#41
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Lumin P1 streamer/DAC/preamp, Constellation Inspiration integrated TT: Michell Gyro SE MkII, SME V, Koetsu Urushi Vermilion, EAR324. Harbeth 30.2s, REL R-305, Shunyata Alpha V2 ICs, Alpha V2 SPs, Sigma XC, Sigma NRv2, Omega QR-s & Alpha NRv2 PCs, segmented Altaira SG stack w/ Alpha & Omega CGCs, Everest 8000 PD. Remote Server Room: Uptone EtherREGEN, AfterDark Master Clock & LPS, Alita, Battle Angel, (Akasa NUC Roon Core), iFi DC Purifiers (for SMPS used for Alita & router), Shunyata Gemini combo power distributor & Altaira-type CG GP-NR hub, Venom & Alpha CGCs, Shunyata NRv14 power cords for digital components. |
#42
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Stephen
The issue of mastering is a non-starter with me. As I have previously posted I have performed the following comparisons in my system. Tidal MQA version versus the actual CD. Tidal MQA version versus a CD version that has been stored in Sooloos format. Tidal MQA version versus a CD version stored on a server I use for Roon content. Tidal MQA version versus Hi-Rez version stored on both Sooloos and Roon servers. Purchased MQA version versus Hi-Rez version stored on both Sooloos and Roon servers. Results: -I have never heard the streamed or purchased Tidal MQA version sound worse than the CD, Sooloos, or Roon content. -There are some titles where the MQA and other 16/44 are too similar to worry about. -I only have a handful of purchased MQA titles but they compete in the same sandbox as the hi-rez versions I own. Some are better, some the same and some not as good. |
#43
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There was no demo at all. This was just me, comparing mqa and non-mqa tracks on very different headphone rigs with different DAC's, headphone amps, and servers over the course of three days. The only common component was tidal streaming. These observations were sighted and so of course subject to confirmation bias. However, since I just bought a non-mqa capable dac, I really would have preferred to not hear an improvement. But I did. Just like the GD Nordost demos, this is going to cost me some money. Tom btw I too like the Schiit approach to multi-bit. Sounds very good.
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Main System: Amati Futura Mains Amati Homage VOX Center, Proac Response 1sc Rears, Three MC2301's for L,C,R MC 602 for the rears C 1100, MX 151, MCD 1100, MR 80 Nottingham Dais with Wave Mechanic Sumiko Palo Santos Presentation SurfacePro 3, RPi 4, ROON, WW Starlight Platinum USB, Schiit Yggdrasil, Benchmark DAC3 HGC MX 151, OppO BDP-95, JVC RS-500 DILA projector, 106" diagonal Stewart Luxus Screenwall Deluxe with Studiotek 130 G3 material. Lake House: Ohm F, MC 275V, C2300, MR 77, Rega P3 OnDeck: McIntosh MAC 4300v |
#44
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My Lumin U1 streamer recently became MQA Certified. So I updated the firmware of the U1 and the unit can now perform the "first MQA unfold" and send my DAC the higher resolution "studio" bit stream when I play Masters albums through the Tidal Hifi streaming service. This means I can get up to a 24 bit, 96Khz version of the bit-stream sent to my DAC. In my experience so far, the sonic results I am hearing with MQA-encoded albums are staggeringly good. Many albums are significantly better than the non-MQA versions of the same albums using Tidal Hifi. Some MQA albums sound the same as their standard 16/44 counterparts, but none of the MQA albums I've played thus far sound worse. Overall, I am very satisfied with the improvements I am hearing through MQA and believe that it is worth the time and investment to find equipment that can support the format. To my ears, the sonic character that I hear from MQA Masters Albums on Tidal Hifi is very much reminiscent to the old DVD-Audio discs in my collection...does anyone remember that format
Bottom line for me - big thumbs up for MQA!
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Best Regards, Andrew The Sound Room: C1100/D1100 Combo, MC-2301 (2), MC-1.2Kw (2), Martin Logan Summit X, Wilson Yvette, MT-10 turntable, Lumin U1 streamer, Nordost Tyr 2 sc and ic's. The Study: Sony HAP-Z1ES/TA-A1ES Combo, Kef LS50 Last edited by audioguru; 10-10-2017 at 02:15 PM. |
#45
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I'm familiar with the Nordost and Ansuz lineups & am curious what you meant. Best Sirs, Bob
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Amps:VAC 450iQ Monos in Silver Flake on HRS M3X2-1921's, HRS G7 Footers/G-Links & Sound Anchor Conecoasters. Preamp:VAC Statement (on order) (Silver Flake) Digital Source: dCS Rossini CD/SACD Transport, Vivaldi APEX DAC, Upsampler Plus & matching Clock (Silver) Analogue Preamp:VAC Renaissance SE Phono stage in Silver Flake with XLR Output Option & with Nordost Valhalla XLR's. Analogue Sources:SME 20/2 w/SME V arm & Nordost Odin 2 Tone Arm Cable, Palo Santos Presentation Cartridge & Akai GX-400D Reel-to-Reel w/relapped heads by JRF Magnetic Sciences. Akai RC-17 cabled remote (original owner since 1974). Vibration Control:TT on HRS M3X2-1921 shelf. Speakers:Wilson Audio Alexia V (on order in Ferrari Argento Silver/Parchment grills sitting on Acoustic Diode Kit). Power Cables:4 Nordost Odin Supreme Reference on amps, preamp & DAC. Ansuz Acoustics C2 on Transport & Clock. Power Distribution:Ansuz Mainz D3 Distributor & Ansuz Mainz C2 1M Power Cable Power Outlets:Furutech GTX-D NCF (R) duplex outlet, GTX Wall Plate & Duplex Cover (x2) on dedicated, same panel phase, 20A breakers. Speaker Cables:2M Nordost Odin 2 Supreme Reference on Nordost Sort Lifts. Signal Cables:Nordost Odin XLR's on dCS DAC & Amps. Digital Cables: Nordost Odin 2's, 110-ohm AES/EBU on dCS Transport to DAC. Clock Cables:5 each 75 ohm 1.25M Nordost Valhalla BNC/BNC Digital Ethernet Cable: WireWorld Platinum 1M Starlight® 8 Twinax Headphones:Vintage Koss Pro IV AA. RCM: Audio Desk PRO Tube Test Gear:Mint late '60's/calibrated Heathkit TT-1A, MaxiMatcher Power Amp & Preamp & Space Tech Labs ATT-3.02 tube test sets. |
#46
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Now that my Lumin U1 is MQA-Certified, the sonic results I am hearing with most MQA Albums streamed through Tidal Hifi is a major and significant improvement (to my ears) vs. the original 16/44 version of the same album.
