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Shindo Laboratory Sound Create Producer |
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#51
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I have plenty of "experience" with the gear. You forget that I do this for a living and have had the opportunity to hear pretty much everything there is.
As for my negativity, it's more skepticism. If you've been paying any attention at all, we've never written a really negative review about anything. If we think something is truly awful, we send it back to the mfr. And as far as "respect" I think we're talking about two different things. Last of all, please don't put words in my mouth. You know nothing about me, my system, or my business. That's obvious. If you want to be a Shindo fanboy and worship them, that's great it's still a free country for a little while. I don't worship anyone's gear. I just listen to it and report what I hear. If that's of use to you great. If it isn't, then it isn't. We started out on this path with curiosity. Again, you weren't paying attention. And as for respect, that has to be earned. So far, the only person in this cult of personality that's earned my respect is the person that's volunteered to get on a plane with their preamp (at my expense) and give it a listen in my environment. When was the last time you saw Art Dudley do that? Yeah, I thought so. This is why these forums all become so boring. Everyone gets their panties in a knot because someone doesn't think they have the best toys. If you love your Shindo stuff, that's great because you've found the system you love. If I wanted a complete Shindo system tomorrow I could buy one. And it wouldn't be the most expensive gear I own. As far as the negativity goes, I've put up with your negativity for months now on practically every post I've made that doesn't agree with your opinions, so I doubt you will agree with anything I have to say about Shindo other than that it's the most amazing stuff in the world. We've never bashed anyone elses products and we won't bash Shindo either. Grow up. |
#52
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It's a passionate hobby...and I like to see passion and emotion in those who make it a living as well...At least you know it's not just about the advertising dollars!
Let's give Jeff the benefit of the doubt and once he does get a chance to hear both a pre and maybe even a combo pre & amp maybe he'll find a soft place in his heart for Shindo. We all take different roads towards the same goals...sometimes we end up in the same place, sometimes we don't. I do agree with most of your points though Serge regarding Shindo's "strategy" (if you can even call it that) as those are my feelings as well. I'm hoping this foray into Shindo for me is the beginning of a life-long connection and collection of art. On a lighter note since we compare Shindo to art so much, in the vain of other artists what "period" would you consider his current lineup in relation to his production since the start of his business... Would you say impressionist, renaissance, abstract, romantic, modern, midcentury, etc? I can't say with certainty yet but I would say "romantic" due to the deep shades of green, stylistic silk screened flowing label, warm tube glow with green "accent" lighting culminating the renewed interest in aesthetic beauty while strongly challenging that new technology solves everything (the audio version of rejecting scientific rationalization from the previous Enlightenment era). This carries into the supposed house sound being organic, natural, & musical vs. hifi, clinical, measurable.
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Jayson Analog: Garrard 301 (Hammertone) | Woodsong Audio Plinth | Schick | Ortofon SPU 90th| A23 SUT (SPU) Everything Else: Devialet D-Premier | KEF LS50 | Sennheiser HD700 | GEEK Out / Pulse X |
#53
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Lot's of emotions going on here Jeff.... I still can't understand if you do or do not have any experience with Shindo? If you do, then why go through all the trouble of having someone fly to you? Your "holier than thou" attitude even suggest that Art Dudley owes you something and must come to you. Why don't you come to him??? Or, why don't you take that stack of 20's and buy yourself a Shindo? Everyone knows you will sell it within 5 minutes on A'gon when you're done with it, such is the demand and you'll probably get 80-85 cents on the dollar, could be less expensive than a plane ticket... Tell us how you really feel, make the fanboys happy or ruin their day by saying something negative. Jeff, with all due respect to your work, I have been involved with this hobby for over 20 years myself, I don't need any reviewer out there telling me something I can't hear or understand myself. I really don't need your endorsement of Shindo to reassure me I have made the right purchase. Nor would any negative comments sway me even for a second. I wouldn't dare claim that Shindo is the best in the world, whatever that implies. There is no such thing, there is only "I love this" or "I don't care for this" as great as it may be. Different courses for different horses. Plenty of great sounding gear out there. I just found my slice of nirvana with Shindo, simple as that. You are correct in saying that most audio forums out there get boring. They get boring because of the attitude of the posters. I find AA to be very stimulating and pleasant to participate in because of lack of "attitude". You sir, simply rub me the wrong way with your attitude, especially when you resort to name calling like you did in some other posts about other gear. Good luck with your Shindo auditions. Last edited by PHC1; 08-08-2011 at 03:35 PM. |
#54
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Open invitation to anyone who is in the SF bay area to listen to my Shindo gear (VR preamp, Montille amp, and various Shindo related accessories). My feelings will not be hurt if you think my stuff is crap. I don't have a full Shindo system but I think the Shindo sound comes through. I enjoy talking to fellow audiophiles and spinning vinyl so it's not any major trouble on my end. My listening space is not ideal and my place is kind of small but the invite is there.
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Speakers: Tonian classic 12 (PHY driver) and Hawthorn Audio Trios (Open Baffle). Analog Source: Nottingham Ana-log, Garrard 301. Tonearms: SME 312S, SME M2-12R, Nottingham Unipivot. Cartridge: Koetsu Onyx, Lyra Helikon Mono, Ortofon SPU Classic. Digital Source: Eastern Electric Dac +. Electronics: Shindo Vosne Romane Preamp, 45,2A3,300B,F2a,GM70 SET amps, Atma-sphere S30 OTL, Dynaco ST-70, Shindo Haut-Brion |
#55
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Same here, open invite to Southern California (Long Beach)...As with sibelius, I don't have the perfect setup as I share my listening room with my living room but then not all of us can afford a dedicated listening room and still have money left for gear to play in it
Sibelius, if i'm up in the SF bay area i'll definitely be paying Matt a visit and I'll look you up to see if I can swing by your place as well to hear your setup. I'd love to hear the VR + Montille in a non-dealer setup. Besides, it's always fun to talk, laugh and learn about each others audio journey.
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Jayson Analog: Garrard 301 (Hammertone) | Woodsong Audio Plinth | Schick | Ortofon SPU 90th| A23 SUT (SPU) Everything Else: Devialet D-Premier | KEF LS50 | Sennheiser HD700 | GEEK Out / Pulse X |
#56
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Ditto, once I get my room all setup and finished, my place welcomes anyone interested in Shindo. It will be a while before I get a full Shindo system going (still experimenting with speakers) but I think it will give anyone a pretty good idea none the less.
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#57
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WOW,
Look what I started ! Cool down guys ! I also read in a french forum that a Marantz 8B in good condition or an old Mc sound very close to Shindo... and this was from a Shindo owner ! So all opinions deserve respect. The most important is to be satisfied with your gear. Shindo is getting a cult status, and that is great news. Buying an audio component that could be sold if needed, as an art work, what could be asked for more ?
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There are two means of refuge from the miseries of life: music and cats Albert Schweitzer |
#58
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I think we're all back on track now...
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Jayson Analog: Garrard 301 (Hammertone) | Woodsong Audio Plinth | Schick | Ortofon SPU 90th| A23 SUT (SPU) Everything Else: Devialet D-Premier | KEF LS50 | Sennheiser HD700 | GEEK Out / Pulse X |
#59
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I'll have to say surrealism because it is "surreal" how good it sounds and the element of surprise and unexpected is what I get out of my Shindo listening sessions. |
#60
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The F2a tubes do not sound like any of the tubes I am familiar from the past. |
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