#171
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Best Sir, Bob
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Amps:VAC 450iQ Monos in Silver Flake on HRS M3X2-1921's, HRS G7 Footers/G-Links & Sound Anchor Conecoasters. Preamp:VAC Statement (on order) (Silver Flake) Digital Source: dCS Rossini CD/SACD Transport, Vivaldi APEX DAC, Upsampler Plus & matching Clock (Silver) Analogue Preamp:VAC Renaissance SE Phono stage in Silver Flake with XLR Output Option & with Nordost Valhalla XLR's. Analogue Sources:SME 20/2 w/SME V arm & Nordost Odin 2 Tone Arm Cable, Palo Santos Presentation Cartridge & Akai GX-400D Reel-to-Reel w/relapped heads by JRF Magnetic Sciences. Akai RC-17 cabled remote (original owner since 1974). Vibration Control:TT on HRS M3X2-1921 shelf. Speakers:Wilson Audio Alexia V (on order in Ferrari Argento Silver/Parchment grills sitting on Acoustic Diode Kit). Power Cables:4 Nordost Odin Supreme Reference on amps, preamp & DAC. Ansuz Acoustics C2 on Transport & Clock. Power Distribution:Ansuz Mainz D3 Distributor & Ansuz Mainz C2 1M Power Cable Power Outlets:Furutech GTX-D NCF (R) duplex outlet, GTX Wall Plate & Duplex Cover (x2) on dedicated, same panel phase, 20A breakers. Speaker Cables:2M Nordost Odin 2 Supreme Reference on Nordost Sort Lifts. Signal Cables:Nordost Odin XLR's on dCS DAC & Amps. Digital Cables: Nordost Odin 2's, 110-ohm AES/EBU on dCS Transport to DAC. Clock Cables:5 each 75 ohm 1.25M Nordost Valhalla BNC/BNC Digital Ethernet Cable: WireWorld Platinum 1M Starlight® 8 Twinax Headphones:Vintage Koss Pro IV AA. RCM: Audio Desk PRO Tube Test Gear:Mint late '60's/calibrated Heathkit TT-1A, MaxiMatcher Power Amp & Preamp & Space Tech Labs ATT-3.02 tube test sets. |
#172
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You are a very patient man Stephen. That’s why high end audio will never catch on with the generation of instant gratification.
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#173
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Boy, you can say that again. Fortunately, I had my Premier 17 to listen to while the CT-5 was burning in.
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Lumin P1 streamer/DAC/preamp, Constellation Inspiration integrated TT: Michell Gyro SE MkII, SME V, Koetsu Urushi Vermilion, EAR324. Harbeth 30.2s, REL R-305, Shunyata Alpha V2 ICs, Alpha V2 SPs, Sigma XC, Sigma NRv2, Omega QR-s & Alpha NRv2 PCs, segmented Altaira SG stack w/ Alpha & Omega CGCs, Everest 8000 PD. Remote Server Room: Uptone EtherREGEN, AfterDark Master Clock & LPS, Alita, Battle Angel, (Akasa NUC Roon Core), iFi DC Purifiers (for SMPS used for Alita & router), Shunyata Gemini combo power distributor & Altaira-type CG GP-NR hub, Venom & Alpha CGCs, Shunyata NRv14 power cords for digital components. |
#174
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I've got a dumb question. I am burning in some NOS 2M Balanced ZiTron Anaconda interconnects between my preamp and my amplifiers. Does the volume matter? Can I turn it down almost all the way or would that slow down the burn-in process?
Last edited by MisterBritt; 11-06-2017 at 08:53 PM. |
#175
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But I am taking the occasion of burning in the new ICs by taking my Quad ESL 57s for a drive. It's been way too long. My jaw hit the floor when I fired them up. I've been running down my Bill Evans Trio and Blue Note trio and other small group LPs all day. Good times. Waltz with Debby is a trip. You could always clearly hear the people talking and coughing but on the Quads you can make out much more of it if you care to. On side two, a lady tells the waitress, "same thing." Or when that other lady sneezes, you know it's a sneeze and that it was recorded on a wintry day. That guy chuckling at the end of side two, who I take to be Orrin Keepnews himself, cracks me up. At the applause after the first tune on side two I counted what I estimate to have been 27 people in the Vanguard. Ha. Drummer Paul Motion, in an interview/article in the New York Times a few years back, stated that he thought the crowd was a distraction on those records, but I think it's ever so charming. We're fast approaching the initial 50 hour burn-in hurdle. From what I have gathered the next check point occurs around 100 hours. I think I'll just leave the Quads in place until then. What a delight! Last edited by MisterBritt; 11-09-2017 at 02:53 AM. |
#176
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I think varying volume does help with speaker cables and speakers, but is not at issue as much with interconnects. I'm a fan of resting the system at various periods, like overnight, and have noticed positive differences versus running constantly. There are customers that claim a forever burn-in time for different products, but my experience has been that 100-150hrs (4-6 days) of fairly steady use gets you past most ups and downs. After that, its more fine-tuning and refinement. The current range of cables skips the ups and downs and generally gets into refinement once they settle for a day or so after shipping.
Regards, Grant |
#177
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#178
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Lumin P1 streamer/DAC/preamp, Constellation Inspiration integrated TT: Michell Gyro SE MkII, SME V, Koetsu Urushi Vermilion, EAR324. Harbeth 30.2s, REL R-305, Shunyata Alpha V2 ICs, Alpha V2 SPs, Sigma XC, Sigma NRv2, Omega QR-s & Alpha NRv2 PCs, segmented Altaira SG stack w/ Alpha & Omega CGCs, Everest 8000 PD. Remote Server Room: Uptone EtherREGEN, AfterDark Master Clock & LPS, Alita, Battle Angel, (Akasa NUC Roon Core), iFi DC Purifiers (for SMPS used for Alita & router), Shunyata Gemini combo power distributor & Altaira-type CG GP-NR hub, Venom & Alpha CGCs, Shunyata NRv14 power cords for digital components. |
#179
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BTW, we have the original Quad 57 (rebuilt) set of speakers that we use for development. They are still the reference for mid-range transparency. Love them.
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Caelin Gabriel President Shunyata Research |
#180
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I have wondered whether you built custom power cords for them? That would be cool but I think unless I wanted to make these my primary speakers it wouldn't make sense for me to venture into those waters. Do you augment the bass on yours? I have read that if one does that, adds a sub or whatnot, it could end in disaster, one step forward and two steps back in total presentation, the magic being lost. But they are a trip! Nirvana Unplugged in New York, sublime. Nirvana plugged, nevermind. Ha. Also -- and if this is too far off topic to warrant a reply, I understand -- but I would consider your opinion the most intelligent and informed of all is out there on these speakers. Have you experimented with isolation devices on them, aka footers like Stillpoints? I'm just very curious. Mine are on the 18" "German" stands and are currently just positioned with the elegant wood legs on the rug. They look great! Unfortunately, due to room logistics, I cannot plug them into my Triton/Typhon combo. But they are on the same line and, from what I have gathered, are benefiting from being on the same line as the Typhon. Last edited by MisterBritt; 11-09-2017 at 07:43 PM. |
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