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Power Conditioners Voltage regulation to AC Regeneration |
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#1
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Audience Power Conditioner
I'm thinking about getting a power conditioner for my system and wanted to get some thoughts. I've been looking at all the usual suspects from Shunyata, Purepower, PS Audio, RSA, and Audience. I don't have a lot of space, so I like the smaller size of the Audience AR6-TS and their reviews seem to be really good too. Not really sure about the regenerators, since they seem to be current limiting and I may be plugging my amp into it.
Some of these are very expensive to me, I could buy a second 275 for the price of the Audience, so I just want to make sure it is going to be worth the investment. My next step will be to see if I can try a few out and see how much of a difference they really make. So, If anyone has tried the Audience conditioners, I would appreciate any thoughts you might have.
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C2300 (Telefunkin Smooth plates); MC275 (Shuguang Treasure KT88 & Psvane signal); Sonus Faber Cremona Auditor M; JL F112; Clearaudio Concept MC; Oppo BDP-93; Squeezebox Touch; Music Hall dac23.5 (Burson Op amps, Mundorf & Multicaps, Vampire RCA jacks, Amperex White label 6922); Wireworld Silver Electra PC's, IC's, & SC's; HiFi Tuning |
#2
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I have used MIT and Richard Gray units in the past and I feel the Audience unit is far superior. I use it on the front end only. Had ARC REF 40, REF 2 and REF CD8 and now Pass XP30, XP25 and Playback Designs MPS-5 connected to it. Last edited by Frank750; 02-25-2013 at 01:01 PM. |
#3
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I am in the UK and our version of the aR6 is the aR4, with the aR12 becoming the aR8.
I have an aR8 with my name on it, waiting for me to pay for it and have it shipped. It will replace an IsoTek Aquarius, 6 outlet power filter. John |
#4
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I had a PS Audio PPP in my system previously, and have since been using a RSA Dmitri...the difference was pretty startling, much lower noise floor (where you thought it was quiet already!), much more enjoyable. I haven't heard the Audience though I have heard great things about it...
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McIntosh MA12000, Hifi Rose RS150B Streamer, Roon Nucleus + Server, JBL Classic L100 Classic 75s, REL S812s (x2), Pioneer PL-630 Vintage TT with Hana SL cart. |
#5
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After many months of using my aR8, all I can say is that it is much better than my old IsoTek Aquarius. Clean power, clean sound.
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Avid Acutus SP, NO ARM, Benz Micro LP-S, Whest Audio PS.40RDT SE, PS Audio DSMP+DS DAC, Simaudio Moon 700i, Dali Epicon 6, Simaudio Moon Nēo 430HAD, HiFiMan HE-1000v2, Chord Sarum SA XLR, RCA, USB, Chord Sarum speaker, Nordost Vishnu power, Furutech plugs, PS Audio P10+Chord Sarum SA power, Stillpoints Ultra SS, Ultra Mini and LPI, HiFi Racks rack, Audio Desk Systeme PRO+Keith Monks Omni RCM |
#6
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I am glad you liked it cause I have the aR12 and never had been more happier.
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Turntable: SME Synergy All-In-One Thorens TD147 Jubilee + Plixir LPS + Ortofon A-Mono DS Audio ION 1 SACD/DAC: Luxman D-10x Server: Roon Nucleus+ 8TB SSD + Plixir Elite LPS Bluray: ModWright Oppo UDP205 Amps: Air Tight ATC-5/ATM300R/ATH-3 Speakers: Avantgarde Uno XD Piano Black/Stealth Grey Cables & Interconnects: Audience Au24 SX Series Power Conditioner: Audience aR6 OX Rack & Amp Stands: Audio-Philar |
#7
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Hi there. My first post, so I've tried to make it informative:
I have an aR4 PLC here in the UK, with their bundled £500 Power "e" (my aR4 was recently upgraded to full TSS level, but that's another story). For now, my point is about the Audience house sound: I haven't had the opportunity to compare the Audience to other PLCs of similar calibre, but my overall impression is that it majors on dynamics, with large soundstage, precise images, and bags of fine detail. In short, it can lift a good recording into "you are there" territory. There's no real downside, other than it may appear a touch forward compared to allegedly "weightier" rivals like the Powercell SE. And those who don't rate Audience cables usually complain of them being too thin or forward, whilst those who do rate them usually say the cables are just being honest. Now, Audience PLCs use the Neutrik lockable Powercon for the input socket, more secure than the usual IEC socket. The downside is that it's hard to compare other cables... until now. I made a simple IEC-to-Powercon converter, using a stock Belken IEC inline socket, some wire and a Powercon plug. Total cost about £10, so not audiophile, but I was hoping that it would be enough to show the inherent quality of different power cords. If they sounded good with the converter, then they could only get better when directly connected. First off, I replaced the Power e with my ancient, first generation, entry level Transparent PC. And I promptly fell out of my chair. The sound signature of my system completely changed to that of the TA: Full but slow bass, pleasant midrange, no sparkle, plodding. This TA served me well in the early days, but is now outclassed in this company. At least this is showing that the Audience PLC itself is transparent and will take on the sound signature of its input cable. What surprised me was how obvious this change was - much more so than when I had done such a swap in different circumstances. Next was my current TA mid-range PC, can't remember the name, but its about 4 years old, MM2 technology and cost about £500. This was much closer to the Power e. The TA a touch more natural, the Power a touch more dynamic and detailed. On balance I preferred the Power e. So now I'm on the lookout for a PC that combines both strengths, plus more of everything to make the change worth while. Soon to try the much pricier Audience Au24 versus whatever the dealer recommended as a worthy lower cost rival: he suggested Nordost Frey 2 - possibly the last company I would have thought of myself, but I'll stay open minded and see what happens. Should add something about my rig: From a vinyl/loudspeaker background, I'm now exclusively a headphone listener, using Nagra CDC > TA Reference interconnect > BHSE hybrid amp > Stax SR007 Mk1 headphones. |
#8
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The Attorney... Welcome!
