#4081
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Bombadil wrote: "It "might" be true that your lack of "oomph" can fixed via a subwoofer. But it is my experience that when it comes to classical music, a lot of wattage is needed through the midrange."
I was on the same page until I read about the SUB configuration possibilities, which should definitely alleviate the "oomph" limitation. Evidently, this is not a black and white argument and a combination of variables are in place here, as you point out. |
#4082
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Rosco65 wrote: "... it is almost impossible to avoid instantaneous clipping during replay of musically-demanding pieces."
With 20 dB headroom needs in those demanding passages and my limited Triode-configured Inspire (which sounds magnificent when those demands are tamed), better bass management and power may alleviate the resulting "oomph" limitations, in part due to the benign clipping nature of the Triode-strapped tube amp (and all tube amps in general). Although this avenue may not suffice, it will certainly improve the much important bass management, an added benefit affecting even the already quite good acoustic jazz experience. Last edited by Musica Amantem; 08-19-2017 at 05:06 PM. |
#4083
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pstrisik wrote: "I understand from living "up here" in Alaska. Shipping is painful. I imagine even worse for you. Is "down there" Brazil? That memory is from some time ago when we might have had a similar discussion about other equipment, unless that was someone else."
I lived in Sao Paulo for a few years and that is where I acquired the Velodyne SUB, 10 years ago. I'm currently stationed in Panama City, Central America. Would stuffing the SUB port on my Velodyne pose any risk to it? I'll try that first and learn from the experience. But, I'm convinced an improved SUB platform is a must in my case. Thanks for the valuable inputs. |
#4084
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A platform would likely help. I use a Herbie's product for the sub feet. I'd like to try platforms, but not motivated enough to do it. |
#4085
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Last edited by Musica Amantem; 08-19-2017 at 09:54 PM. |
#4086
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An emily litella moment but there's an audiophile nerd joke in there somewhere! |
#4087
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I know people who love that setup. No need for a switch as you are running in both single-ended and triode. Switches are typically employed to switch between triode and ultralinear, which usually doubles the power output. My Inspire is single-ended pentode. I do have a triode tube amp, but it is push-pull, producing about 18-20 wpc with two EL34/6CA7/KT77 tubes per channel. |
#4088
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#4089
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There are some inherent compromises when choosing low-powered single ended amps. We must choose very high efficiency (>98dB) speakers with their demands on space and presentation, or we must accept the ultimate limitations in output for speakers of moderately high (90-96dB) efficiency. One workaround is to compromise: choose a speaker we like but has 90-96dB efficiency and/or choose an amp with greater output. I have found my PSE to be a near-ideal compromise at ~20wpc. I get 13 dB of gain which allows me to listen at 85dB (relative nearfield) and have 20dB of headroom with speakers of 92dB. One challenge is to get the bass power we like with low powered tube amps. Most high-efficiency drivers are ill-suited for deep bass reproduction. And those that are well-suited (like big JBL drivers) still like a bit more power than their stated efficiency would suggest. My personal approach has been to focus on getting everything above 50hz right using my tube gear and turning to the brute-force method of active bass support. |
#4090
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The bass sub-system is a must in these low-powered but otherwise excellent Inspire units, and this is the avenue I'll be adopting after being made aware of by Peter and yourself. Having a Triode configuration makes things even more delightful for that magical mid-range, at the cost of requiring more oomph through a really balanced active SUB sub-system. In any event, once I have this SUB platform installed and dialed-in then I'll consider further power considerations, if required, which I frankly doubt. |
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