#1
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Bi-wires or Shotgun with Jumpers
Hello,
I currently have B&W CM9's and the CMC2 center channel. I am currently running nordost bi-wire cables. My dealer and Nordost both recommended re terminating the bi-wires to shotgun and use the Nordost Bi-wire Jumpers. They believe it will improve the detail and imaging. Has any one ever tried this? What are your thoughts? I know the best option is to run separate speaker cables for each but I already have cables and do not have the funds to buy twice the speaker cables. Thanks Joe ADMIN PLEASE MOVE THIS THREAD TO CABLES GALORE!!! Last edited by joe1515; 02-15-2011 at 10:37 AM. |
#2
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Hi Joe,
I would say that that correct in would increase the size of the conductors and lower the resitance and probably give you better sound.... Bi Amping would be the next step up.
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Marantz( UD8004,AV8802a ), Oppo udp 203 JLAudio Fathom F-110, B&W( 802 series III , FCMS8, SCMS8) . WireWorld Eclipse 6 xlr(7) Sliver Eclipse 5.2 HDMI (3) electra 5.2 powercords . HRS Nimbus , lg 55 Oled Nvidia Shield PS Audio PPP System 2 Panasonic G25 Marantz av8003 |
#3
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+1... The bigger the wire, the shorter the distance, the better... to a point.
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#4
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Only way is to try. I don't understand the value of re-terminating your cables to eliminate the bi-wire end and adding jumpers between the hi and low x-over inputs. Just add the jumpers for the same effect.
My impression of true shotgun is to use one cable for each plus and minus input therefore using 4 complete cables for a bi-wire or 2 cables for standard non-biwire. Some cables benefit from shotgunning like Kimber which uses all the same multiple leads in the cable. I don't know what the cable design is on your Nordost is so it may not be a benefit. Bi-wiring has the advantage isolating interference between high and low drivers. If you want to see if there is an improvement add the jumpers but leave your cables as is. |
#5
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Quote:
Joe |
#6
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Joe that is possible and true, it depends on the speakers driven etc. some are better bi-wired, some bi-amped and others shotgun connected. I have even seen bi-amp shotgun, lots of wire and sometimes is best, but you need to test in your environment.
I do not have your speakers, but I know on my system when I built the speakers they are setup to be run bi-wired by default and I seem to hear little if any diff even when I tested them bi-amped. But a big diff when single wired Vs Bi-wired even with great jumpers. Good luck and let us know, curious how this come out for you? |
#7
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I have not done any extensive tests with multiple cable brands, but I did not notice any difference when I went from single wires with jumpers to bi-wires.
Aesthetically, I like the look of a bi-wire at the speaker end. Additionally, my monoblock amps have two termination points for each lead. Therefore, I am currently running a bi-wire cable with four connectors on each end. |
#8
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I biwired my 804D with Nordost Heimdall, a significant upgrade as they really got the speaker cones moving. Previous cable were VanDenHull Breeze which are pretty good, buts its the Heimdall which made the difference in letting the music flow in a controlled way and move those bass cones.
Anthony |
#9
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Anthony.... Welcome to AA!
