reference System: ACCUPHASE A300 AMPS, C3900 PRE-AMP, DP1000 CD/SACD TRANSPORT, DC1000 DIGITAL PROCESSOR, DG-68 DIGITAL EQUALIZER, T1200 FM STEREO TUNER, PS1230 POWER SUPPLY, HRS-SXR CUSTOM RACK w/ M3X SHELVES, TAD REFERENCE ONE MK2 LOUDSPEAKERS, WW PLATINUM CABLES CAPE COD MX150, MC501(2) MC1.2KW(10) MC2301(2) MR88, MVP881, MCD1100, MDA1000, C1000C/P/T, MPC1500, ESOTERIC K-01X 30th ANNIVERSARY (BLACK) SACD/CD PLAYER, G02-X CLOCK, HT3F(2) XRT2K, XCS2K, XR27(2) JL GOTHAM v2 SUBS(2) JL FATHOM F113v2 SUBS(4) SOUND ANCHOR STANDS(2) KALEIDESCAPE STRATO & TERRA SERVERS 80-TB, LUMAGEN RADIANCE SCALER, SONY VPH-G90U 4K PROJECTOR, STEWART 120" SCREEN, SONUS FABER STRADIVARI, SILENZIO MUSIC SERVER, FORTRESS SEATING, WW PLATINUM CABLES Analog Rig: CLEARAUDIO INNOVATION WOOD, UNIVERSAL ARM w/ Da VINCI' CART, 2nd UNIVERSAL ARM w/ GOLDFINGER STATEMENT CART, HRS-MXR REFERENCE RACK-GLOSS BLACK w/ M3X SHELVES, AESTHETIX RHEA SIG PHONO-PRE, BRYSTON BHA-1 HEADPHONE AMP, WW PLATINUM CABLES Reference System: BURMESTER 911MK3 AMP(3), 088 PRE-AMP, 089 CD PLAYER, 100 PHONO PRE-AMP, 948 POWER CONDITIONER, ACCUPHASE DG-68 VOICING EQUALIZER, AVID ACUTUS REFERENCE SP TT, GRAHAM PHANTOM II SUPREME ARM, BENZ MICRO LP-S CART, GRANDIOSO P1X/D1X STACK, G1X RUBIDIUM MASTER CLOCK, N05 NETWORK PLAYER, SILENZIO MUSIC SERVER, HRS-SXR CUSTOM RACK w/ M3X SHELVES, SONUS FABER AIDA SPEAKERS, JL FATHOM F113v2 SUBS(2) SOUND ANCHOR STANDS(2) WW PLATINUM CABLES Library System: GRANDIOSO M1 MONOBLOCK AMPS, C1 LINESTAGE PRE-AMP, K1X CD/SACD PLAYER, G1 MASTER RUBIDIUM CLOCK, E02 PHONO-PRE, SILENZIO MUSIC SERVER, AERIAL ACOUSTICS 20T V2, AERIAL SW12 SUBS(2), CANTON REF K1’s, VPI HRX TT w/ SDS POWER SUPPLY, ORTOFON CADENZA BLACK CART, KLAUDIO RCM, SHUNYATA DENALI 6000/S v2, SHUNYATA OMEGA QR’s, WW PLATINUM CABLES Esoteric/Bryston System: ESOTERIC C02-X PRE-AMP, P-02X TRANSPORT, D02-X DAC, G02-X CLOCK, BRYSTON 28B3 CUBED MONOBLOCK AMPS(4), BRYSTON BHA-1 HEADPHONE AMP, SHUNYATA DENALI 6000/S v2(2) EVEREST 8000 POWER CONDITIONER(2) ALTAIRA CG & SG HUBS, AMR-DP777-SE DAC, SILENZIO MUSIC SERVER, TAD REFERENCE ONE MK2 LOUDSPEAKERS, QUADRASPIRE RACK, WW PLATINUM CABLES Accuphase/Canton System: ACCUPHASE E800 INTEGRATED, DP570 CD/SACD PLAYER, T1200 FM STEREO TUNER, DG-68 VOICING EQUALIZER, PS530 POWER SUPPLY, CANTON REF K3’s, CANTON REF K5’s, SILENZIO MUSIC SERVER, HRS MXR REFERENCE MAHOGHANY RACK w/ M3X2 SHELVES, WW GOLD CABLES |
#32
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Quote:
Boy I sure understand your concerns. Recently my trusty Wadia 860 skipped and acted up. I enquired about replacing the laser assembly and updating its chips to receive 24/96 to bring it up to 860i status. Well the chips were no longer available and the Sony laser assembly was out of production as well. I did find a new laser on Ebay from a guy who had the last 3 new ones on the planet. He priced it accordingly knowing it was used in 7200.00 Wadia's. I bought the laser and sent it in to have it repaired. But instead I traded it in on my new Resolution Audio Cantata. Dam glad I did. The Cantata is in a whole new league of digital. Now how about my Convergent Audio Technology gear. The caps are custom made by Ken Stevens. The schematics are not published. What if he gets taken out in his Porsche next week?? What about my Sonus Faber Extremas? How many drivers are in stock at Sumiko for this wonderful speaker?? For years I never thought about this stuff. I bought gear that looked like it was built to last a lifetime. But you need repair parts and service manuals! I am gravitating to McIntosh. They seem to really have this area covered as well as any company could have it covered. No one can predict the future, but I am having a hard time spending 20K or so on a one man show these days. BTW, I know nothing of the brand in question. I am sure its great....