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Ivan FLORIDA MX136, MC1.2KW(10) MC2KW(2), MCD1100, MS750(2) MVP881, C1000C/P/T, MPC1500, HT-2 SUBS(2) HT3F(2) WS350(2) XRT2K, XCS2K, XR27(2) XCS350(2) JL GOTHAM v2 SUBS(2) SILENZIO MUSIC SERVER, LUMAGEN RADIANCE SCALER, SONY VPH-G90U 4K PROJECTOR, STEWART 120" MOTORIZED SCREEN, CINEMA-TECH SEATING, WW PLATINUM CABLES Reference System: ACCUPHASE A300 AMPS, C3900 PRE-AMP, DP1000 CD/SACD TRANSPORT, DC1000 DIGITAL PROCESSOR, DG-68 DIGITAL EQUALIZER, T1200 FM STEREO TUNER, PS1230 POWER SUPPLY, HRS-SXR CUSTOM RACK w/ M3X SHELVES, TAD REFERENCE ONE MK2 LOUDSPEAKERS, WW PLATINUM CABLES CAPE COD MX150, MC501(2) MC1.2KW(10) MC2301(2) MR88, MVP881, MCD1100, MDA1000, C1000C/P/T, MPC1500, ESOTERIC K-01X 30th ANNIVERSARY (BLACK) SACD/CD PLAYER, G02-X CLOCK, HT3F(2) XRT2K, XCS2K, XR27(2) JL GOTHAM v2 SUBS(2) JL FATHOM F113v2 SUBS(4) SOUND ANCHOR STANDS(2) KALEIDESCAPE STRATO & TERRA SERVERS 80-TB, LUMAGEN RADIANCE SCALER, SONY VPH-G90U 4K PROJECTOR, STEWART 120" SCREEN, SONUS FABER STRADIVARI, SILENZIO MUSIC SERVER, FORTRESS SEATING, WW PLATINUM CABLES Analog Rig: CLEARAUDIO INNOVATION WOOD, UNIVERSAL ARM w/ Da VINCI' CART, 2nd UNIVERSAL ARM w/ GOLDFINGER STATEMENT CART, HRS-MXR REFERENCE RACK-GLOSS BLACK w/ M3X SHELVES, AESTHETIX RHEA SIG PHONO-PRE, BRYSTON BHA-1 HEADPHONE AMP, WW PLATINUM CABLES Reference System: BURMESTER 911MK3 AMP(3), 088 PRE-AMP, 089 CD PLAYER, 100 PHONO PRE-AMP, 948 POWER CONDITIONER, ACCUPHASE DG-68 VOICING EQUALIZER, AVID ACUTUS REFERENCE SP TT, GRAHAM PHANTOM II SUPREME ARM, BENZ MICRO LP-S CART, GRANDIOSO P1X/D1X STACK, G1X RUBIDIUM MASTER CLOCK, N05 NETWORK PLAYER, SILENZIO MUSIC SERVER, HRS-SXR CUSTOM RACK w/ M3X SHELVES, SONUS FABER AIDA SPEAKERS, JL FATHOM F113v2 SUBS(2) SOUND ANCHOR STANDS(2) WW PLATINUM CABLES Library System: GRANDIOSO M1 MONOBLOCK AMPS, C1 LINESTAGE PRE-AMP, K1X CD/SACD PLAYER, G1 MASTER RUBIDIUM CLOCK, E02 PHONO-PRE, SILENZIO MUSIC SERVER, AERIAL ACOUSTICS 20T V2, AERIAL SW12 SUBS(2), CANTON REF K1’s, VPI HRX TT w/ SDS POWER SUPPLY, ORTOFON CADENZA BLACK CART, KLAUDIO RCM, SHUNYATA DENALI 6000/S v2, SHUNYATA OMEGA QR’s, WW PLATINUM CABLES Esoteric/Bryston System: ESOTERIC C02-X PRE-AMP, P-02X TRANSPORT, D02-X DAC, G02-X CLOCK, BRYSTON 28B3 CUBED MONOBLOCK AMPS(4), BRYSTON BHA-1 HEADPHONE AMP, SHUNYATA DENALI 6000/S v2(2) EVEREST 8000 POWER CONDITIONER(2) ALTAIRA CG & SG HUBS, AMR-DP777-SE DAC, SILENZIO MUSIC SERVER, TAD REFERENCE ONE MK2 LOUDSPEAKERS, QUADRASPIRE RACK, WW PLATINUM CABLES Accuphase/Canton System: ACCUPHASE E800 INTEGRATED, DP570 CD/SACD PLAYER, T1200 FM STEREO TUNER, DG-68 VOICING EQUALIZER, PS530 POWER SUPPLY, CANTON REF K3’s, CANTON REF K5’s, SILENZIO MUSIC SERVER, HRS MXR REFERENCE MAHOGHANY RACK w/ M3X2 SHELVES, WW GOLD CABLES |
#9
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I had latest AR6-TS with AU24 powechord and compared it with Running Spring latest Jaco with its stock power cord. I liked Jaco better. More natural and open sound that audience combo. May be the audience AR6-TS unit by itself is great, but audiecne au24 powechord tend to soften edges and sound less focused. I kept Jaco for its price/performance.
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#10
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