AudioAficionado.org  

Go Back   AudioAficionado.org > Manufacturers Forums > McIntosh Audio

McIntosh Audio A Tradition of Excellence

Reply
 
Thread Tools Display Modes
  #181  
Old 01-09-2018, 12:42 AM
PHC1 PHC1 is offline
Guest
 
Join Date: Apr 2009
Location: Pa
Posts: 23,609
Default

Quote:
Originally Posted by Poppyhome View Post
Correct...........but what about our listening rooms base noise level. Who's room is completely silent of extraneous sounds?
Mine. I am wearing headphones. There is so much more going on than just noise. Our ears are acutely aware of the timbre/tonal deviations. You would recognize a loved one's voice out of a million other voices with ease. If you spend years upon years deep listening to a system like many of us have, you are acutely aware of any and all deviations of timbre. That is not to mention all other aspects of acute awareness of timing, wave front sensitivity, some people can hear absolute phase and others can not. Too much to get into here. Cables do vary in capacitance, resistance, conductor materials which may very well affect some of the timing and how we perceive the sound with precision that is beyond any artificial intelligence/computers as the article states.

We just don't know enough how all of this interacts but I do hear a difference in cables rather easily and that's not to say I can accurately say which is one is "better" because perhaps none of the audio playback is perfect and we are merely striving to reach a level of satisfaction or some balance for the type of sound/tonal balance we prefer. Even live music and same musical instruments sound different in various acoustical spaces. It is our ears that can clearly tell us so not any other parameter. Certainly Vienna Philharmonic sounds different than Moscow Symphony Orchestra.
Reply With Quote
  #182  
Old 01-09-2018, 12:50 AM
Poppyhome's Avatar
Poppyhome Poppyhome is offline
Member
 
Join Date: Dec 2009
Location: New Jersey
Posts: 1,094
Default

Very good......and I bet our perceived sense of hearing changes from day to day. Some days our systems sound better than other days.
__________________
Ron
Processor: McIntosh MX170, Amp: Legacy Audio i-V7, Digital: Benchmark DAC3B, Roon Music Player, Oppo UDP-205, Apple TV 4K, Fire TV Stick 4K Max, Analog: Gold Note Pianosa Turntable, Gold Note PH-10 Phono Preamplifier, Donatello MC Cartridge, Speakers: Legacy Audio Signature SE Natural Sapele Pommele, Silverscreen HD Center, JL Audio e112-Gloss Sub
Reply With Quote
  #183  
Old 01-09-2018, 12:51 AM
PHC1 PHC1 is offline
Guest
 
Join Date: Apr 2009
Location: Pa
Posts: 23,609
Default

Quote:
Originally Posted by Poppyhome View Post
Very good......and I bet our perceived sense of hearing changes from day to day. Some days our systems sound better than other days.
Dirty AC power. Some of it may be mood as well.
Reply With Quote
  #184  
Old 01-09-2018, 01:13 AM
PHC1 PHC1 is offline
Guest
 
Join Date: Apr 2009
Location: Pa
Posts: 23,609
Default

It always puzzled me that no one ever questions "why" the same type of musical instrument from same material (wood) sounds different? We just accept that they do. Why is it that science can never explain the real difference of a Stradivarius violin? Certainly it is not for the lack of trying either.

"People have long puzzled over Stradivari’s secret. Not only the later generations of instrument makers who tirelessly copied his works in the hope of achieving similar levels of perfection in tone and resonance. Or the modern-day scientists who employ everything from infrared and nuclear magnetic resonance spectroscopy (to analyse the chemical properties of a Strad’s resonant components) to particle accelerators similar to the Large Hadron Collider to examine the secrets of a Strad’s atomic particles. But his green-eyed contemporaries too, who even at the time were raising the question about how he did it. Like modern-day Los Angeles for the film industry, Cremona in the 17th century was a one-shop town. And Stradivari was king: wealthy and admired and in huge demand. Apparently the saying “as rich as Stradivarius” was common currency on Cremonese streets.
What set him apart? After all, he was using the same materials as everyone else: the same wood maple and spruce from the nearby South Tyrol), the same water and the same basic tools (which have also barely changed from the ones that master violin makers use today). Was it something in the copper, iron and chromium salts he may have unwittingly used to preserve his wood? Was it deep-embedded ash from unknown volcanic eruptions? Was it in fact dragon’s blood in his special varnish? Or was it, counter-intuitively, the tiny imperfections in his method that created such unfathomable perfection? People have been tormenting themselves with the possibilities behind these questions for centuries, and nobody will ever know the answer."



