AudioAficionado.org  

Go Back   AudioAficionado.org > Audio & Video > Cables Galore

Cables Galore Speaker cables, Interconnects & Power cords

Reply
 
Thread Tools Display Modes
  #91  
Old 08-02-2009, 05:12 PM
jdandy's Avatar
jdandy jdandy is offline
Merry Christmas to all



 
Join Date: Apr 2009
Location: North Central Florida
Posts: 53,224
Default

That may have been "the cable that God uses", but it seems they were made by the devil.
__________________
Dan



STUDIO - McIntosh C1000C/P, MC2301 (2), MR88, Aurender N10, Esoteric K-01X, Shunyata Sigma spdif digital cable, Sonos Connect, PurePower 2000, Stillpoints, Furutech Flux 50, Michell Gyro SE, Michell HR Power Supply, SME 309, Ortofon Cadenza Black, Wireworld, Sonus faber Amati Anniversario
LIVING ROOM - McIntosh C2300, MC75 (2), MR85, Magnum Dynalab 205, Simaudio MOON Neo 260D-T, Schiit Audio Yggdrasil, Aurender N100H, Shunyata Sigma USB cable, Micro Seiki DD40, Ortofon Cadenza Blue, Nakamichi BX-300, Sony 60ES DAT, PS Audio P10, Furutech Flux 50, Sonos Connect, Stillpoints, Wireworld, Kimber, PMC EB1i, JL Audio f113
VINTAGE - McIntosh MA230, Tandberg 3011A tuner, Olive 04HD, Sony DTC-59ES DAT, McIntosh 4300V, JBL 4312A

Last edited by jdandy; 08-02-2009 at 06:26 PM.
Reply With Quote
  #92  
Old 08-02-2009, 05:35 PM
jetblack's Avatar
jetblack jetblack is offline
Love Those Tunes
 
Join Date: Apr 2009
Location: Jasper, GA
Posts: 1,252
Default

Quote:
Originally Posted by 1KW View Post
Ok,
I really did it now, I shook the branch with the big hornets nest . I am going to get a big

Yesterday, I went to Hi Fi House and compared Audioquest mid-low level cables retailing for around $400 for two to Transparent high level cables which retail for $2000 for two. I could not hear any difference between the two, nada. I am now convinced that resistance is the most important part of a speaker cable; as long as you have the proper gauge that can handle the current and runs are short ie less than 10 feet it is hard to hear any differences. How can we have a cable thread and not have this come up ?
That's ok, everyone is entitled to their opinion. I have yet to witness beatings on this forum.

All I ask is that when one uses the term 'resistance', that they be specific. Whether it be DC resistance, or AC reactance. It can make a world of difference. And then there's sheilding, and cable layout design. Let the floggings begin..............
__________________
MX136, MC501s, MC402, MCD500
RtR 300Ds, JL Fathom F112, Mirage OM-C3, JBL 2600s
Dual CS 606, Ortofon 2M Black
Tandberg TD20A, Harmon Kardon HK 400xM
PPP, Power Port, WW Ag Eclipse IC's & Speaker Cables, WW Ag Electra PC's
Reply With Quote
  #93  
Old 08-02-2009, 06:15 PM
bradleyc's Avatar
bradleyc bradleyc is offline
McKlipschead
 
Join Date: Jun 2009
Location: Midwest
Posts: 3,090
Default

Maybe that lower-priced Audioquest corporate wire held it's own with the good stuff, and aint so bad after all?
Reply With Quote
  #94  
Old 08-02-2009, 07:08 PM
tony-w's Avatar
tony-w tony-w is offline
Member
 
Join Date: May 2009
Location: San Francisco
Posts: 456
Default

Quote:
Originally Posted by jdandy View Post
In my humble opinion, Tara Labs owners were well aware of their actions, and fully intended to capitalize on the perception of Made In The USA. Their weak excuses were smoke and mirrors to avoid prosecution, fines, and negative publicity.
In the early 90's I believe it was after hearing Mathew Bond speak at a stereo shop seminar I almost bought their new tube preamp, at the special seminar price. Must have been the Australian accent.
Reply With Quote
  #95  
Old 08-02-2009, 07:16 PM
jdandy's Avatar
jdandy jdandy is offline
Merry Christmas to all



 
Join Date: Apr 2009
Location: North Central Florida
Posts: 53,224
Default

tony-w........I can't say whether Matthew Bond's accent is real, but he seems to be a master of talking out of both sides of his mouth and tap dancing.
__________________
Dan



STUDIO - McIntosh C1000C/P, MC2301 (2), MR88, Aurender N10, Esoteric K-01X, Shunyata Sigma spdif digital cable, Sonos Connect, PurePower 2000, Stillpoints, Furutech Flux 50, Michell Gyro SE, Michell HR Power Supply, SME 309, Ortofon Cadenza Black, Wireworld, Sonus faber Amati Anniversario
LIVING ROOM - McIntosh C2300, MC75 (2), MR85, Magnum Dynalab 205, Simaudio MOON Neo 260D-T, Schiit Audio Yggdrasil, Aurender N100H, Shunyata Sigma USB cable, Micro Seiki DD40, Ortofon Cadenza Blue, Nakamichi BX-300, Sony 60ES DAT, PS Audio P10, Furutech Flux 50, Sonos Connect, Stillpoints, Wireworld, Kimber, PMC EB1i, JL Audio f113
VINTAGE - McIntosh MA230, Tandberg 3011A tuner, Olive 04HD, Sony DTC-59ES DAT, McIntosh 4300V, JBL 4312A
Reply With Quote
  #96  
Old 08-02-2009, 08:18 PM
1KW 1KW is offline
Guest
 
