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Esoteric Audio World Class cost no object Electronics |
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#11
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Is the break in disc included with all the esoteric players?
Btw, electrical devices must be switched on/off at the main unit for devices that are properly off ie. no electricity running through it. These normally use mechanical on/off switches and as such can never be fully turned off at the remote (eg tv's). Any device that is powered on/off at the remote simply toggles the standby/operating state where these devices always consume at least some electricity. These normally use logic on/off switches. It must be like that because there has to be power in at least the infra red circuit to receive the command from the remote. Last edited by hfchoi; 05-12-2013 at 12:57 PM. |
#12
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Ivan FLORIDA MX136, MC1.2KW(10) MC2KW(2), MCD1100, MS750(2) MVP881, C1000C/P/T, MPC1500, HT-2 SUBS(2) HT3F(2) WS350(2) XRT2K, XCS2K, XR27(2) XCS350(2) JL GOTHAM v2 SUBS(2) SILENZIO MUSIC SERVER, LUMAGEN RADIANCE SCALER, SONY VPH-G90U 4K PROJECTOR, STEWART 120" MOTORIZED SCREEN, CINEMA-TECH SEATING, WW PLATINUM CABLES Reference System: ACCUPHASE A300 AMPS, C3900 PRE-AMP, DP1000 CD/SACD TRANSPORT, DC1000 DIGITAL PROCESSOR, DG-68 DIGITAL EQUALIZER, T1200 FM STEREO TUNER, PS1230 POWER SUPPLY, HRS-SXR CUSTOM RACK w/ M3X SHELVES, TAD REFERENCE ONE MK2 LOUDSPEAKERS, WW PLATINUM CABLES CAPE COD MX150, MC501(2) MC1.2KW(10) MC2301(2) MR88, MVP881, MCD1100, MDA1000, C1000C/P/T, MPC1500, ESOTERIC K-01X 30th ANNIVERSARY (BLACK) SACD/CD PLAYER, G02-X CLOCK, HT3F(2) XRT2K, XCS2K, XR27(2) JL GOTHAM v2 SUBS(2) JL FATHOM F113v2 SUBS(4) SOUND ANCHOR STANDS(2) KALEIDESCAPE STRATO & TERRA SERVERS 80-TB, LUMAGEN RADIANCE SCALER, SONY VPH-G90U 4K PROJECTOR, STEWART 120" SCREEN, SONUS FABER STRADIVARI, SILENZIO MUSIC SERVER, FORTRESS SEATING, WW PLATINUM CABLES Analog Rig: CLEARAUDIO INNOVATION WOOD, UNIVERSAL ARM w/ Da VINCI' CART, 2nd UNIVERSAL ARM w/ GOLDFINGER STATEMENT CART, HRS-MXR REFERENCE RACK-GLOSS BLACK w/ M3X SHELVES, AESTHETIX RHEA SIG PHONO-PRE, BRYSTON BHA-1 HEADPHONE AMP, WW PLATINUM CABLES Reference System: BURMESTER 911MK3 AMP(3), 088 PRE-AMP, 089 CD PLAYER, 100 PHONO PRE-AMP, 948 POWER CONDITIONER, ACCUPHASE DG-68 VOICING EQUALIZER, AVID ACUTUS REFERENCE SP TT, GRAHAM PHANTOM II SUPREME ARM, BENZ MICRO LP-S CART, GRANDIOSO P1X/D1X STACK, G1X RUBIDIUM MASTER CLOCK, N05 NETWORK PLAYER, SILENZIO MUSIC SERVER, HRS-SXR CUSTOM RACK w/ M3X SHELVES, SONUS FABER AIDA SPEAKERS, JL FATHOM F113v2 SUBS(2) SOUND ANCHOR STANDS(2) WW PLATINUM CABLES Library System: GRANDIOSO M1 MONOBLOCK AMPS, C1 LINESTAGE PRE-AMP, K1X CD/SACD PLAYER, G1 MASTER RUBIDIUM CLOCK, E02 PHONO-PRE, SILENZIO MUSIC SERVER, AERIAL ACOUSTICS 20T V2, AERIAL SW12 SUBS(2), CANTON REF K1’s, VPI HRX TT w/ SDS POWER SUPPLY, ORTOFON CADENZA BLACK CART, KLAUDIO RCM, SHUNYATA DENALI 6000/S v2, SHUNYATA OMEGA QR’s, WW PLATINUM CABLES Esoteric/Bryston System: ESOTERIC C02-X PRE-AMP, P-02X TRANSPORT, D02-X DAC, G02-X CLOCK, BRYSTON 28B3 CUBED MONOBLOCK AMPS(4), BRYSTON BHA-1 HEADPHONE AMP, SHUNYATA DENALI 6000/S v2(2) EVEREST 8000 POWER CONDITIONER(2) ALTAIRA CG & SG HUBS, AMR-DP777-SE DAC, SILENZIO MUSIC SERVER, TAD REFERENCE ONE MK2 LOUDSPEAKERS, QUADRASPIRE RACK, WW PLATINUM CABLES Accuphase/Canton System: ACCUPHASE E800 INTEGRATED, DP570 CD/SACD PLAYER, T1200 FM STEREO TUNER, DG-68 VOICING EQUALIZER, PS530 POWER SUPPLY, CANTON REF K3’s, CANTON REF K5’s, SILENZIO MUSIC SERVER, HRS MXR REFERENCE MAHOGHANY RACK w/ M3X2 SHELVES, WW GOLD CABLES |
#13
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#14
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Matt, nice "review." I too just shook my head and said out loud "are you kidding me?" when I realized the remote needed a screwdriver to open. Of course, this was on top of my recently obtained Krell S-1200 also needing a screwdriver to access it's remote's battery compartment. Really? Having just entered the "really high end" (at least for my wallet) this past year, maybe this is just the way it is, lol.
