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Wireworld Cables A World Of Difference

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  #21  
Old 10-26-2011, 04:13 PM
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Looking forward to the review Bodie !
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  #22  
Old 10-26-2011, 06:33 PM
bodiezaffa bodiezaffa is offline
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3pm today represented 125hrs of continuous burn in on the Eclipse 6 and I can say that my opinion has down a complete 180 degree turn.
I have three tracks that represent my references when doing any critical listening.
They are Aja by Steely Dan-original 1977 recording: School by Supertramp from Retrospectacle, The Supertramp Anthology-2005: Blue and Green by Gretchen Parlato from The Lost and Found-2011.

The most immediate change with these cables is the bass line. With all three tracks, I heard a more powerful, yet tight bass. On School, the sliding bass guitar near the end of the score was “rock out” fantastic. My head was bobbing like I was at standing front row, hands on the stage and at their concert. Rogers’s voice was natural and clear, the many layers of music were defined and the soundstage was open with lots of bloom.

For me, Aja is all about Steve Gadd on the drums. This guy is amazing and Aja really lets his talents run free. The double kick drum slams through your chest with authority. The high hat and crash cymbals are clear without a hint of distortion. His solo near the end of the song gave me goose bumps and I found myself grinning.

Gretchen Parlato is a piano, bass, drums and vocals. With Blue and Green, the soundstage really widened with clear definition where each instrument was placed in the recording. Like the other tracks, the vocals were clear, clean and neutral (well more like Sonus Faber’s version of neutral) which is how I like it.
The cables are not forgiving though and have made me aware of my ugly 10x12 room configuration. I now have the need for additional room treatments to absorb the extra bass power.

The higher up the sonic ladder you climb, the more unforgiving the desire for musical truth becomes.
The cables have eliminated the weakest link in my audio chain. The next logical step is to sell this house and buy another one with a bigger listening room. A man’s gotta do what a man’s gotta do.

Last edited by bodiezaffa; 10-26-2011 at 06:37 PM.
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  #23  
Old 10-26-2011, 06:43 PM
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Quote:
Originally Posted by bodiezaffa View Post
3pm today represented 125hrs of continuous burn in on the Eclipse 6 and I can say that my opinion has done a complete 180 degree turn.
I have three tracks that represent my references when doing any critical listening.
They are Aja by Steely Dan-original 1977 recording: School by Supertramp from Retrospectacle, The Supertramp Anthology-2005: Blue and Green by Gretchen Parlato from The Lost and Found-2011.

The most immediate change with these cables is the bass line. With all three tracks, I heard a more powerful, yet tight bass. On School, the sliding bass guitar near the end of the score was “rock out” fantastic. My head was bobbing like I was at standing front row, hands on the stage and at their concert. Rogers’s voice was natural and clear, the many layers of music were defined and the soundstage was open with lots of bloom.

For me, Aja is all about Steve Gadd on the drums. This guy is amazing and Aja really lets his talents run free. The double kick drum slams through your chest with authority. The high hat and crash cymbals are clear without a hint of distortion. His solo near the end of the song gave me goose bumps and I found myself grinning.

Gretchen Parlato is a piano, bass, drums and vocals. With Blue and Green, the soundstage really widened with clear definition where each instrument was placed in the recording. Like the other tracks, the vocals were clear, clean and neutral (well more like Sonus Faber’s version of neutral) which is how I like it.
The cables are not forgiving though and have made me aware of my ugly 10x12 room configuration. I now have the need for additional room treatments to absorb the extra bass power.

The higher up the sonic ladder you climb, the more unforgiving the desire for musical truth becomes.
The cables have eliminated the weakest link in my audio chain. The next logical step is to sell this house and buy another one with a bigger listening room. A man’s gotta do what a man’s gotta do.
Mark... Thanks for reporting your latest experience. I am extremely pleased to hear that your new cables are living up to your Expectations.

It's really no wonder Wireworld's sales are up nearly 300% from last year.

Keep us posted on further improvements!
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MX150, MC501(2) MC1.2KW(10) MC2301(2) MR88, MVP881, MCD1100, MDA1000, C1000C/P/T, MPC1500, ESOTERIC K-01X 30th ANNIVERSARY (BLACK) SACD/CD PLAYER, G02-X CLOCK, HT3F(2) XRT2K, XCS2K, XR27(2) JL GOTHAM v2 SUBS(2) JL FATHOM F113v2 SUBS(4) SOUND ANCHOR STANDS(2) KALEIDESCAPE STRATO & TERRA SERVERS 80-TB, LUMAGEN RADIANCE SCALER, SONY VPH-G90U 4K PROJECTOR, STEWART 120" SCREEN, SONUS FABER STRADIVARI, SILENZIO MUSIC SERVER, FORTRESS SEATING, WW PLATINUM CABLES
Analog Rig: CLEARAUDIO INNOVATION WOOD, UNIVERSAL ARM w/ Da VINCI' CART, 2nd UNIVERSAL ARM w/ GOLDFINGER STATEMENT CART, HRS-MXR REFERENCE RACK-GLOSS BLACK w/ M3X SHELVES, AESTHETIX RHEA SIG PHONO-PRE, BRYSTON BHA-1 HEADPHONE AMP, WW PLATINUM CABLES
Reference System: BURMESTER 911MK3 AMP(3), 088 PRE-AMP, 089 CD PLAYER, 100 PHONO PRE-AMP, 948 POWER CONDITIONER, ACCUPHASE DG-68 VOICING EQUALIZER, AVID ACUTUS REFERENCE SP TT, GRAHAM PHANTOM II SUPREME ARM, BENZ MICRO LP-S CART, GRANDIOSO P1X/D1X STACK, G1X RUBIDIUM MASTER CLOCK, N05 NETWORK PLAYER, SILENZIO MUSIC SERVER, HRS-SXR CUSTOM RACK w/ M3X SHELVES, SONUS FABER AIDA SPEAKERS, JL FATHOM F113v2 SUBS(2) SOUND ANCHOR STANDS(2) WW PLATINUM CABLES

