AudioAficionado.org  

Go Back   AudioAficionado.org > Manufacturers Forums > Wilson Audio

Wilson Audio Authentic Excellence

Reply
 
Thread Tools Display Modes
  #1  
Old 04-21-2012, 11:42 PM
Charles Charles is online now
Senior Member

 
Join Date: Jul 2011
Posts: 3,243
Default Comparison: Thor's Hammer to Krell MRS subwoofer

As many know I recently added a Thor's Hammer to augment the low bass of my MAXX3's. It became apparent that my Krell MRS simply couldn't keep up with the MAXXes. This surprised me greatly but I just couldn't match up the sensitivities at all. The MAXXes would play through all my low frequency material at high volumes, and give a very credible show of themselves without distortsion. I found that I couldn't turn down the gain on my MRS enough to keep breakup from coming in and so the MRS was in the off mode much of the time. When I got the chance to aquire a Thor demo I knew I had to take it because the oppotunity might never come again.

With my older Mac XRT 29's the MRS was fantastic. It was and is a very musical sub with tremendous output (20 Hz and above) and very transparent electronics. Where a lowboy compact configuration is required it is ideal. However, as one goes below 20 Hz its output becomes quite limited, I found. This is not the case with my new Thor. It can totally keep up with my MAXXes while playing all my low frequency material with ease. I have also found the Thor to be as musical as my MRS. It is quite the complete package and very efficient. It requires about half the power (-3 db) as my MAXXes as a general rule. However, I do have one bass blast that demands of it 600 watts.

For comparison the 1812 played in my room at a high level demands a little over 120 watts/ch from the MAXXes and a little over 60 watts from the Thor. However, much more would be demanded from the MAXXes if I were not employing the HP filter set at 30Hz with the 6 db/octave rolloff. The Thor is simply an ideal match for the MAXXes in conjunction with the Wilson Watch Controller, completely relieving the MAXX woofers of any strain and yet getting their very best from about 28 Hz and above.

Last edited by Charles; 04-22-2012 at 12:02 AM. Reason: additional thought
Reply With Quote
  #2  
Old 04-22-2012, 12:39 AM
turntable's Avatar
turntable turntable is offline
Member
 
Join Date: May 2009
Location: Downunder in Sydney
Posts: 1,774
Default

Charles

You are having too much fun. Why, because you can!!

Great to see you are still getting more and more out of the Maxx3's. I am certainly enjoying mine.

You are the bass and dynamic headroom king.
Reply With Quote
  #3  
Old 04-23-2012, 11:21 AM
Charles Charles is online now
Senior Member

 
Join Date: Jul 2011
Posts: 3,243
Default

Turntable, I'm sure that you have experienced the magnitude of MAXX bass even without the Thor. That the MAXXes can best a Krell MRS by a considerable margin is quite incredible. It also exceeds my old Gen II's which were awesome. Many folks don't appreciate the Krell MRS. The beauty of the MRS is its musicality. It produced wonderful, tuneful base in the 25-50 Hz range that could not be beat. I can't say that the MAXX is better in this respect but the fact that it is as good is quite an accomplishment. The fact that the MAXXes had much more ultimate low end really amazed me. Right now I can't say my bass drum whacks are all that much better than with my old system but you are talking about a $30,000.00 subwoofer with 15" custom made drivers and two bridged Krell 650 cx amps with custom Motorola output transistors housed in an all aluminium 400 lb cabinet. Keep in mind my Thor LP is 30 Hz with an 18 db rolloff. I want to hear my MAXX woofers on all but the lowest of material.
Reply With Quote
  #4  
Old 04-26-2012, 07:36 AM
jfrech jfrech is offline
Guest
 
Join Date: Oct 2011
Location: Texas
Posts: 397
Default

Interesting addition of the Thors. I always thought I'd swap my maxx 3's for Alexandria's one day...wonder if this is a cost effective move....my next step is a Rive's room project, the drawings are nearly done.

Charles, can you share what your room is like?
Reply With Quote
  #5  
Old 04-26-2012, 02:53 PM
Charles Charles is online now
Senior Member

 
Join Date: Jul 2011
Posts: 3,243
Default

Quote:
Originally Posted by jfrech View Post
Interesting addition of the Thors. I always thought I'd swap my maxx 3's for Alexandria's one day...wonder if this is a cost effective move....my next step is a Rive's room project, the drawings are nearly done.