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Ivan FLORIDA MX136, MC1.2KW(10) MC2KW(2), MCD1100, MS750(2) MVP881, C1000C/P/T, MPC1500, HT-2 SUBS(2) HT3F(2) WS350(2) XRT2K, XCS2K, XR27(2) XCS350(2) JL GOTHAM v2 SUBS(2) SILENZIO MUSIC SERVER, LUMAGEN RADIANCE SCALER, SONY VPH-G90U 4K PROJECTOR, STEWART 120" MOTORIZED SCREEN, CINEMA-TECH SEATING, WW PLATINUM CABLES Reference System: ACCUPHASE A300 AMPS, C3900 PRE-AMP, DP1000 CD/SACD TRANSPORT, DC1000 DIGITAL PROCESSOR, DG-68 DIGITAL EQUALIZER, T1200 FM STEREO TUNER, PS1230 POWER SUPPLY, HRS-SXR CUSTOM RACK w/ M3X SHELVES, TAD REFERENCE ONE MK2 LOUDSPEAKERS, WW PLATINUM CABLES CAPE COD MX150, MC501(2) MC1.2KW(10) MC2301(2) MR88, MVP881, MCD1100, MDA1000, C1000C/P/T, MPC1500, ESOTERIC K-01X 30th ANNIVERSARY (BLACK) SACD/CD PLAYER, G02-X CLOCK, HT3F(2) XRT2K, XCS2K, XR27(2) JL GOTHAM v2 SUBS(2) JL FATHOM F113v2 SUBS(4) SOUND ANCHOR STANDS(2) KALEIDESCAPE STRATO & TERRA SERVERS 80-TB, LUMAGEN RADIANCE SCALER, SONY VPH-G90U 4K PROJECTOR, STEWART 120" SCREEN, SONUS FABER STRADIVARI, SILENZIO MUSIC SERVER, FORTRESS SEATING, WW PLATINUM CABLES Analog Rig: CLEARAUDIO INNOVATION WOOD, UNIVERSAL ARM w/ Da VINCI' CART, 2nd UNIVERSAL ARM w/ GOLDFINGER STATEMENT CART, HRS-MXR REFERENCE RACK-GLOSS BLACK w/ M3X SHELVES, AESTHETIX RHEA SIG PHONO-PRE, BRYSTON BHA-1 HEADPHONE AMP, WW PLATINUM CABLES Reference System: BURMESTER 911MK3 AMP(3), 088 PRE-AMP, 089 CD PLAYER, 100 PHONO PRE-AMP, 948 POWER CONDITIONER, ACCUPHASE DG-68 VOICING EQUALIZER, AVID ACUTUS REFERENCE SP TT, GRAHAM PHANTOM II SUPREME ARM, BENZ MICRO LP-S CART, GRANDIOSO P1X/D1X STACK, G1X RUBIDIUM MASTER CLOCK, N05 NETWORK PLAYER, SILENZIO MUSIC SERVER, HRS-SXR CUSTOM RACK w/ M3X SHELVES, SONUS FABER AIDA SPEAKERS, JL FATHOM F113v2 SUBS(2) SOUND ANCHOR STANDS(2) WW PLATINUM CABLES Library System: GRANDIOSO M1 MONOBLOCK AMPS, C1 LINESTAGE PRE-AMP, K1X CD/SACD PLAYER, G1 MASTER RUBIDIUM CLOCK, E02 PHONO-PRE, SILENZIO MUSIC SERVER, AERIAL ACOUSTICS 20T V2, AERIAL SW12 SUBS(2), CANTON REF K1’s, VPI HRX TT w/ SDS POWER SUPPLY, ORTOFON CADENZA BLACK CART, KLAUDIO RCM, SHUNYATA DENALI 6000/S v2, SHUNYATA OMEGA QR’s, WW PLATINUM CABLES Esoteric/Bryston System: ESOTERIC C02-X PRE-AMP, P-02X TRANSPORT, D02-X DAC, G02-X CLOCK, BRYSTON 28B3 CUBED MONOBLOCK AMPS(4), BRYSTON BHA-1 HEADPHONE AMP, SHUNYATA DENALI 6000/S v2(2) EVEREST 8000 POWER CONDITIONER(2) ALTAIRA CG & SG HUBS, AMR-DP777-SE DAC, SILENZIO MUSIC SERVER, TAD REFERENCE ONE MK2 LOUDSPEAKERS, QUADRASPIRE RACK, WW PLATINUM CABLES Accuphase/Canton System: ACCUPHASE E800 INTEGRATED, DP570 CD/SACD PLAYER, T1200 FM STEREO TUNER, DG-68 VOICING EQUALIZER, PS530 POWER SUPPLY, CANTON REF K3’s, CANTON REF K5’s, SILENZIO MUSIC SERVER, HRS MXR REFERENCE MAHOGHANY RACK w/ M3X2 SHELVES, WW GOLD CABLES |
#10
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I have often wondered if my system would benefit from bi-wiring the NHT's, or just replacing the stock jumpers with some nice wire jumpers. Honestly, the system sounds pretty darn good as is, but there's always room for improvement.
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