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  #201  
Old 12-02-2016, 09:40 AM
custodian custodian is offline
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Thanks for a very comprehensive summary.

The basis of their OP rating is interesting: I can only assume that the unavailable oscillator for the OP is actually the Oscilloquartz 8607. This was available in performance selected versions which might relate to their 16 and 17 levels.

The reason for the demise of this crystal is the difficulty of getting good yields. In simple terms, all components in the oscillator including the suspension are made from slices of the same crystal, removing any thermal or mechanical discontinuities which would affect performance.

The new owners of Oscilloquartz felt that the complexity and yield are no longer commercially viable. As mentioned, some alternative structures are in development and might appear. Remember though that the Audio market is not a significant customer for such products so it is not really in a position to drive the market.

Cost is certainly going to be an issue too. Given the near $40k price for the discontinued Sforzato clock which used the 8607.

The 8607 certainly gives the "wow" factor, so I hope that alternatives at similar performance emerge before too long.
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  #202  
Old 12-02-2016, 09:45 AM
SCAudiophile SCAudiophile is offline
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Quote:
Originally Posted by custodian View Post
Thanks for a very comprehensive summary.

The basis of their OP rating is interesting: I can only assume that the unavailable oscillator for the OP is actually the Oscilloquartz 8607. This was available in performance selected versions which might relate to their 16 and 17 levels.

The reason for the demise of this crystal is the difficulty of getting good yields. In simple terms, all components in the oscillator including the suspension are made from slices of the same crystal, removing any thermal or mechanical discontinuities which would affect performance.

The new owners of Oscilloquartz felt that the complexity and yield are no longer commercially viable. As mentioned, some alternative structures are in development and might appear. Remember though that the Audio market is not a significant customer for such products so it is not really in a position to drive the market.

Cost is certainly going to be an issue too. Given the near $40k price for the discontinued Sforzato clock which used the 8607.

The 8607 certainly gives the "wow" factor, so I hope that alternatives at similar performance emerge before too long.
Great points and feedback; thank you!
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  #203  
Old 12-06-2016, 02:21 PM
justubes justubes is offline
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Quote:
Originally Posted by custodian View Post
Thanks for a very comprehensive summary.

The basis of their OP rating is interesting: I can only assume that the unavailable oscillator for the OP is actually the Oscilloquartz 8607. This was available in performance selected versions which might relate to their 16 and 17 levels.

The reason for the demise of this crystal is the difficulty of getting good yields. In simple terms, all components in the oscillator including the suspension are made from slices of the same crystal, removing any thermal or mechanical discontinuities which would affect performance.

The new owners of Oscilloquartz felt that the complexity and yield are no longer commercially viable. As mentioned, some alternative structures are in development and might appear. Remember though that the Audio market is not a significant customer for such products so it is not really in a position to drive the market.

Cost is certainly going to be an issue too. Given the near $40k price for the discontinued Sforzato clock which used the 8607.

The 8607 certainly gives the "wow" factor, so I hope that alternatives at similar performance emerge before too long.
Look up Rakon HSO14 -120dbc/1hz which is an equivalent of the BVA8607.

I understand that it is priced similarly to the 8607
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  #204  
Old 12-06-2016, 02:47 PM
SCAudiophile SCAudiophile is offline
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Look up Rakon HSO14 -120dbc/1hz which is an equivalent of the BVA8607.

I understand that it is priced similarly to the 8607
Thank you....according to certification reports I have on both the RBOCXO-01 and UPOCXO-OP14-A clock I have here, Hasegawa-san utilizes the BVA as a reference OCXO oscillator...