Charles, can you share what your room is like?
If you go to community you can see detailed pics of my room and where I placed my Thor. My room is an A-frame 40 feet long and 15'3" wide with 5 foot side walls sloping up to a full 8 foot ceiling in the center. It seems to have excellent acoustics because of this property of being an A-frame. It is extremely sturdy in construction. My MAXXes work great in this enviornment, better than any other speaker I've had in the room. It would be fun to be able to compare Alexandria XLF bass to a MAXX/Thor combo.
Reply With Quote
  #6  
Old 04-26-2012, 03:03 PM
Masterlu's Avatar
Masterlu Masterlu is online now
AA Founder, Legend AV Owner



 
Join Date: Apr 2009
Location: South FL & Cape Cod MA
Posts: 78,536
Default

Charles... I'm enjoying this thread on your Bass travels.
__________________
Ivan
FLORIDA
MX136, MC1.2KW(10) MC2KW(2), MCD1100, MS750(2) MVP881, C1000C/P/T, MPC1500, HT-2 SUBS(2) HT3F(2) WS350(2) XRT2K, XCS2K, XR27(2) XCS350(2) JL GOTHAM v2 SUBS(2) SILENZIO MUSIC SERVER, LUMAGEN RADIANCE SCALER, SONY VPH-G90U 4K PROJECTOR, STEWART 120" MOTORIZED SCREEN, CINEMA-TECH SEATING, WW PLATINUM CABLES
Reference System: ACCUPHASE A300 AMPS, C3900 PRE-AMP, DP1000 CD/SACD TRANSPORT, DC1000 DIGITAL PROCESSOR, DG-68 DIGITAL EQUALIZER, T1200 FM STEREO TUNER, PS1230 POWER SUPPLY, HRS-SXR CUSTOM RACK w/ M3X SHELVES, TAD REFERENCE ONE MK2 LOUDSPEAKERS, WW PLATINUM CABLES
CAPE COD

MX150, MC501(2) MC1.2KW(10) MC2301(2) MR88, MVP881, MCD1100, MDA1000, C1000C/P/T, MPC1500, ESOTERIC K-01X 30th ANNIVERSARY (BLACK) SACD/CD PLAYER, G02-X CLOCK, HT3F(2) XRT2K, XCS2K, XR27(2) JL GOTHAM v2 SUBS(2) JL FATHOM F113v2 SUBS(4) SOUND ANCHOR STANDS(2) KALEIDESCAPE STRATO & TERRA SERVERS 80-TB, LUMAGEN RADIANCE SCALER, SONY VPH-G90U 4K PROJECTOR, STEWART 120" SCREEN, SONUS FABER STRADIVARI, SILENZIO MUSIC SERVER, FORTRESS SEATING, WW PLATINUM CABLES
Analog Rig: CLEARAUDIO INNOVATION WOOD, UNIVERSAL ARM w/ Da VINCI' CART, 2nd UNIVERSAL ARM w/ GOLDFINGER STATEMENT CART, HRS-MXR REFERENCE RACK-GLOSS BLACK w/ M3X SHELVES, AESTHETIX RHEA SIG PHONO-PRE, BRYSTON BHA-1 HEADPHONE AMP, WW PLATINUM CABLES
Reference System: BURMESTER 911MK3 AMP(3), 088 PRE-AMP, 089 CD PLAYER, 100 PHONO PRE-AMP, 948 POWER CONDITIONER, ACCUPHASE DG-68 VOICING EQUALIZER, AVID ACUTUS REFERENCE SP TT, GRAHAM PHANTOM II SUPREME ARM, BENZ MICRO LP-S CART, GRANDIOSO P1X/D1X STACK, G1X RUBIDIUM MASTER CLOCK, N05 NETWORK PLAYER, SILENZIO MUSIC SERVER, HRS-SXR CUSTOM RACK w/ M3X SHELVES, SONUS FABER AIDA SPEAKERS, JL FATHOM F113v2 SUBS(2) SOUND ANCHOR STANDS(2) WW PLATINUM CABLES

Library System: GRANDIOSO M1 MONOBLOCK AMPS, C1 LINESTAGE PRE-AMP, K1X CD/SACD PLAYER, G1 MASTER RUBIDIUM CLOCK, E02 PHONO-PRE, SILENZIO MUSIC SERVER, AERIAL ACOUSTICS 20T V2, AERIAL SW12 SUBS(2), CANTON REF K1’s, VPI HRX TT w/ SDS POWER SUPPLY, ORTOFON CADENZA BLACK CART, KLAUDIO RCM, SHUNYATA DENALI 6000/S v2, SHUNYATA OMEGA QR’s, WW PLATINUM CABLES
Esoteric/Bryston System: ESOTERIC C02-X PRE-AMP, P-02X TRANSPORT, D02-X DAC, G02-X CLOCK, BRYSTON 28B3 CUBED MONOBLOCK AMPS(4), BRYSTON BHA-1 HEADPHONE AMP, SHUNYATA DENALI 6000/S v2(2) EVEREST 8000 POWER CONDITIONER(2) ALTAIRA CG & SG HUBS, AMR-DP777-SE DAC, SILENZIO MUSIC SERVER, TAD REFERENCE ONE MK2 LOUDSPEAKERS, QUADRASPIRE RACK, WW PLATINUM CABLES
Accuphase/Canton System: ACCUPHASE E800 INTEGRATED, DP570 CD/SACD PLAYER, T1200 FM STEREO TUNER, DG-68 VOICING EQUALIZER, PS530 POWER SUPPLY, CANTON REF K3’s, CANTON REF K5’s, SILENZIO MUSIC SERVER, HRS MXR REFERENCE MAHOGHANY RACK w/ M3X2 SHELVES, WW GOLD CABLES
Reply With Quote
  #7  
Old 04-26-2012, 06:09 PM
chessman's Avatar
chessman chessman is offline
From the BAT cave ...
 