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Sonus Faber Amati,Sonus Faber Extremas, Sonus Faber Electa Amator MkI, Sonus Faber Concertos, Convergent Audio JL-1 amps, Cat Ultimate Preamp, Dynaco SCA 35 restored with EFB mod, , Basis Debut Vacum table, Vector Arm, Koetsu Urishi, Walker Motor Drive, REL Stentor II X2, Cardas Golden Cross wire, Resolution Audio Cantata music center, Nak Dragon, Nak 505, Teac X2000R, Otari MX5050BIII, Yamaha CT7000,Mac 4300, |
#33
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Quote:
Oh now you've done it. |
#34
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You guys keep bringing up McIntosh, I remember some parts for something were not available.. Who can refresh my memory?
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#35
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So far so good. BTW Extremas have been out of production for 15 years.
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#36
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-M |
#37
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Serge,
I don't believe anyone is actually forcing you.... Seriously,.. why such a strong defensive reaction to a simple legitimate question? "Would the sound quality of Shindo equipment be as good as it was if the equipment is repaired by someone else?".... I've yet to see any response that addresses this simple question. This question is not about the reliability.. or the availability of parts. This question revolves around that simple fact that it is hand made... uniquely hand made... by one individual. If it can be repaired by anyone and with any suitable parts.. then what distinguishes Shindo tube amps and preamps from any other tube amps and preamps? Something tells me that it has to do with who built and more so, how it was built...... and if they are in fact unique and individually made, then anything that is done after the fact, may very well affect the sound it delivers. |
#38
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Since Audio is a passion and hobby for most of us, I think spending an inordinate time trying to factor in future service needs into a purchase decision can be counterproductive. Who really knows what is going to happen 10+ years from now? Who would have expected back in the mid 1950's that a whole cottage industry would have developed 50+ years later around the Garrard 301? Likewise, pity the folks who spent all their discretionary money on high end Reel to Reel equipment back in the 70's expecting that original parts would always be around. Once you've established that the outfit you are dealing with is legit, my philosophy is buy what sounds the best. For several of us I bet our equipment outlasts us. Carpe Deum.
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Speakers: Tonian classic 12 (PHY driver) and Hawthorn Audio Trios (Open Baffle). Analog Source: Nottingham Ana-log, Garrard 301. Tonearms: SME 312S, SME M2-12R, Nottingham Unipivot. Cartridge: Koetsu Onyx, Lyra Helikon Mono, Ortofon SPU Classic. Digital Source: Eastern Electric Dac +. Electronics: Shindo Vosne Romane Preamp, 45,2A3,300B,F2a,GM70 SET amps, Atma-sphere S30 OTL, Dynaco ST-70, Shindo Haut-Brion Last edited by sibelius; 08-11-2011 at 06:55 PM. |
#39
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#40
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Scott,
Well, I don't think its counterproductive.. and I do agree, there are no absolutes, and I don't have a crystal ball.... but for knowing the reliability and the serviceability of the equipment is a necessity. Some people like me, have to try and minimize the risk at best we can... so we ask these kinds of questions... |
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