Yet we often question why a cable can sound different when science can not explain it.... There is still much we simply do not have the answers to.

Last edited by PHC1; 01-09-2018 at 01:20 AM.
Reply With Quote
  #185  
Old 01-09-2018, 02:55 AM
j3brow's Avatar
j3brow j3brow is offline
Member

 
Join Date: Apr 2009
Location: Baton Rouge, LA
Posts: 3,336
Default

Quote:
Originally Posted by PHC1 View Post
It always puzzled me that no one ever questions "why" the same type of musical instrument from same material (wood) sounds different? We just accept that they do. Why is it that science can never explain the real difference of a Stradivarius violin? Certainly it is not for the lack of trying either.

"People have long puzzled over Stradivari’s secret. Not only the later generations of instrument makers who tirelessly copied his works in the hope of achieving similar levels of perfection in tone and resonance. Or the modern-day scientists who employ everything from infrared and nuclear magnetic resonance spectroscopy (to analyse the chemical properties of a Strad’s resonant components) to particle accelerators similar to the Large Hadron Collider to examine the secrets of a Strad’s atomic particles. But his green-eyed contemporaries too, who even at the time were raising the question about how he did it. Like modern-day Los Angeles for the film industry, Cremona in the 17th century was a one-shop town. And Stradivari was king: wealthy and admired and in huge demand. Apparently the saying “as rich as Stradivarius” was common currency on Cremonese streets.
What set him apart? After all, he was using the same materials as everyone else: the same wood maple and spruce from the nearby South Tyrol), the same water and the same basic tools (which have also barely changed from the ones that master violin makers use today). Was it something in the copper, iron and chromium salts he may have unwittingly used to preserve his wood? Was it deep-embedded ash from unknown volcanic eruptions? Was it in fact dragon’s blood in his special varnish? Or was it, counter-intuitively, the tiny imperfections in his method that created such unfathomable perfection? People have been tormenting themselves with the possibilities behind these questions for centuries, and nobody will ever know the answer."



Yet we often question why a cable can sound different when science can not explain it.... There is still much we simply do not have the answers to.


Excellent post!
__________________

Preamp: McIntosh C1100T/C1100C, McIntosh MX180
Amp: McIntosh MC611 (2), MC601 (3), MI254
Digital: McIntosh D1100, McIntosh MCT450, Meridian 808v6, Aurender N20, Aurender ACS10, Oppo 203
Analog: McIntosh MT10, Hana Umami Red
Phono preamp: Simaudio Moon 610LP, 820S
Signal cables: WW Gold Eclipse 7 speaker cables; Shunyata Sigma v2 XLR (2); Sigma v1 XLR (2), Transparent Ref XL (MM2) XLR; WW Silver Eclipse 7 (4)
Digital cables: Shunyata Omega USB, Omega Ethernet, Sigma Ethernet; WW Platinum 7 Coax, AES/EBU
Switch: Innuos PhoenixNet
Power: Audioquest Niagara 7000, Audioquest 5000, Audioquest Dragon, Hurricane PC, Shunyata Alpha HC, AQ NRG Edison outlets, (8) 20 amp dedicated lines, 125 amp subpanel
Speakers: Wilson Sasha DAW, Dynaudio Contour 30, Dynaudio Contour 25C
Subs: REL s/812 (6), REL s/510 (3)
Accessories: HRS M3X2 shelf (MT10), Stillpoints Ultra II v2 w/ bases (21), Ultra SS (12), Mini (12), LPi v1
Sound treaments: Artnovion
Reply With Quote
  #186  
Old 01-09-2018, 09:49 AM
62caddy's Avatar
62caddy 62caddy is offline
Member
 
Join Date: Apr 2012
Posts: 1,069
Default

Quote:
Originally Posted by PHC1 View Post
It always puzzled me that no one ever questions "why" the same type of musical instrument from same material (wood) sounds different? We just accept that they do. Why is it that science can never explain the real difference of a Stradivarius violin? Certainly it is not for the lack of trying either.