Join Date: Jan 2010
Location: Columbus, OH
Posts: 11,697
Default

Charles, way cool!
Reply With Quote
  #8  
Old 04-27-2012, 12:27 PM
Charles Charles is online now
Senior Member

 
Join Date: Jul 2011
Posts: 3,243
Default

Quote:
Originally Posted by Masterlu View Post
Charles... I'm enjoying this thread on your Bass travels.
Although I became addicted to what Arnie Nudell called the "big bottom", when I was a kid I didn't realize it. I wish that everyone could have heard a Bozak Concert Grand in all its glory. I tried with twin Dalquist DQ1W's (12" subs and out board crossover made by Jon Dalquist especially for the DQ-10). Everone said that the Thiel CS5i had the big bass but nothing could match the Bozak's. Then I heard the Genesis II's. Although they had significant flaws, they could put out the low bass that could flap your trousers. I bought an extra bass amp and ran each sub mono. The Krell MRS/XRT 29 combo could never quite match the power of the Gen II's.

I was quite surprised that the MAXX3's could surpass the Gen II's on their own. And they had a much fuller upper bass. The MAXX is very even/smooth in the bass tapering off around 17-18 Hz. I have a cut that has a sustained 18 Hz organ note that is clearly audible (shakes the room) with the MAXX.

I believe that the MAXX/Thor combo offers a cost effective solution for those of us who will never own the super expensive Wilsons. My lust for the big bottom is completely satiated. Simply run the MAXX HP 30 Hz with 6 db roll off and the Thor 30 Hz LP with 18 db rolloff, adjust the gain on the Thor (also use the EQ set to 20 Hz with the necessary gain and Q where needed) to achieve all the 25 Hz and below you want to hear and let the MAXX do the rest. Really low bass is totally a matter of taste, IMO.

For me the most exciting thing in audio is to feel that faint 20 Hz organ note waft through my room. It is really incredible that the Thor has the dynamic range to pick up the faintest subsonic note while literally laughing at the enormous bass blasts without having to back off on the gain or EQ. The Mac 601 IMO is the amp to drive the Thor because it is relatively inexpensive and drives the Thor with ease. The watt/hold feature is invaluable because you can see the wattage on the peaks.

Last edited by Charles; 04-27-2012 at 12:45 PM. Reason: additional thoughts
Reply With Quote
  #9  
Old 04-27-2012, 12:38 PM
GaryProtein's Avatar
GaryProtein GaryProtein is offline
Member
 
Join Date: Jan 2012
Location: NY
Posts: 5,393
Default

Charles, please don't come crying to us when your house falls down!!! I hope you have earthquake insurance!
Reply With Quote
  #10  
Old 04-27-2012, 01:11 PM
Charles Charles is online now
Senior Member

 
Join Date: Jul 2011
Posts: 3,243
Default

Quote:
Originally Posted by GaryProtein View Post
Charles, please don't come crying to us when your house falls down!!! I hope you have earthquake insurance!
I am certain that you have experienced this type of bass through your Infinity's judging by the SACD you suggested. It among my top two or three. My wife got mad at me today because I was playing it at high volume with some considerable EQ while she was on a walk. She came back early. She said she could feel the bass from the mailbox at the end of the driveway. That is some disc.
Reply With Quote
Reply


Posting Rules
You may not post new threads
You may not post replies
You may not post attachments
You may not edit your posts

BB code is On
Smilies are On
[IMG] code is On
HTML code is Off

Forum Jump

Audioaficionado.org tested by Norton Internet Security

All times are GMT -4. The time now is 02:03 PM.



Powered by vBulletin® Version 3.8.10
Copyright ©2000 - 2024, vBulletin Solutions, Inc.
©Copyright 2009-2023 AudioAficionado.org.Privately owned, All Rights Reserved.
Audio Aficionado Sponsors
AudioAficionado Subscriber
AudioAficionado Subscriber
Inspire By Dennis Had
Inspire By Dennis Had
Harmonic Resolution Systems
Harmonic Resolution Systems
Wyred4Sound
Wyred4Sound
Dragonfire Acoustics
Dragonfire Acoustics
GIK Acoustics
GIK Acoustics
Esoteric
Esoteric
AC Infinity
AC Infinity
JL Audio
JL Audio
Add Powr
Add Powr
Accuphase - Soulution
Accuphase - Soulution
Audio by E
Audio by E
Canton
Canton
Bryston
Bryston
WireWorld Cables
WireWorld Cables
Stillpoints
Stillpoints
Bricasti Design
Bricasti Design
Furutech
Furutech
Shunyata Research
Shunyata Research
Legend Audio & Video
Legend Audio & Video