I may have an OP20-enabled clock here next year at some point.
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  #205  
Old 12-07-2016, 07:17 AM
SCAudiophile SCAudiophile is offline
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FYI...this is the new web-page for the UPOCXO-OP14-A clock also with improved power supply that I am testing for over a month now with fantastic results;

’´‚¸“xOCXO ƒNƒƒbƒN Premium OP•t

*Reminder: Bring up in Google Chrome and elect automatic translation from Japanese.
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  #206  
Old 12-07-2016, 03:31 PM
jpspock jpspock is offline
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Yes but they don't have one for the moment...
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  #207  
Old 12-07-2016, 03:54 PM
SCAudiophile SCAudiophile is offline
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I have one in my rig for testing so I know they build them; give it some time (don't know how much).
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  #208  
Old 08-12-2017, 06:25 PM
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vintage_tube vintage_tube is online now
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I've read all 200 + posts and realize a lot of discussion on clocks and some regarding clock cables (BNC or RCA, 50 or 75 ohm).

Let me tell you, I'm a firm believer. Received these today -- at $2K for 1 meter and I need 3; well, that about taps me out & there is no way I could afford or would be willing to spend $12K per on a 1M Nordost Odin 2.

I'll expand a bit on my experiences going from a run of the mill 75 ohm BNC to these puppies a bit later. (Contacted Martin at dCS HQ & he confirmed 1 meter 75 ohm is the ticket for the Paganini 4 box).

For now, I'll just in this thread since the other one is already corrupted.

Best Sirs,

Bob

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__________________
Amps:VAC 450iQ Monos in Silver Flake on HRS M3X2-1921's, HRS G7 Footers/G-Links & Sound Anchor Conecoasters.
Preamp:VAC Statement (on order) (Silver Flake)
Digital Source: dCS Rossini CD/SACD Transport, Vivaldi APEX DAC, Upsampler Plus & matching Clock (Silver)
Analogue Preamp:VAC Renaissance SE Phono stage in Silver Flake with XLR Output Option & with Nordost Valhalla XLR's.
Analogue Sources:SME 20/2 w/SME V arm & Nordost Odin 2 Tone Arm Cable, Palo Santos Presentation Cartridge & Akai GX-400D Reel-to-Reel w/relapped heads by JRF Magnetic Sciences. Akai RC-17 cabled remote (original owner since 1974).
Vibration Control:TT on HRS M3X2-1921 shelf.
Speakers:Wilson Audio Alexia V (on order in Ferrari Argento Silver/Parchment grills sitting on Acoustic Diode Kit).
Power Cables:4 Nordost Odin Supreme Reference on amps, preamp & DAC. Ansuz Acoustics C2 on Transport & Clock.
Power Distribution:Shunyata Everest 8000 w/Omega XC Power Cable.
Power Outlets:Furutech GTX-D NCF (R) duplex outlet, GTX Wall Plate & Duplex Cover (x2) on dedicated, same panel phase, 20A breakers.
Speaker Cables:3M Nordost Odin Supreme Reference on Nordost Sort Lifts.
Signal Cables:Nordost Odin XLR's on dCS DAC & Amps.
Digital Cables: Nordost Odin 2's, 110-ohm AES/EBU on dCS Transport to DAC.
Clock Cables:5 each 75 ohm 1.25M Nordost Valhalla BNC/BNC Digital
Ethernet Cable: WireWorld Platinum 1M Starlight® 8 Twinax
Headphones:Vintage Koss Pro IV AA.
RCM: Audio Desk PRO
Tube Test Gear:Mint late '60's/calibrated Heathkit TT-1A, MaxiMatcher Power Amp & Preamp & Space Tech Labs ATT-3.02 tube test sets.

Last edited by vintage_tube; 08-12-2017 at 06:27 PM.
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  #209  
Old 03-16-2018, 05:23 PM
jpspock jpspock is offline
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For cybershaft spécialiste. Wyatt about calibration ?
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  #210  
Old 03-17-2018, 07:13 AM
SCAudiophile SCAudiophile is offline
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Quote:
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For cybershaft spécialiste. Wyatt about calibration ?
JPS, what is your question? I do not understand your post?
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