"People have long puzzled over Stradivari’s secret. Not only the later generations of instrument makers who tirelessly copied his works in the hope of achieving similar levels of perfection in tone and resonance. Or the modern-day scientists who employ everything from infrared and nuclear magnetic resonance spectroscopy (to analyse the chemical properties of a Strad’s resonant components) to particle accelerators similar to the Large Hadron Collider to examine the secrets of a Strad’s atomic particles. But his green-eyed contemporaries too, who even at the time were raising the question about how he did it. Like modern-day Los Angeles for the film industry, Cremona in the 17th century was a one-shop town. And Stradivari was king: wealthy and admired and in huge demand. Apparently the saying “as rich as Stradivarius” was common currency on Cremonese streets.
What set him apart? After all, he was using the same materials as everyone else: the same wood maple and spruce from the nearby South Tyrol), the same water and the same basic tools (which have also barely changed from the ones that master violin makers use today). Was it something in the copper, iron and chromium salts he may have unwittingly used to preserve his wood? Was it deep-embedded ash from unknown volcanic eruptions? Was it in fact dragon’s blood in his special varnish? Or was it, counter-intuitively, the tiny imperfections in his method that created such unfathomable perfection? People have been tormenting themselves with the possibilities behind these questions for centuries, and nobody will ever know the answer."



Yet we often question why a cable can sound different when science can not explain it.... There is still much we simply do not have the answers to.
May find this interesting.

http://www.telegraph.co.uk/news/scie...rn-violin.html
Reply With Quote
  #187  
Old 01-09-2018, 12:05 PM
PHC1 PHC1 is offline
Guest
 
Join Date: Apr 2009
Location: Pa
Posts: 23,609
Default

Quote:
Originally Posted by 62caddy View Post
Results are not surprising. Personal preference comes into play. Also the Stradivari are extremely rare and valuable so not often experienced by the masses. Not many musicians can afford a $3-$5M violin and of course play with modern instruments and are used to such tone/timbre. My example was in reference to science not being able to explain why the Stradivari sounds different.
Reply With Quote
  #188  
Old 01-09-2018, 12:33 PM
BuffaloBill BuffaloBill is offline
Guest
 
Join Date: Apr 2009
Posts: 1,247
Default

Some people like to make up differences, even when they don't exist, just to satisfy a buying decision or to project a magical hearing ability.
Reply With Quote
  #189  
Old 01-09-2018, 12:47 PM
SuperD SuperD is offline
Guest
 
Join Date: Aug 2011
Location: Texas
Posts: 557
Default

Quote:
Originally Posted by BuffaloBill View Post
Some people like to make up differences, even when they don't exist, just to satisfy a buying decision or to project a magical hearing ability.
I like to listen before I buy. I'm not going to fork over hundreds or thousands of dollars for cables unless "I" hear a benefit. I don't know if I have good or bad ears but I know what I like and where I want to take my listening experience. Science can't prove I love my family and I don't need it to...I just do.

Dave
Reply With Quote
  #190  
Old 01-09-2018, 01:37 PM
leftside's Avatar
leftside leftside is offline
Senior Member
 
Join Date: Mar 2014
Location: Vancouver, Canada
Posts: 237
Default

Science can explain cables though through measurement. What science cannot explain is why some people hear differences with different cables.
__________________
Turntable: VPI Prime Signature Cart: Benz Micro LP-S DAC: Lampizator Golden Atlantic Preamp: Mac C500T, Mac MX121 Amps: Mac MC75 * 2 60th Anniv., Mac MC205 Speakers: Dynaudio C1 Platinum, B&W 804S, Totems Headphone amp: Glenn 300B Headphones: LCD-4
Reply With Quote
Reply


Posting Rules
You may not post new threads
You may not post replies
You may not post attachments
You may not edit your posts

BB code is On
Smilies are On
[IMG] code is On
HTML code is Off

Forum Jump

Audioaficionado.org tested by Norton Internet Security

All times are GMT -4. The time now is 04:29 PM.



Powered by vBulletin® Version 3.8.10
Copyright ©2000 - 2024, vBulletin Solutions, Inc.
©Copyright 2009-2023 AudioAficionado.org.Privately owned, All Rights Reserved.
Audio Aficionado Sponsors
AudioAficionado Subscriber
AudioAficionado Subscriber
Inspire By Dennis Had
Inspire By Dennis Had
Harmonic Resolution Systems
Harmonic Resolution Systems
Wyred4Sound
Wyred4Sound
Dragonfire Acoustics
Dragonfire Acoustics
GIK Acoustics
GIK Acoustics
Esoteric
Esoteric
AC Infinity
AC Infinity
JL Audio
JL Audio
Add Powr
Add Powr
Accuphase - Soulution
Accuphase - Soulution
Audio by E
Audio by E
Canton
Canton
Bryston
Bryston
WireWorld Cables
WireWorld Cables
Stillpoints
Stillpoints
Bricasti Design
Bricasti Design
Furutech
Furutech
Shunyata Research
Shunyata Research
Legend Audio & Video
Legend Audio & Video