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McIntosh Audio A Tradition of Excellence |
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#1
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Why did Mc choose Lyngdorf Room Perfect instead of...
I am curious as to why Mc chose to use Lyngdorf Room Perfect instead of Audyssey MultEQ XT32 with the "Pro Kit." I am not in any way suggesting that Room Perfect is inferior -- I do not know, but do know that Mc would make a wise and informed decision in such matters and the following question is just my quest for information.
Why did Mc choose Room Perfect instead of Audyssey MultEQ XT32 with the Pro Kit -- why was or is Room Perfect considered superior? Thoughts/opinions?? Thanks, MikeSp
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MX150, MC501's (3), MC352's (2), Aerial Acoustics Model 9's for mains, Aerial Acoustics CC5 for center, and Def Tech surrounds, JL Audio F113's (2) with Sound Anchor Stands, 60 inch Pioneer Kuro, Tivos, Monster HTPS 7000MKII, Oppo BDP-83SE, PS3; dedicated HT still under construction [system used primarily for movies]. |
#2
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While Audyssey had their "Sound Equalizer" technology, it was designed for professional installation by the dealer, although many seem to have purchased the install kit and have installed it themselves.
MultEQ XT was available, but could be had in products, even with the Pro version, that cost substantially less than the Mc. Would have been difficult to justify the premium for the Mc, IMO. The recently upgraded XT32 was not even available, but again, will be in products at much lower price points. And these lower price points were multi-channel room correction, not just 2 channel. And naturally, McIntosh would be expected to claim, and they may be correct, that the Lyndorf method of room correction is "better". I cannot speak to that.
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Kevin |
#3
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I asked the difference back in the time while I actually owned a Lyngdorf amplifier and couldnt decide to install the Room Perfect module into it or not.
I asked the same question to my dealer at that time about Audyssey vs RP and he explained something about that lyngdorf room perfect works with alot more parameters, like much much more. Simply said, more advanced correctionsystem. Don't know if its true, but sounds resonable :P |
#4
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Quote:
Still -- no matter how powerful, it is the implementation that matters... There are tons of postings about Audyssey but next to none on the implementation of Room Perfect in the MX150. My research continues... (BTW -- it matters to me because when I make substantial purchase like an $11-12,000 pre-pro), it will be with me for many years -- I am not the kind to swap things out on a regular basis and while brands are important as is appearance, the dependability and quality results are tops on my list). MikeSp
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MX150, MC501's (3), MC352's (2), Aerial Acoustics Model 9's for mains, Aerial Acoustics CC5 for center, and Def Tech surrounds, JL Audio F113's (2) with Sound Anchor Stands, 60 inch Pioneer Kuro, Tivos, Monster HTPS 7000MKII, Oppo BDP-83SE, PS3; dedicated HT still under construction [system used primarily for movies]. |
#5
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Doesn't Audyssey attempt to flatten frequency response curve of the room whereas RoomPerfect doesn't.
So after an Audyssey calibration, speakers of different brand will sound more or less the same due to a flattened curve. On the other hand, PR leaves the natural response curve of the speakers alone and attempts to remove room anomalies. This is my understanding of these technologies. |
#7
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Dan STUDIO - McIntosh C1000C/P, MC2301 (2), MR88, Aurender N10, Esoteric K-01X, Shunyata Sigma spdif digital cable, Sonos Connect, PurePower 2000, Stillpoints, Furutech Flux 50, Michell Gyro SE, Michell HR Power Supply, SME 309, Ortofon Cadenza Black, Wireworld, Sonus faber Amati Anniversario LIVING ROOM - McIntosh C2300, MC75 (2), MR85, Magnum Dynalab 205, Simaudio MOON Neo 260D-T, Schiit Audio Yggdrasil, Aurender N100H, Shunyata Sigma USB cable, Micro Seiki DD40, Ortofon Cadenza Blue, Nakamichi BX-300, Sony 60ES DAT, PS Audio P10, Furutech Flux 50, Sonos Connect, Stillpoints, Wireworld, Kimber, PMC EB1i, JL Audio f113 VINTAGE - McIntosh MA230, Tandberg 3011A tuner, Olive 04HD, Sony DTC-59ES DAT, McIntosh 4300V, JBL 4312A |
#8
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2CH: W4S DAC-2, W4S STP-SE, W4S SX-500, Custom ScanSpeak/SEAS Towers, Hot Rodded Rega TT and Jolida JD9 Phono Pre, Asynch PC Transport, WireWorld Gold Eclipse 6 XLR HT: Marantz AV7005, W4S Mini MC-5, Custom Waveguide Towers, SVSPB12-Plus/2 |
#9
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I thought we determined that the Lyngdorf had the same balanced connection issue?
I'll be honest, I don't want to read through that long thread to find out the answer.
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Chuck McIntosh, PMC, Bryston, Olive, Rega, Ortofon 2M Black, JL Audio, PS Audio, Alan Maher, Aural Harmony, Black Mountain, Wireworld, Symposium, DIY amp switch box, P Millett DIY headphone amp. [SIGPIC][/SIGPIC] |
#10
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The RP1 has the same issue, the DPA-1(preamp/processor) appears that it may not.
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2CH: W4S DAC-2, W4S STP-SE, W4S SX-500, Custom ScanSpeak/SEAS Towers, Hot Rodded Rega TT and Jolida JD9 Phono Pre, Asynch PC Transport, WireWorld Gold Eclipse 6 XLR HT: Marantz AV7005, W4S Mini MC-5, Custom Waveguide Towers, SVSPB12-Plus/2 |
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