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Wife gave these to me for Christmas. Just finishing up Disc 2 now.
Sensational musicianship.
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McIntosh MA8000; McIntosh MC1502; Canton Vento Reference 1 DC; E.A.T. E-Flat; Soundsmith Paua Mk II; Technics SL 1210 MK5; Audio Technica AT-150 MLX; Tascam BR-20; Teac X1000R; Pioneer RT-707; Oppo UDP 205; Denon DCD A-100; HP All-In-One Touchscreen Server; JRiver MC 28; Woo Audio WA6; Shure SRH 1840; SVS SB 1000; Jolida 502BRC; Jolida JD9; VPI 16.5 RCM; Wireworld Oasis 8 Speaker Cables; Audoquest Columbia 72 DBS IC's; Panamax PM-5400 (source components only) |
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Perotin
The Hilliard Ensemble via Qobuz This was not entirely to our liking.
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Stereo: Hegel H590, Grimm Audio MU1, Mola Mola Tambaqui, Burmester 948 - V3 & V6 racks, Vivid Audio G2 Giyas, REL Carbon Special (pair), Silent Angel Bonn N8 Ethernet Switch & Forester F1, Wireworld Platinum Eclipse IC and SE SC, Furutech Digiflux AV: Hegel C-53, Marantz AV8802A, Oppo BDP-203EU, Pioneer Kuro 60", Vivid Audio C1 & V1w's, Wireworld Platinum Eclipse, SE & E Second system (veranda): Halgorythme preamp and monoblocks, Burmester 061, Avalon Avatar, Sharkwire & Wireworld cables |
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Joseph Haydn - Die Schöpfung
La Capella Reial de Catalunya Le Concert des Nations, Jordi Savall Qobuz 24/88.2 I wasn't a great fan of his Christmas Oratorium, but I did like this quite a bit! Jordi is now 80, but still going (very) strong. The album, as is always the case with Alia Vox, has a well taken care of, beautiful booklet. I don't understand how some of the musicians could play with face nappies though...
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Stereo: Hegel H590, Grimm Audio MU1, Mola Mola Tambaqui, Burmester 948 - V3 & V6 racks, Vivid Audio G2 Giyas, REL Carbon Special (pair), Silent Angel Bonn N8 Ethernet Switch & Forester F1, Wireworld Platinum Eclipse IC and SE SC, Furutech Digiflux AV: Hegel C-53, Marantz AV8802A, Oppo BDP-203EU, Pioneer Kuro 60", Vivid Audio C1 & V1w's, Wireworld Platinum Eclipse, SE & E Second system (veranda): Halgorythme preamp and monoblocks, Burmester 061, Avalon Avatar, Sharkwire & Wireworld cables |
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Quote:
This is quite a brilliant recording. Streaming it from the ssd now (WAV 32/352.8).
