#1
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New 2301 owner..... Almost!
Hello all!
I’ll try to make this short, but I’d like to give a little background. ...grew up having seen a piece of McIntosh gear in the house, and was hooked! Always wanted some, but could never afford it... Fast forward, and I’ve been blessed with the ability to purchase some gear. Started with a few smaller pieces, and finally ended up years later with a trio of 601’s. Now, I’m adding a pair of 2301’s!!!! Woop Woop! Sorry, but I’m excited! I’m waiting for the next production run for delivery, so I hope to have them before Christmas. But, I’m also learning in this “hobby”, and would love/appreciate some advice, suggestions and experience/learnings to help my journey through this time. We have a large room, and several kids (I’m trying to balance some Harry Potter with a private listening of Jackson Browne)... So, I’m trying to create a hybrid theater; something to satisfy everyone. While navigating through learning what works and what doesn’t, I’m slowing adding to the space; a/v controllers, speakers, subs, etc.... As I mentioned, I added some 601’s, with some Revel Solon2’s. Now, adding the 2301’s creates an opportunity to establish an entire different dynamic, while at the same time learning a lot first hand about solid state / tube differences. Other than chewing all of my nails off waiting for the 2301’s to arrive sometime in December, can anyone offer some learnings that can increase the enjoyment of my new additions? As always, thank you to everyone here for the time! RxJedi |
#2
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Congratulations and welcome to the club!!!
Best advice, set them up and just enjoy them! In time, consider a pair of Sound Anchor stands (Contact MasterLu) Then consider a set of Gold Lion KT 88’s to replace the OEM tubes. It takes a bushel of them so it is an investment.
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Main Equipment: Kharma Elegance dB11-S, JL Audio F113v2 X 2, Block Audio Line & Mono SE Amplification, Bricasti M21 DAC, Antipodes Kala K-50 Server, Clearaudio Performance SE. Satisfy tonearm & Maestro Wood MM cartridge. Power: Shunyata Everest 8000, Sigma XC v2, Sigma NR v2, Block Audio PCs, Defender, ADDPowr Wizard Grounding: Shunyata Altaira CGS - 4 X Alpha CGS cables, Network : Supra Cat 8+, Twin (Nenon) Modified Buffalo GS2016 Switches, Keces P3 LPSU, Cables: Wireworld Platinum 8 USB, Wireworld Platinum Eclipse 8 Speaker cables, 6M & 1M Tubulus Concentus ICs, Other:Two PSI Audio AVAA C20, Multiple GIK products, Stillpoint Apertures, Stillpoint Minis and Ultra SS, Three 20 Amp lines, Furutech GTX - Gold outlets, Adona Rack |
#3
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New 2301 owner..... Almost!
I've owned 601's and have three 2301's in a theater setup - you'll love 'em!
You could change out the tubes to GL's .....Vintage Tube (Bob) on this site is your best bet for getting the 16 KT 88's and 4 12AT7's you'll need. I would just enjoy them for awhile with the stock tubes. Either way they are awesome amps. Enjoy!
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Main System: Amati Futura Mains Amati Homage VOX Center, Proac Response 1sc Rears, Three MC2301's for L,C,R MC 602 for the rears C 1100, MX 151, MCD 1100, MR 80 Nottingham Dais with Wave Mechanic Sumiko Palo Santos Presentation SurfacePro 3, RPi 4, ROON, WW Starlight Platinum USB, Schiit Yggdrasil, Benchmark DAC3 HGC MX 151, OppO BDP-95, JVC RS-500 DILA projector, 106" diagonal Stewart Luxus Screenwall Deluxe with Studiotek 130 G3 material. Lake House: Ohm F, MC 275V, C2300, MR 77, Rega P3 OnDeck: McIntosh MAC 4300v Last edited by W9TR; 11-08-2017 at 11:42 PM. |
#4
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I apologize in advance if this sounds dumb, but the most common item always is about replacing the stock tubes with gold lion’s.
It seems to be universally accepted that the stock tubes are “average”at best, so why does Mc continue to use the tubes that most users find to be inferior to other available products? As I’ve never had the product, I can’t add to the conversation. But it’s hard to find any owners posting that the stock tubes can hold water against the gold lions.. Makes me wonder if I should just order the tubes now, and have them for when the units arrive. |
#5
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I use the stock tubes and I love the sound, I have never herd the GL’s. So I don’t know what I’m missing. GL’s are on my list.
