#341
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Tony D'Agostino Momentum S250 MxV & HD pre; Linn Klimax Organik DSM, SonicTransporter, EtherRegen; Acoustic Signature Typhoon Neo, Koetsu RSP, Boulder 1108; Sf Il Cremonese; Shunyata Everest, Altaira, Sigma & Alpha v2 |
#342
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#343
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Have about 50 hours on my new Olimpia III's, I started out with a ARC Ref1 pre, ARC Dac8, ARC PH7, Mac MINI and a ARC VT100 Mrk II amp, I must say it sounded good from the start, but after moving the speakers around a bit and spinning some records I kept waiting for things to open up a bit more, the sound stage was very concentrated in the center. I also purchased an Electrocompaniet AW250R amp that puts out 380 watts into 4 ohm's, as the ARC Ref1 has two main outputs, I could switch between the Amps, what I found was the Electrocompaniet had much better bass but felt lifeless in the mids and highs, on a lark I left the Electrocompaniet hooked up to woofers and hooked up my Vintage McIntosh MC275 to the upper drivers, with a little adjusting of the trim on the McIntosh I must say I'm a very happy guy, the sound stage is almost to the ceiling and well outside the speakers themselves.
Cheers... John Prest
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ARC REF6, ARC Ref PH 2SE, ARC Ref 150SE, Esot N-05, SF Oylimpia III, Garrard 301 Reed2p, WW Silver Eclipse 8, Kimber Kable Select IC XLR C22, MC275, MR78, PS Audio Dac, Tannoy Daltons 12" Red's Tannoy ST200 Tweeters, Kimber IC's, Mac Mini, Transparent ULTRA Speaker. Marantz 7C, Marantz, 9, & 10B Tuner, Tannoy 15" Red's in York Corner Cabinets ARC Ref1, ARC VT 100II, MR74, Tannoy Red 12 LSU/12/8, Spider Transcription TT, Nordost Spk Cable Fisher 400C, MR78, Fisher SA 1000, BenchMark Dac, Auditorium 23 Speaker Cables, Tannoy Supper Red 10" LSU/III/Z Monitors ARC SP3, MC 30's, MR67, Devore Supper 8's, Wadia i171, MicroMega Dac, Transparent Supper Spk C20, MC75's, MR71, MS300, Tannoy 12" Golds, Auditorium 23, C11, (2)Harmon Kardon CitationII, Shindo Montille, MC2505, McIntosh 117, Audio Research ST70, Knight KB85, Pilot Sa 232, Marantz 8B Scott 130 Preamp, Scott 272 Int, HH Scott 250's MR71 tuner, Tube Guru F2a Mono's, |
#344
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Hi , Finally got my Olympica 3 s close to being set up. Also finished building a vta st 120 tube amp. Starting to sound pretty amazing. Speaker adjustment is way more important then I thought. 700Mm from walls and triangulated. Any suggestions on how you guys found placement to work?
Thanks, Bruce �� |
#345
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Bruce,
Welcome to AA!! There is a thread in this forum that I started titled "Setting up Amati Futura's" or something close to that. There is a lot of advice and general setup wisdom in that thread around several methods that have worked well for people. Lots of good info there for you to digest and try. Tom
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Main System: Amati Futura Mains Amati Homage VOX Center, Proac Response 1sc Rears, Three MC2301's for L,C,R MC 602 for the rears C 1100, MX 151, MCD 1100, MR 80 Nottingham Dais with Wave Mechanic Sumiko Palo Santos Presentation SurfacePro 3, RPi 4, ROON, WW Starlight Platinum USB, Schiit Yggdrasil, Benchmark DAC3 HGC MX 151, OppO BDP-95, JVC RS-500 DILA projector, 106" diagonal Stewart Luxus Screenwall Deluxe with Studiotek 130 G3 material. Lake House: Ohm F, MC 275V, C2300, MR 77, Rega P3 OnDeck: McIntosh MAC 4300v |
#346
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Hi all, first post here. I found the forum when trying to find info on the Olympica iii, and what a great resource this is. Thanks for all the opinions so far!
I'm wondering if anyone has tried using the Devialet SAM setting for the Olympica iii speakers? I'm very tempted to purchase a pair (not that I've heard them yet...) and I have a sneaking suspicion that if I move in this direction, my OTL GRAAF amps won't have the current delivery required at the impedance dips, so I might be looking at a new amp/amps. I've heard Devialet with the Venere 2.5 and I thought the combo (using SAM) was excellent for the money. I'm wondering what level of magic it might bring to the Olympicas. I've lots more questions to ask, so you'll probably be hearing more from me. Meanwhile, I'm reading and enjoying. |
#347
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I have my Olympica III speakers on a wooden floor and I am living in an apartment built in 1910. To reduce floor resonances I am planning to use the Auralex Gramma sound isolation platform. Does anyone have experience with this? I am not sure it will help but at a loud volume the bass is just too much (I don't think it is because of standing waves).
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#348
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I heard 2 weeks ago the devialet 120 and 200 with the olympica III. A singer is standing in the room, all instruments have their exact place and the sound is neutral and fine. Incredible low bass. I bought the 200 for the olympica II at home. 200 plays the music easier than the 120, but you have to play the same piece of music to hear the difference. (Heard the Accuphase 260, but that is no match) Price-quality the devialet is one of the best.
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#349
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Tony D'Agostino Momentum S250 MxV & HD pre; Linn Klimax Organik DSM, SonicTransporter, EtherRegen; Acoustic Signature Typhoon Neo, Koetsu RSP, Boulder 1108; Sf Il Cremonese; Shunyata Everest, Altaira, Sigma & Alpha v2 |
#350
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Thanks Bruno!
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