Join Date: Apr 2009
Location: Naples, Fl & Long Beach Island, NJ
Posts: 7,634
Default

WOW guys, I went away for a few hours with the family and I come back to all this... hmmm . Nothing like a cable thread :rant:
Reply With Quote
  #97  
Old 08-02-2009, 11:02 PM
Still-One Still-One is offline
Guest
 
Join Date: Apr 2009
Location: Milford, MI
Posts: 32,465
Default

Quote:
Originally Posted by schaefer11 View Post
"In my humble opinion, if you don't hear the difference it is because: 1) you don't want to 2) you are trying the wrong cables."

1. Not likely that someone would take the time, effort and money to swap out cables and then not want to hear a difference. I think the opposite is true.

2. From my reading over the years, it has been my observation that folks who hear cable differences claim to hear differences no matter what cables are tried. If there are truly audible differences, and if the measurable differences, such as resistance and capacitance aren't the reason, and things such as metallurgy, dielectrics, stranding etc. are the reason, then there can't be any "wrong" cables to try, can there?
Regarding point 1. I have used non-OEM power cords on most of my equipment for years and have swapped a couple brands in and out to try and better them. Until now, no improvement over what I have been using. I wanted the current less expensive (not cheap) power cords to hold their own. They did not.

Regarding Point 2. The other variable is company's such as MIT and Transparent that have in-line Network boxes. These are placed there to impact the sound. Whether or not someone approves of those devices is up to them.

As I stated earlier in this thread the difference in sound with these cords was more apparent than the changes attributed to my PPP's, the C-1000 or the MCD-500. Just to be clear, without the benefits provided by those components it is quite possible that I would not have been able to hear the differences.
Reply With Quote
  #98  
Old 08-03-2009, 01:43 AM
tony-w's Avatar
tony-w tony-w is offline
Member
 
Join Date: May 2009
Location: San Francisco
Posts: 456
Default

Nordost has put on some very good shows at stereo shop events I've been attending recently. One was where a $32,000 cable called the ODIN replaced a much cheaper cable. Well the ODIN sounded much louder and of course a few people there thought it sounded better, but when it came time for the question and answer part their spokesman couldn't explain much. It could have been a good magic show and needed several guys to change a cable, or maybe we all need $32,000 speaker cables.
Then at the same place several months later a strange, and this is by San Francisco standards guy from Nordost with a very strong what I think was Norwegian accent gave another talk about cables and ended up saying their cost should be 90% of any good hi-end system . . .

Last edited by tony-w; 08-03-2009 at 02:03 AM.
Reply With Quote
  #99  
Old 08-03-2009, 01:44 AM
TommyC TommyC is offline
Guest
 
Join Date: Apr 2009
Posts: 4,232
Default

When comparing cables, it is best to do it on a system you are very familiar with, and playing a familiar tune.

It is also important that the gears are up to par. Using a 5K cable on a $500 integrated amp might not sound much different than using a $100 cable.

It is extremely hard to discern any difference in cable if you are listening to an unfamiliar song on an unfamiliar system.

Try swapping the cables back and forth, sometimes you won't be able to hear a difference until you swap back to the original cable.

Cables do make some difference in gears, but not a huge difference. But like everything else, it always takes a lot more to obtain the last few drops of performance. For someone that already has the best equipment (ie. McIntosh reference system) and room, why not invest in cables for the last 5%?
Reply With Quote
  #100  
Old 08-03-2009, 06:27 AM
1KW 1KW is offline
Guest
 
Join Date: Apr 2009
Location: Naples, Fl & Long Beach Island, NJ
Posts: 7,634
Default

[QUOTE=TommyC;30919]

Cables do make some difference in gears, but not a huge difference.

Reply With Quote
Reply


Posting Rules
You may not post new threads
You may not post replies
You may not post attachments
You may not edit your posts

BB code is On
Smilies are On
[IMG] code is On
HTML code is Off

Forum Jump

Audioaficionado.org tested by Norton Internet Security

All times are GMT -4. The time now is 03:53 AM.



Powered by vBulletin® Version 3.8.10
Copyright ©2000 - 2024, vBulletin Solutions, Inc.
©Copyright 2009-2023 AudioAficionado.org.Privately owned, All Rights Reserved.
Audio Aficionado Sponsors
AudioAficionado Subscriber
AudioAficionado Subscriber
Inspire By Dennis Had
Inspire By Dennis Had
Harmonic Resolution Systems
Harmonic Resolution Systems
Wyred4Sound
Wyred4Sound
Dragonfire Acoustics
Dragonfire Acoustics
GIK Acoustics
GIK Acoustics
Esoteric
Esoteric
AC Infinity
AC Infinity
JL Audio
JL Audio
Add Powr
Add Powr
Accuphase - Soulution
Accuphase - Soulution
Audio by E
Audio by E
Canton
Canton
Bryston
Bryston
WireWorld Cables
WireWorld Cables
Stillpoints
Stillpoints
Bricasti Design
Bricasti Design
Furutech
Furutech
Shunyata Research
Shunyata Research
Legend Audio & Video
Legend Audio & Video