I've been doing exactly what Dan suggested to you. Whenever I can remember, I'm continuously running the conditioning disc (track 1 on repeat) with the rest of the system either off or just changing the input on the Krell prepro so no sound comes through to bother anyone. As it appears we must do that (for 500 hours no less!) for EVERY filter combination, I'm alternating between the two settings that seem to be the most recommended (By TAS, and by various forums/posters): 2x OS and either FIR1 or Sly_1. Let us know which sampling/filter combo you wind up liking, and have fun. Regards...Jeff
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Amps: McIntosh MC611’s Preamp/Processor: MX150 Sources: Esoteric K-01X, OPPO BDP95, Speakers: Canton Ref K3 |
#15
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Jeff.......Good to hear your K-03 break-in process is moving right along. Mine, too. I have been logging about 100 hours each on the different filter and upconversion settings. There's no way I'm going to put 500 hours each on the different digital and upconversion settings. Once I pass 500 hours with the break-in disc it will be all music from there.
I have read the TAS review of the K-03 at least three times. Although I appreciate Allen Taffel's opinion of which upconversion and filter settings sound best to him, I feel his choice of words when describing the various other settings were complete exaggerations. He used words like clearly inferior, airless, sickly, midrange bloat, sluggish rhythm, among other poorly chosen descriptors to support his personal preference for 2X upconversion and S_DLY1 apodising filter. His zest to endorse his favorite choice caused him to exaggerate his descriptions of the K-03's other settings in my opinion. I have listened for quite some time to the setting of No upconversion and No digital filter and find the sound to be excellent, dynamic and detailed. I have spent time enjoying various combinations of all the other settings and have not experience any sense of "airless", "sickly", "midrange bloat", or "sluggish rhythm". I honestly don't have a clue what motivated the reviewer to make such inaccurate statements as though they are absolute facts. Perhaps his player was not fully broken in, or any number of other scenarios. When I read these types of erroneous exaggerations that are so far outside my personal experience with the same component I have a tendency to discount the author's credibility. Although Allen Taffel is a published and paid audio reviewer, his words still remain only his personal opinions, nothing more. I readily acknowledge it is the same for me. In this case, my opinion of his comments in the TAS review of the K-03 only goes to further support my view that audio publications are entertainment, not factual references or the final word as they like to purport. If you are looking for honest facts, the best audio publication resource I have found is the reporting done by John Atkinson in the Specifications section of equipment reviews in Stereophile Magazine. His work is fact based, not floated on opinions.
