#91
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That may have been "the cable that God uses", but it seems they were made by the devil.
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Dan STUDIO - McIntosh C1000C/P, MC2301 (2), MR88, Aurender N10, Esoteric K-01X, Shunyata Sigma spdif digital cable, Sonos Connect, PurePower 2000, Stillpoints, Furutech Flux 50, Michell Gyro SE, Michell HR Power Supply, SME 309, Ortofon Cadenza Black, Wireworld, Sonus faber Amati Anniversario LIVING ROOM - McIntosh C2300, MC75 (2), MR85, Magnum Dynalab 205, Simaudio MOON Neo 260D-T, Schiit Audio Yggdrasil, Aurender N100H, Shunyata Sigma USB cable, Micro Seiki DD40, Ortofon Cadenza Blue, Nakamichi BX-300, Sony 60ES DAT, PS Audio P10, Furutech Flux 50, Sonos Connect, Stillpoints, Wireworld, Kimber, PMC EB1i, JL Audio f113 VINTAGE - McIntosh MA230, Tandberg 3011A tuner, Olive 04HD, Sony DTC-59ES DAT, McIntosh 4300V, JBL 4312A Last edited by jdandy; 08-02-2009 at 06:26 PM. |
#92
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Quote:
All I ask is that when one uses the term 'resistance', that they be specific. Whether it be DC resistance, or AC reactance. It can make a world of difference. And then there's sheilding, and cable layout design. Let the floggings begin..............
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MX136, MC501s, MC402, MCD500 RtR 300Ds, JL Fathom F112, Mirage OM-C3, JBL 2600s Dual CS 606, Ortofon 2M Black Tandberg TD20A, Harmon Kardon HK 400xM PPP, Power Port, WW Ag Eclipse IC's & Speaker Cables, WW Ag Electra PC's |
#93
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Maybe that lower-priced Audioquest corporate wire held it's own with the good stuff, and aint so bad after all?
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#94
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In the early 90's I believe it was after hearing Mathew Bond speak at a stereo shop seminar I almost bought their new tube preamp, at the special seminar price. Must have been the Australian accent.
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#95
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tony-w........I can't say whether Matthew Bond's accent is real, but he seems to be a master of talking out of both sides of his mouth and tap dancing.
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Dan STUDIO - McIntosh C1000C/P, MC2301 (2), MR88, Aurender N10, Esoteric K-01X, Shunyata Sigma spdif digital cable, Sonos Connect, PurePower 2000, Stillpoints, Furutech Flux 50, Michell Gyro SE, Michell HR Power Supply, SME 309, Ortofon Cadenza Black, Wireworld, Sonus faber Amati Anniversario LIVING ROOM - McIntosh C2300, MC75 (2), MR85, Magnum Dynalab 205, Simaudio MOON Neo 260D-T, Schiit Audio Yggdrasil, Aurender N100H, Shunyata Sigma USB cable, Micro Seiki DD40, Ortofon Cadenza Blue, Nakamichi BX-300, Sony 60ES DAT, PS Audio P10, Furutech Flux 50, Sonos Connect, Stillpoints, Wireworld, Kimber, PMC EB1i, JL Audio f113 VINTAGE - McIntosh MA230, Tandberg 3011A tuner, Olive 04HD, Sony DTC-59ES DAT, McIntosh 4300V, JBL 4312A |
#96
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WOW guys, I went away for a few hours with the family and I come back to all this... hmmm . Nothing like a cable thread :rant:
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#97
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Quote:
Regarding Point 2. The other variable is company's such as MIT and Transparent that have in-line Network boxes. These are placed there to impact the sound. Whether or not someone approves of those devices is up to them. As I stated earlier in this thread the difference in sound with these cords was more apparent than the changes attributed to my PPP's, the C-1000 or the MCD-500. Just to be clear, without the benefits provided by those components it is quite possible that I would not have been able to hear the differences. |
#98
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Nordost has put on some very good shows at stereo shop events I've been attending recently. One was where a $32,000 cable called the ODIN replaced a much cheaper cable. Well the ODIN sounded much louder and of course a few people there thought it sounded better, but when it came time for the question and answer part their spokesman couldn't explain much. It could have been a good magic show and needed several guys to change a cable, or maybe we all need $32,000 speaker cables.
Then at the same place several months later a strange, and this is by San Francisco standards guy from Nordost with a very strong what I think was Norwegian accent gave another talk about cables and ended up saying their cost should be 90% of any good hi-end system . . . Last edited by tony-w; 08-03-2009 at 02:03 AM. |
#99
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When comparing cables, it is best to do it on a system you are very familiar with, and playing a familiar tune.
It is also important that the gears are up to par. Using a 5K cable on a $500 integrated amp might not sound much different than using a $100 cable. It is extremely hard to discern any difference in cable if you are listening to an unfamiliar song on an unfamiliar system. Try swapping the cables back and forth, sometimes you won't be able to hear a difference until you swap back to the original cable. Cables do make some difference in gears, but not a huge difference. But like everything else, it always takes a lot more to obtain the last few drops of performance. For someone that already has the best equipment (ie. McIntosh reference system) and room, why not invest in cables for the last 5%? |
#100
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[QUOTE=TommyC;30919]
Cables do make some difference in gears, but not a huge difference. |
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