#21
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If the one you have is the CX2310, I can tell you I used to have one of those. It is not a very good piece of gear. Mine had a low level hum and noticably made everything sound more cloudy. It was a good experiment but you want to upgrade to a better crossover as soon as possible.
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- crossover frequency - crossover slope - level adjust for each channel You should also be aware that some active crossovers are digital - meaning they digitize the signal, do the processing, then convert it back to analog. In fact, most HT processors I am aware of have the crossover function in digital. If your MX150 does this, then this is a very bad thing. You want to turn off all digital processing when listening to music - and if you do that, you would lose your crossover function. Digital processing is fine for booms and explosions but not for music. Quote:
The only brand I am aware of that offers you all this is Marchand. There are different types of Marchand crossovers, some very cheap and all the way up to a fully discrete valve design with no op-amps and vacuum tube rectification. Otherwise, some other well regarded brands are - Bryston, Pass Labs, and Accuphase. All of these are solid state.
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Source: Playback Designs MPS-5, Micro-Seiki BL99V, MA505 Mk2, Lyra Dorian, Denon 103D, RCM Sensor Phono Stage. Amplification: Cary SLP-05 pre, Cary CAD-211AE, SGR EL30S power, Marchand XM44. Speakers: Acapella High Violon, JL Audio F110 subwoofer pair. Pictures here |
#22
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For me it was likely all the years I spent before learning how to properly position my speakers. All the gear I changed without giving it a fair chance…..
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#23
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To be honest at this point i'm very happy with my system without a cross over, so I'll sell the CX2310 and take the loss...live and learn.
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Steve Audio Room:MC1000 Mono-Blocks, C2300 w Gold Lions, Eastern Electric DAC Plus, Magnepan 1.7,SVS SB13Plus sub, Squeezebox Touch,Rega RP1 performance,iPad2, SurgeX XS10 Portable Rig: Audeze LCD2 w custom cable, Cypher Labs Algorhythm Solo, Ray Samuels SR71-B Balanced Amp, ALO Audio cables, 160GB iPod, |
#24
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Well, nothing stopping you from buying a bunch of cheap XLR cables to hook it up! I lived for a few months with the CX2310 in my system and XLR's that cost me $10 a pair. This is an experiment, it is not a long term solution.
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Source: Playback Designs MPS-5, Micro-Seiki BL99V, MA505 Mk2, Lyra Dorian, Denon 103D, RCM Sensor Phono Stage. Amplification: Cary SLP-05 pre, Cary CAD-211AE, SGR EL30S power, Marchand XM44. Speakers: Acapella High Violon, JL Audio F110 subwoofer pair. Pictures here |
#25
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I really don't feel like hooking it up if it's going to add noise etc...to my system. I'm getting a new set of speakers in about a week and I'll see how I feel about them with my sub.
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Steve Audio Room:MC1000 Mono-Blocks, C2300 w Gold Lions, Eastern Electric DAC Plus, Magnepan 1.7,SVS SB13Plus sub, Squeezebox Touch,Rega RP1 performance,iPad2, SurgeX XS10 Portable Rig: Audeze LCD2 w custom cable, Cypher Labs Algorhythm Solo, Ray Samuels SR71-B Balanced Amp, ALO Audio cables, 160GB iPod, |
#26
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Sperandeo.......Looking at your signature, I can tell your equipment is far above the quality level of the Behringer crossover. The unit you are speaking of is under $90.00 at most of the musician audio stores, and is primarily an entry level component for small bands with small budgets. This component is not designed for high-end two channel audio systems.
Years ago I made a similar mistake, purchasing a Tapco electronic crossover at a music store to bi-amp a pair of large two way JBL speakers with 15" woofers and horns with compression drivers. Tapco gear was the cheap side of Electrovoice at the time. It was noisy, the controls were difficult to repeat adjustments and not accurate between the channels. I did not keep it. More recently I owned a Bryston 10B Sub active crossover, purchased new from Ivan (Masterlu). I used it with a pair of Sonus faber Guarneri Memento speakers and a pair of McIntosh XLS112 powered subwoofers. The Bryston 10B Sub is absolutely at the quality level of McIntosh gear, and performed flawlessly in that system. Unfortunately though, the Bryston 10B Sub can't be bought for $90.00.
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Dan STUDIO - McIntosh C1000C/P, MC2301 (2), MR88, Aurender N10, Esoteric K-01X, Shunyata Sigma spdif digital cable, Sonos Connect, PurePower 2000, Stillpoints, Furutech Flux 50, Michell Gyro SE, Michell HR Power Supply, SME 309, Ortofon Cadenza Black, Wireworld, Sonus faber Amati Anniversario LIVING ROOM - McIntosh C2300, MC75 (2), MR85, Magnum Dynalab 205, Simaudio MOON Neo 260D-T, Schiit Audio Yggdrasil, Aurender N100H, Shunyata Sigma USB cable, Micro Seiki DD40, Ortofon Cadenza Blue, Nakamichi BX-300, Sony 60ES DAT, PS Audio P10, Furutech Flux 50, Sonos Connect, Stillpoints, Wireworld, Kimber, PMC EB1i, JL Audio f113 VINTAGE - McIntosh MA230, Tandberg 3011A tuner, Olive 04HD, Sony DTC-59ES DAT, McIntosh 4300V, JBL 4312A |
#27
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Am I the only one that have had the cartridge needle bent by my sleeve? Lost a brand new Ortofon MC 30 Super II that way.. hate it..
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#28
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Long, long ago, I had a Denon automatic turntable. I had dropped my copy of Led Zeppelin 4 and about an inch deep chunk came out of the record. One night I put the record on without realizing the chunk of record was missing (I may have been drinking that night, I forget!) and the automatic arm laid my cartridge right into the broken record, ripping off the stylus. Oops!
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#29
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Any comments good/bad on Dahlquist DQ-LP1 active cross-over connected to
a pair of Dahlquist subwoofers. Cheers |
#30
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Quote:
mistral427tp, you should start a thread in the subwoofer forum. Off topic here. |
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