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Stereo: Hegel H590, Grimm Audio MU1, Mola Mola Tambaqui, Burmester 948 - V3 & V6 racks, Vivid Audio G2 Giyas, REL Carbon Special (pair), Silent Angel Bonn N8 Ethernet Switch & Forester F1, Wireworld Platinum Eclipse IC and SE SC, Furutech Digiflux AV: Hegel C-53, Marantz AV8802A, Oppo BDP-203EU, Pioneer Kuro 60", Vivid Audio C1 & V1w's, Wireworld Platinum Eclipse, SE & E Second system (veranda): Halgorythme preamp and monoblocks, Burmester 061, Avalon Avatar, Sharkwire & Wireworld cables |
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Saint Saëns
Quatuor Tchalik Qobuz 24/88.2 Well played, good sound. Plus the fact that I love these pieces. A home run! Camille Saint-Saëns' music is at last beginning to emerge from the purdah to which it has been confined for almost a century. New releases follow one after another, constantly leading us to reconsider the unkind judgements that have been made about this composer. It is true that his marked xenophobia and his lack of knowledge of the composers of his time, including Debussy and Stravinsky, made him look like an obtuse reactionary. Like Bach or Mozart in their time, Saint-Saëns did not seek to revolutionise the language of music, slipping into existing moulds to express what he had to say. Ever respectful of form, he composed, he said, "as an apple tree produces apples". Although he had explored all the genres, Saint-Saëns had never before touched the sacrosanct string quartet, a form renowned for its loftiness and difficulty of writing. It was not until 1899 that he composed his Quartet No. 1 in E minor, probably stirred by the success of Debussy's string quartet that had been written a few years earlier. Then aged sixty-three, Saint-Saëns breathed an insolent youthfulness into this work with its irresistible dynamic momentum and rich melodies. The writing is skilful and timelessly classic, with a pre-eminence in the part of the first violin. It should be said that the work is dedicated to his friend Eugène Ysaÿe, one of the greatest violinists of his time. The Quartet N° 2 in G major, written in 1918, is less ambitious and has only three movements, but it has the serenity of old age, free from metaphysical torment, combining candour and expression, especially in the beautiful slow movement. The clarity of Saint-Saëns' writing is perfectly displayed by the beautiful interpretation of the Tchalik Quartet, a Franco-Russian sibling ensemble immersed in music from their childhood, with natural playing and the rare ability to listen to each other. © François Hudry/Qobuz
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Stereo: Hegel H590, Grimm Audio MU1, Mola Mola Tambaqui, Burmester 948 - V3 & V6 racks, Vivid Audio G2 Giyas, REL Carbon Special (pair), Silent Angel Bonn N8 Ethernet Switch & Forester F1, Wireworld Platinum Eclipse IC and SE SC, Furutech Digiflux AV: Hegel C-53, Marantz AV8802A, Oppo BDP-203EU, Pioneer Kuro 60", Vivid Audio C1 & V1w's, Wireworld Platinum Eclipse, SE & E Second system (veranda): Halgorythme preamp and monoblocks, Burmester 061, Avalon Avatar, Sharkwire & Wireworld cables Last edited by bart; 12-27-2021 at 06:25 PM. |
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Dutilleux - Merlin - Schönberg - 'Round Midnight
Quatuor Ébène Antoine Tamestit Nicolas Altstædt Qobuz 24/96 Another magnificent album. I adore the Schönberg piece, have heard it in multiple performances, this must be one of the absolute best. The Dutilleux work is only the second or third time I hear it. Beautiful! The Merlin was a first, and it is interesting. The sound is impeccable.
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Stereo: Hegel H590, Grimm Audio MU1, Mola Mola Tambaqui, Burmester 948 - V3 & V6 racks, Vivid Audio G2 Giyas, REL Carbon Special (pair), Silent Angel Bonn N8 Ethernet Switch & Forester F1, Wireworld Platinum Eclipse IC and SE SC, Furutech Digiflux AV: Hegel C-53, Marantz AV8802A, Oppo BDP-203EU, Pioneer Kuro 60", Vivid Audio C1 & V1w's, Wireworld Platinum Eclipse, SE & E Second system (veranda): Halgorythme preamp and monoblocks, Burmester 061, Avalon Avatar, Sharkwire & Wireworld cables |
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Rodrigo: Concierto de Aranjuez; Berkeley: Guitar Concerto, Op. 88
Julian Bream, guitar Monteverdi Orchestra, John Eliot Gardner conducting RCA (1975), via Qobuz Certainly one of the best performances of the Rodrigo. IMG_1460.jpg
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Tony D'Agostino Momentum S250 MxV & HD pre; Linn Klimax Organik DSM, SonicTransporter, EtherRegen; Acoustic Signature Typhoon Neo, Koetsu RSP, Boulder 1108; Sf Il Cremonese; Shunyata Everest, Altaira, Sigma & Alpha v2 |
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New
Spinning some MONO: Symphonies # 94 in G Major and #99 in E Flat Major Haydn Vienna Philharmonic Orchestra Josef Krips Conducting London FFR CM 9222 Regards, Jim
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It's all about the Music, but I sure like the way my gear makes it come alive! |
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