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Photography Digital & Film Buffs here |
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#1
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Fuji X20 does the Pigeon Point Lighthouse
I've been so busy shooting the last few days, both at Pigeon Point last Thursday with the RX100 and XP1, and the vintage car races with the Canon 1Dx, I haven't had time to look at the images I took at Pigeon Point with the X20.
Today over lunch I worked up one of the images...I think it came out rather nicely. Something about that Fuji color that is just magical....
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Lumin P1 streamer/DAC/preamp, Constellation Inspiration integrated TT: Michell Gyro SE MkII, SME V, Koetsu Urushi Vermilion, EAR324. Harbeth 30.2s, REL R-305, Shunyata Alpha V2 ICs, Alpha V2 SPs, Sigma XC, Sigma NRv2, Omega QR-s & Alpha NRv2 PCs, segmented Altaira SG stack w/ Alpha & Omega CGCs, Everest 8000 PD. Remote Server Room: Uptone EtherREGEN, AfterDark Master Clock & LPS, Alita, Battle Angel, (Akasa NUC Roon Core), iFi DC Purifiers (for SMPS used for Alita & router), Shunyata Gemini combo power distributor & Altaira-type CG GP-NR hub, Venom & Alpha CGCs, Shunyata NRv14 power cords for digital components. |
#2
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Wow that is awesome , I love lighthouses in general . This pic makes me feel like I am there .thanks for sharing you made my day.
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#3
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Stephen.......Such a classic angle of the lighthouse and a very attractive photo. I use to live in Half Moon Bay in the early 70's and traveled the coast highway to Santa Cruz many times. I have stopped at the Pigeon Point Lighthouse several times. It is the tallest lighthouse on the West Coast. Thanks for posting your photograph. It brought back some pleasant memories.
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Dan STUDIO - McIntosh C1000C/P, MC2301 (2), MR88, Aurender N10, Esoteric K-01X, Shunyata Sigma spdif digital cable, Sonos Connect, PurePower 2000, Stillpoints, Furutech Flux 50, Michell Gyro SE, Michell HR Power Supply, SME 309, Ortofon Cadenza Black, Wireworld, Sonus faber Amati Anniversario LIVING ROOM - McIntosh C2300, MC75 (2), MR85, Magnum Dynalab 205, Simaudio MOON Neo 260D-T, Schiit Audio Yggdrasil, Aurender N100H, Shunyata Sigma USB cable, Micro Seiki DD40, Ortofon Cadenza Blue, Nakamichi BX-300, Sony 60ES DAT, PS Audio P10, Furutech Flux 50, Sonos Connect, Stillpoints, Wireworld, Kimber, PMC EB1i, JL Audio f113 VINTAGE - McIntosh MA230, Tandberg 3011A tuner, Olive 04HD, Sony DTC-59ES DAT, McIntosh 4300V, JBL 4312A |
#4
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Stephen, what's your usual setting for the Fuji cams? Do you dial in any EV or use manual WB?
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#5
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Great picture Stephen. The colors are indeed gorgeous.
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#6
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Quote:
I use auto white balance on both Fujis as the Fuji's AWB is so accurate (more accurate than any other camera I've ever used), and more accurate than any of the specific color temp settings. I dial in some EV sometimes depending on the shooting situation (e.g. shooting backlit or in shadow areas), but usually the Exp Comp is on Zero.
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Lumin P1 streamer/DAC/preamp, Constellation Inspiration integrated TT: Michell Gyro SE MkII, SME V, Koetsu Urushi Vermilion, EAR324. Harbeth 30.2s, REL R-305, Shunyata Alpha V2 ICs, Alpha V2 SPs, Sigma XC, Sigma NRv2, Omega QR-s & Alpha NRv2 PCs, segmented Altaira SG stack w/ Alpha & Omega CGCs, Everest 8000 PD. Remote Server Room: Uptone EtherREGEN, AfterDark Master Clock & LPS, Alita, Battle Angel, (Akasa NUC Roon Core), iFi DC Purifiers (for SMPS used for Alita & router), Shunyata Gemini combo power distributor & Altaira-type CG GP-NR hub, Venom & Alpha CGCs, Shunyata NRv14 power cords for digital components. |
#7
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Quote:
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#8
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Wonderful image! Thanks for sharing.
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Michael 4K QLED|Aerial Acoustics|McIntosh D100 - MC501 - MX151|Bluesound|Schiit|Wyrd4Sound
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