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Dan STUDIO - McIntosh C1000C/P, MC2301 (2), MR88, Aurender N10, Esoteric K-01X, Shunyata Sigma spdif digital cable, Sonos Connect, PurePower 2000, Stillpoints, Furutech Flux 50, Michell Gyro SE, Michell HR Power Supply, SME 309, Ortofon Cadenza Black, Wireworld, Sonus faber Amati Anniversario LIVING ROOM - McIntosh C2300, MC75 (2), MR85, Magnum Dynalab 205, Simaudio MOON Neo 260D-T, Schiit Audio Yggdrasil, Aurender N100H, Shunyata Sigma USB cable, Micro Seiki DD40, Ortofon Cadenza Blue, Nakamichi BX-300, Sony 60ES DAT, PS Audio P10, Furutech Flux 50, Sonos Connect, Stillpoints, Wireworld, Kimber, PMC EB1i, JL Audio f113 VINTAGE - McIntosh MA230, Tandberg 3011A tuner, Olive 04HD, Sony DTC-59ES DAT, McIntosh 4300V, JBL 4312A Last edited by jdandy; 05-15-2013 at 11:17 AM. |
#16
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So, how do you really feel about Mr Taffel? LOL. Agree that he is very opinionated, perhaps more so than most no doubt. However, like you, I do not want to put 500 hrs on all combinations, and was looking for a consistent recommendation among various forums/reviews. His was only one of them. The combos I'm using are what I found to be the consensus, albeit from a small sampling. However, I will agree with Taffel on the default setting (no OS or filter). It sounded pretty flat out of the box compared to the other settings, and frankly, I would have sold the unit had that been the sound I would have had to live with. The two settings I've used above were WAYYYY better than default right out of the box, so default setting is a no go in my book. Seems like others feel the same way, but of course everyone hears/enjoys different things in audio. It's all good.
Dan, btw, what settings have you selected to break in?
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Amps: McIntosh MC611’s Preamp/Processor: MX150 Sources: Esoteric K-01X, OPPO BDP95, Speakers: Canton Ref K3 Last edited by jeffkrag; 05-15-2013 at 01:57 PM. |
#17
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I have the K07 and leave the volume attenuator set to "on", this allows access to the filter and sampling menus with the remote. I do not set the gain to +6db, I leave it set to "0", preferring the sound with the Marantz Ref gear. Keep in mind the K03 & 07 are different players and may not work the same, in any case options are good!!!!!
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System: ML:5206,5302 Serafino's Nordost Lumin U1 RM15 |
#18
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Jeff.......I put 40 hours on ORG/DF>OFF, 40 hours on ORG/FIR1, 125 hours on 4Fs/S_DLY2, 125 hours on 2Fs/S_DLY1, and at noon today I switched to DSD/S_DLY1 and will let it go for 125 hours or so. Right now the K-03 has 342.5 hours of break-in.
I spent quite a bit of time listening to the different upconversion and digital settings when I auditioned the original K-03 that Ivan shipped to me for the review. At that time my preference was for the 4Fs upconversion and the S_DLY2 settings. I have since determined that I prefer the 2Fs upconversion and S_DLY1 digital filter. While I feel this is the very best combination of settings for my personal preference, I still believe all of the other settings have merit and none of those settings sound less than very good.
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Dan STUDIO - McIntosh C1000C/P, MC2301 (2), MR88, Aurender N10, Esoteric K-01X, Shunyata Sigma spdif digital cable, Sonos Connect, PurePower 2000, Stillpoints, Furutech Flux 50, Michell Gyro SE, Michell HR Power Supply, SME 309, Ortofon Cadenza Black, Wireworld, Sonus faber Amati Anniversario LIVING ROOM - McIntosh C2300, MC75 (2), MR85, Magnum Dynalab 205, Simaudio MOON Neo 260D-T, Schiit Audio Yggdrasil, Aurender N100H, Shunyata Sigma USB cable, Micro Seiki DD40, Ortofon Cadenza Blue, Nakamichi BX-300, Sony 60ES DAT, PS Audio P10, Furutech Flux 50, Sonos Connect, Stillpoints, Wireworld, Kimber, PMC EB1i, JL Audio f113 VINTAGE - McIntosh MA230, Tandberg 3011A tuner, Olive 04HD, Sony DTC-59ES DAT, McIntosh 4300V, JBL 4312A |
#19
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Dan STUDIO - McIntosh C1000C/P, MC2301 (2), MR88, Aurender N10, Esoteric K-01X, Shunyata Sigma spdif digital cable, Sonos Connect, PurePower 2000, Stillpoints, Furutech Flux 50, Michell Gyro SE, Michell HR Power Supply, SME 309, Ortofon Cadenza Black, Wireworld, Sonus faber Amati Anniversario LIVING ROOM - McIntosh C2300, MC75 (2), MR85, Magnum Dynalab 205, Simaudio MOON Neo 260D-T, Schiit Audio Yggdrasil, Aurender N100H, Shunyata Sigma USB cable, Micro Seiki DD40, Ortofon Cadenza Blue, Nakamichi BX-300, Sony 60ES DAT, PS Audio P10, Furutech Flux 50, Sonos Connect, Stillpoints, Wireworld, Kimber, PMC EB1i, JL Audio f113 VINTAGE - McIntosh MA230, Tandberg 3011A tuner, Olive 04HD, Sony DTC-59ES DAT, McIntosh 4300V, JBL 4312A |
#20
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System: ML:5206,5302 Serafino's Nordost Lumin U1 RM15 |
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