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#6
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Quote:
There is no one on any forum who knows the answer to your question or willing to open post -- just not privy to all the backchannel decision process & logistics, etc. McIntosh tube & preamp amp owners have opinions why -- but nothing concrete. Suggest you listen and enjoy those amps for awhile even though that's not what I did -- I ordered GL's ahead of arrival & on unpacking, loaded them & placed the unused McIntosh stenciled tubes in boxes -- should I sell the amps at some point -- they'd be with NEW, Unused stock tubes. My MC2301's will be 10 years old next June. Oh My. A brand new McIntosh stenciled KT88 BTW is $110 each -- ouch. Best Sir, Bob
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Amps:VAC 450iQ Monos in Silver Flake on HRS M3X2-1921's, HRS G7 Footers/G-Links & Sound Anchor Conecoasters. Preamp:VAC Statement (on order) (Silver Flake) Digital Source: dCS Rossini CD/SACD Transport, Vivaldi APEX DAC, Upsampler Plus & matching Clock (Silver) Analogue Preamp:VAC Renaissance SE Phono stage in Silver Flake with XLR Output Option & with Nordost Valhalla XLR's. Analogue Sources:SME 20/2 w/SME V arm & Nordost Odin 2 Tone Arm Cable, Palo Santos Presentation Cartridge & Akai GX-400D Reel-to-Reel w/relapped heads by JRF Magnetic Sciences. Akai RC-17 cabled remote (original owner since 1974). Vibration Control:TT on HRS M3X2-1921 shelf. Speakers:Wilson Audio Alexia V (on order in Ferrari Argento Silver/Parchment grills sitting on Acoustic Diode Kit). Power Cables:4 Nordost Odin Supreme Reference on amps, preamp & DAC. Ansuz Acoustics C2 on Transport & Clock. Power Distribution:Ansuz Mainz D3 Distributor & Ansuz Mainz C2 1M Power Cable Power Outlets:Furutech GTX-D NCF (R) duplex outlet, GTX Wall Plate & Duplex Cover (x2) on dedicated, same panel phase, 20A breakers. Speaker Cables:2M Nordost Odin 2 Supreme Reference on Nordost Sort Lifts. Signal Cables:Nordost Odin XLR's on dCS DAC & Amps. Digital Cables: Nordost Odin 2's, 110-ohm AES/EBU on dCS Transport to DAC. Clock Cables:5 each 75 ohm 1.25M Nordost Valhalla BNC/BNC Digital Ethernet Cable: WireWorld Platinum 1M Starlight® 8 Twinax Headphones:Vintage Koss Pro IV AA. RCM: Audio Desk PRO Tube Test Gear:Mint late '60's/calibrated Heathkit TT-1A, MaxiMatcher Power Amp & Preamp & Space Tech Labs ATT-3.02 tube test sets. Last edited by vintage_tube; 11-09-2017 at 01:17 AM. |
#7
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Quote:
A lot of things go into manufacturer sourcing decisions. A few of them are: Financial stability of the supplier. Ability to ensure demand can be met, especially spikes in demand. A comprehensive reliability engineering program. A comprehensive quality assurance function. Robust manufacturing process monitoring and control. A viable disaster recover plan. The ability to customize the product, in this case marking. Flexible payment terms. A program to eliminate the use of conflict metals. Proper health, safety, and environment (HSE) function for employees. I'm not saying that New Sensor / Gold Lion does or doesn't have any of these things - just the the sourcing decision is a complex one with a lot of factors that go into it.
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Main System: Amati Futura Mains Amati Homage VOX Center, Proac Response 1sc Rears, Three MC2301's for L,C,R MC 602 for the rears C 1100, MX 151, MCD 1100, MR 80 Nottingham Dais with Wave Mechanic Sumiko Palo Santos Presentation SurfacePro 3, RPi 4, ROON, WW Starlight Platinum USB, Schiit Yggdrasil, Benchmark DAC3 HGC MX 151, OppO BDP-95, JVC RS-500 DILA projector, 106" diagonal Stewart Luxus Screenwall Deluxe with Studiotek 130 G3 material. Lake House: Ohm F, MC 275V, C2300, MR 77, Rega P3 OnDeck: McIntosh MAC 4300v |
#8
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Great gear for the OP; AA is a great source to consider options! Tom, love the listing of the source decision attributes. |
#9
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Love, love, love my MC2301's. .
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Dan STUDIO - McIntosh C1000C/P, MC2301 (2), MR88, Aurender N10, Esoteric K-01X, Shunyata Sigma spdif digital cable, Sonos Connect, PurePower 2000, Stillpoints, Furutech Flux 50, Michell Gyro SE, Michell HR Power Supply, SME 309, Ortofon Cadenza Black, Wireworld, Sonus faber Amati Anniversario LIVING ROOM - McIntosh C2300, MC75 (2), MR85, Magnum Dynalab 205, Simaudio MOON Neo 260D-T, Schiit Audio Yggdrasil, Aurender N100H, Shunyata Sigma USB cable, Micro Seiki DD40, Ortofon Cadenza Blue, Nakamichi BX-300, Sony 60ES DAT, PS Audio P10, Furutech Flux 50, Sonos Connect, Stillpoints, Wireworld, Kimber, PMC EB1i, JL Audio f113 VINTAGE - McIntosh MA230, Tandberg 3011A tuner, Olive 04HD, Sony DTC-59ES DAT, McIntosh 4300V, JBL 4312A |
#10
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New 2301 owner..... Almost!
I also never heard my 2301s with Stock tubes so am only saying they sound fantastic with GLs. I suspect they sound fantastic with the OEM tubes as well.
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Main Equipment: Kharma Elegance dB11-S, JL Audio F113v2 X 2, Block Audio Line & Mono SE Amplification, Bricasti M21 DAC, Antipodes Kala K-50 Server, Clearaudio Performance SE. Satisfy tonearm & Maestro Wood MM cartridge. Power: Shunyata Everest 8000, Sigma XC v2, Sigma NR v2, Block Audio PCs, Defender, ADDPowr Wizard Grounding: Shunyata Altaira CGS - 4 X Alpha CGS cables, Network : Supra Cat 8+, Twin (Nenon) Modified Buffalo GS2016 Switches, Keces P3 LPSU, Cables: Wireworld Platinum 8 USB, Wireworld Platinum Eclipse 8 Speaker cables, 6M & 1M Tubulus Concentus ICs, Other:Two PSI Audio AVAA C20, Multiple GIK products, Stillpoint Apertures, Stillpoint Minis and Ultra SS, Three 20 Amp lines, Furutech GTX - Gold outlets, Adona Rack Last edited by crwilli; 11-09-2017 at 01:56 PM. |
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