#1
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NEW - Lamm LL1 Signature
Lam's brand new flagship. Designed to match the ML3 Signature.
New Page 4 Edit: Turns out it is not "brand new." However, it is still relatively new Last edited by TommyC; 12-17-2009 at 02:30 AM. |
#2
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#3
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Are there two volume controls?
Why does Pseudo balanced require too long to explain? What if a customer asks about it?
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For I am not ashamed, for I know [in] Whom I have believed and am persuaded that He is able... |
#4
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Two volume controls, and $42,690, would keep me away, unless they have a remote that adjusts both at the same time.
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Chuck McIntosh, PMC, Bryston, Olive, Rega, Ortofon 2M Black, JL Audio, PS Audio, Alan Maher, Aural Harmony, Black Mountain, Wireworld, Symposium, DIY amp switch box, P Millett DIY headphone amp. [SIGPIC][/SIGPIC] |
#5
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Quote:
My current LL2D is also a dual volume design. The dual volume itself is a non-issue for me, it actually comes in handy every once in a great while when the recorded music is not exactly centered and you can "walk" the center image to center it with the dual volume controls. The bigger issue is if one can live without the remote control rather than there are two knobs to adjust. I have no problems with no remote control, I am not that lazy and I've owned plenty of gear before without remotes so it is nothing new to me. As far as balanced and Lamm, Vladimir is not a big fan of balanced although some balanced inputs appear on some gear for convinience sake. It has to do with the associated circuitry that needs to be in the signal path for balanced and conversion of single ended to balanced and Vladimir being a purist. My Lamm M1.2s have both and I've used both with various preamps. Obviously in combination with my Lamm LL2D, I have to use single ended and it sounds fantastic. I actually have less issues with LL2D in combination with the EAR324P phono stage with single ended while the balanced run to Ayre KX-R is much noisier for some reason. I am not sure if it's the Ayre or the EAR phono that is at fault with the balanced scheme.. If you are going to spend $42k on Vladimir's LL1, I am sure he will take all the time you need to explain it to you why he doesn't like balanced. I've actually spoken to and emailed Vladimir on a few occassions and he is very responsive and helpful. |
#6
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Oh no, not more Critical Mass System racks
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Amps:VAC 450iQ Monos in Silver Flake on HRS M3X2-1921's, HRS G7 Footers/G-Links & Sound Anchor Conecoasters. Preamp:VAC Statement (on order) (Silver Flake) Digital Source: dCS Rossini CD/SACD Transport, Vivaldi APEX DAC, Upsampler Plus & matching Clock (Silver) Analogue Preamp:VAC Renaissance SE Phono stage in Silver Flake with XLR Output Option & with Nordost Valhalla XLR's. Analogue Sources:SME 20/2 w/SME V arm & Nordost Odin 2 Tone Arm Cable, Palo Santos Presentation Cartridge & Akai GX-400D Reel-to-Reel w/relapped heads by JRF Magnetic Sciences. Akai RC-17 cabled remote (original owner since 1974). Vibration Control:TT on HRS M3X2-1921 shelf. Speakers:Wilson Audio Alexia V (on order in Ferrari Argento Silver/Parchment grills sitting on Acoustic Diode Kit). Power Cables:4 Nordost Odin Supreme Reference on amps, preamp & DAC. Ansuz Acoustics C2 on Transport & Clock. Power Distribution:Ansuz Mainz D3 Distributor & Ansuz Mainz C2 1M Power Cable Power Outlets:Furutech GTX-D NCF (R) duplex outlet, GTX Wall Plate & Duplex Cover (x2) on dedicated, same panel phase, 20A breakers. Speaker Cables:2M Nordost Odin 2 Supreme Reference on Nordost Sort Lifts. Signal Cables:Nordost Odin XLR's on dCS DAC & Amps. Digital Cables: Nordost Odin 2's, 110-ohm AES/EBU on dCS Transport to DAC. Clock Cables:5 each 75 ohm 1.25M Nordost Valhalla BNC/BNC Digital Ethernet Cable: WireWorld Platinum 1M Starlight® 8 Twinax Headphones:Vintage Koss Pro IV AA. RCM: Audio Desk PRO Tube Test Gear:Mint late '60's/calibrated Heathkit TT-1A, MaxiMatcher Power Amp & Preamp & Space Tech Labs ATT-3.02 tube test sets. |
#7
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I currently have Lamm M1.2s with a Audio Research Ref 5 which I enjoy. I'm just wondering if I had the new Lamm 2.1 Pre if it would improve my system... Any advice? Has anyone compared Lamm Pre/Lamm M2.1a to Audio Research Ref 3/5 with Lamm
M1.2s? |
#8
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Viper, I find the synergy between the LL2D and M1.2s to be simply magical. There are some things my Ayre KX-R preamp does better, specifically it is a bit more resolving and transparent overall with better frequency extremes but the LL2D simply makes you forget everything related to HI-FI and just sit there totally immersed in music. It is also able to recreate the space and depth a bit better along with better image density, a trait of tube regulated power supplies from what I understand. That's not to say the Ayre KX-R is too analytical or hyper detailed, it is not, it is one of the very best SS preamps I have experienced to date. The tubed LL2D gives up a bit here and there but it never leaves you wanting more since it makes the music sound even more organic, wholesome, rich in harmonic structure and texture and ultimately very enjoyable and pleasing to the ear.
The ARC Reference 5 is no doubt a great preamp but I'd suggest you try to audition the LL2.1 or even the older LL2D with your M1.2s to see if the synergy of Lamm/Lamm strikes a chord with you. |
#9
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I know it probably won't happen... but I sure wish that LAMM would make an integrated amp.
I would buy one and be done forever! |
#10
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PHC1 thanks... I will try to see if I can get a loaner. If I can, I'll report back the results.
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