Library System: GRANDIOSO M1 MONOBLOCK AMPS, C1 LINESTAGE PRE-AMP, K1X CD/SACD PLAYER, G1 MASTER RUBIDIUM CLOCK, E02 PHONO-PRE, SILENZIO MUSIC SERVER, AERIAL ACOUSTICS 20T V2, AERIAL SW12 SUBS(2), CANTON REF K1’s, VPI HRX TT w/ SDS POWER SUPPLY, ORTOFON CADENZA BLACK CART, KLAUDIO RCM, SHUNYATA DENALI 6000/S v2, SHUNYATA OMEGA QR’s, WW PLATINUM CABLES
Esoteric/Bryston System: ESOTERIC C02-X PRE-AMP, P-02X TRANSPORT, D02-X DAC, G02-X CLOCK, BRYSTON 28B3 CUBED MONOBLOCK AMPS(4), BRYSTON BHA-1 HEADPHONE AMP, SHUNYATA DENALI 6000/S v2(2) EVEREST 8000 POWER CONDITIONER(2) ALTAIRA CG & SG HUBS, AMR-DP777-SE DAC, SILENZIO MUSIC SERVER, TAD REFERENCE ONE MK2 LOUDSPEAKERS, QUADRASPIRE RACK, WW PLATINUM CABLES
Accuphase/Canton System: ACCUPHASE E800 INTEGRATED, DP570 CD/SACD PLAYER, T1200 FM STEREO TUNER, DG-68 VOICING EQUALIZER, PS530 POWER SUPPLY, CANTON REF K3’s, CANTON REF K5’s, SILENZIO MUSIC SERVER, HRS MXR REFERENCE MAHOGHANY RACK w/ M3X2 SHELVES, WW GOLD CABLES
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  #24  
Old 10-26-2011, 07:07 PM
bodiezaffa bodiezaffa is offline
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Thank you Ivan for your attention, advice and great price.
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  #25  
Old 10-27-2011, 12:40 PM
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Nice write up... looking forward to the 300 mark .
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Marantz( UD8004,AV8802a ), Oppo udp 203 JLAudio Fathom F-110, B&W( 802 series III , FCMS8, SCMS8) . WireWorld Eclipse 6 xlr(7) Sliver Eclipse 5.2 HDMI (3) electra 5.2 powercords . HRS Nimbus , lg 55 Oled Nvidia Shield PS Audio PPP



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  #26  
Old 10-27-2011, 12:54 PM
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Great read Bodie! It's interesting to hear you talk of how the bass seems tighter, the soundstage wider, and a better separation of instruments. I ordered some WW cables from Ivan a while ago as well. Even though they are a few steps down from what you have, I'm hearing the same types of things. I can be so fickle when it comes to cables but I love the way my system sounds with these in there. I'm enjoying the music instead of finding things wrong with it. Now I just need to swap out the rest of my non-wireworld cables and I'll be all set.

Until I plan on moving up their line...
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  #27  
Old 10-27-2011, 02:12 PM
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Bodie...great image-conveying writeup. Like bakerman, I've had a similar experience with another Wireworld model. Based on that, I suspect that your Eclipses will really flesh out at around 200 or so hours, so don't be surprised if--no, make that when--it keeps getting better.
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  #28  
Old 10-27-2011, 04:18 PM
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Ive been thinking about changing my interconnects to WW as well. I have heard many reports of the increased dynamics when all the cables are from the same manufacturer.
My issue is I have really expensive interconnects. I didnt pay anywhere near the $1600 retail cost but nonetheless, Dagago rated the Aural Symphonics Chrono B2 as better than the Valhallas. Still.......i wonder.....
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  #29  
Old 10-27-2011, 04:27 PM
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Quote:
Originally Posted by bodiezaffa View Post
Ive been thinking about changing my interconnects to WW as well. I have heard many reports of the increased dynamics when all the cables are from the same manufacturer.
My issue is I have really expensive interconnects. I didnt pay anywhere near the $1600 retail cost but nonetheless, Dagago rated the Aural Symphonics Chrono B2 as better than the Valhallas. Still.......i wonder.....
You might as well order up. You won't stop until you've tried all WW in your system, whether it works for you or not...
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  #30  
Old 10-27-2011, 04:28 PM
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Mark, I went all-in on WW Silver Eclipse 6's, so you already know my advice.
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