|
General Audio Discussion All other Audio Q & A |
|
Thread Tools | Display Modes |
#1
|
||||
|
||||
Scaena Iso-Linear Arrays w/MC2301's - a CES 2010 BOS contender
Ever since I heard one of Alans' designs -- the Pipedreams w/dual 15 inch depth charge woofers brought me to audio heaven a few years back when visiting a friend in Florida. I'll never forget it. If I had the $$, it would be the last speaker I'd ever buy.
The last time I heard anything Alan made was at RMAF 2008 -- his newly designed speakers, that expounded on the originals. I understand this show was the best ever for him & the Scaenas -- he switched awhile back from the VTL amps to McIntosh MC2301's and said it was the best amp move he's made. Having the only MC2301's at CES 2010 was another reason the visitations/auditions was the best ever. The sound was, as reported, a Best of Show contender. Way to go, Alan. I'm glad to hear that for him. As "cut" from an article on the show: "For the second time in a row at CES, the $54k Scaena 3.2s (driven by McIntosh electronics and fed by my fave, the dCS Scarlatti) sounded exceptionally natural (a rarity at this show). Yeah, the 3.2s were too close together because of the narrow width of the room, but putting those woofers at a distance (as Scaena did last year) does wonders for their blend with the ribbon/cone midrange/tweeter columns. Set up the way they were, the Scaenas generated a soundfield that was exceptionally freed-up from enclosure and drivers. Indeed, their “disappearing act” was, perhaps, the best at CES (alongside that of the M5s). Timbres were unusually lifelike on “Keys to the Highway” and other cuts. There may have been a little bit of added brightness in the upper mids due to the close seating position, but, really, I had the feeling that the only limitations with this speaker were the room. Without doubt this is a top contender for BOS."
__________________
Amps:VAC 450iQ Monos in Silver Flake on HRS M3X2-1921's, HRS G7 Footers/G-Links & Sound Anchor Conecoasters. Preamp:VAC Statement (on order) (Silver Flake) Digital Source: dCS Rossini CD/SACD Transport, Vivaldi APEX DAC, Upsampler Plus & matching Clock (Silver) Analogue Preamp:VAC Renaissance SE Phono stage in Silver Flake with XLR Output Option & with Nordost Valhalla XLR's. Analogue Sources:SME 20/2 w/SME V arm & Nordost Odin 2 Tone Arm Cable, Palo Santos Presentation Cartridge & Akai GX-400D Reel-to-Reel w/relapped heads by JRF Magnetic Sciences. Akai RC-17 cabled remote (original owner since 1974). Vibration Control:TT on HRS M3X2-1921 shelf. Speakers:Wilson Audio Alexia V (on order in Ferrari Argento Silver/Parchment grills sitting on Acoustic Diode Kit). Power Cables:4 Nordost Odin Supreme Reference on amps, preamp & DAC. Ansuz Acoustics C2 on Transport & Clock. Power Distribution:Ansuz Mainz D3 Distributor & Ansuz Mainz C2 1M Power Cable Power Outlets:Furutech GTX-D NCF (R) duplex outlet, GTX Wall Plate & Duplex Cover (x2) on dedicated, same panel phase, 20A breakers. Speaker Cables:2M Nordost Odin 2 Supreme Reference on Nordost Sort Lifts. Signal Cables:Nordost Odin XLR's on dCS DAC & Amps. Digital Cables: Nordost Odin 2's, 110-ohm AES/EBU on dCS Transport to DAC. Clock Cables:5 each 75 ohm 1.25M Nordost Valhalla BNC/BNC Digital Ethernet Cable: WireWorld Platinum 1M Starlight® 8 Twinax Headphones:Vintage Koss Pro IV AA. RCM: Audio Desk PRO Tube Test Gear:Mint late '60's/calibrated Heathkit TT-1A, MaxiMatcher Power Amp & Preamp & Space Tech Labs ATT-3.02 tube test sets. |
|
|
Audio Aficionado Sponsors | |