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Best Regards, Andrew The Sound Room: C1100/D1100 Combo, MC-2301 (2), MC-1.2Kw (2), Martin Logan Summit X, Wilson Yvette, MT-10 turntable, Lumin U1 streamer, Nordost Tyr 2 sc and ic's. The Study: Sony HAP-Z1ES/TA-A1ES Combo, Kef LS50 Last edited by audioguru; 10-10-2017 at 02:30 PM. |
#47
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Tom P.S. I meant that I really, really didn't want to hear an improvement, but I did. It wasn't subtle.
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Main System: Amati Futura Mains Amati Homage VOX Center, Proac Response 1sc Rears, Three MC2301's for L,C,R MC 602 for the rears C 1100, MX 151, MCD 1100, MR 80 Nottingham Dais with Wave Mechanic Sumiko Palo Santos Presentation SurfacePro 3, RPi 4, ROON, WW Starlight Platinum USB, Schiit Yggdrasil, Benchmark DAC3 HGC MX 151, OppO BDP-95, JVC RS-500 DILA projector, 106" diagonal Stewart Luxus Screenwall Deluxe with Studiotek 130 G3 material. Lake House: Ohm F, MC 275V, C2300, MR 77, Rega P3 OnDeck: McIntosh MAC 4300v |
#48
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You can tell the similarities -- however Anzus products continually evolve with tweaks whereas Nordost designs a product and keeps it going to 5-7 years or thereabouts. They are stuck with it -- like their Qbase product, the inputs are vertical -- ever try to plug in 3 Odin Power Cords vertically and keep the Qbase stationary -- the weight pulls the Qbase to an angle. They won't change the design -- that would play havoc with their followers. Michael learned this & the Ansuz inputs are horizontal. Pretty smart cookie he is BTW. He's now in design phase of a mega, mega expensive AC distributor. As AC products have developed, I'm no longer a fan of power conditioners -- AC distribution is where it's at IMO. Single dedicated line as well. My 2 cents. Anyways, Best sir, Bob P.S. As we know -- it's not the last 3 feet or so -- it's the first 3 feet of power your system sees.
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Amps:VAC 450iQ Monos in Silver Flake on HRS M3X2-1921's, HRS G7 Footers/G-Links & Sound Anchor Conecoasters. Preamp:VAC Statement (on order) (Silver Flake) Digital Source: dCS Rossini CD/SACD Transport, Vivaldi APEX DAC, Upsampler Plus & matching Clock (Silver) Analogue Preamp:VAC Renaissance SE Phono stage in Silver Flake with XLR Output Option & with Nordost Valhalla XLR's. Analogue Sources:SME 20/2 w/SME V arm & Nordost Odin 2 Tone Arm Cable, Palo Santos Presentation Cartridge & Akai GX-400D Reel-to-Reel w/relapped heads by JRF Magnetic Sciences. Akai RC-17 cabled remote (original owner since 1974). Vibration Control:TT on HRS M3X2-1921 shelf. Speakers:Wilson Audio Alexia V (on order in Ferrari Argento Silver/Parchment grills sitting on Acoustic Diode Kit). Power Cables:4 Nordost Odin Supreme Reference on amps, preamp & DAC. Ansuz Acoustics C2 on Transport & Clock. Power Distribution:Ansuz Mainz D3 Distributor & Ansuz Mainz C2 1M Power Cable Power Outlets:Furutech GTX-D NCF (R) duplex outlet, GTX Wall Plate & Duplex Cover (x2) on dedicated, same panel phase, 20A breakers. Speaker Cables:2M Nordost Odin 2 Supreme Reference on Nordost Sort Lifts. Signal Cables:Nordost Odin XLR's on dCS DAC & Amps. Digital Cables: Nordost Odin 2's, 110-ohm AES/EBU on dCS Transport to DAC. Clock Cables:5 each 75 ohm 1.25M Nordost Valhalla BNC/BNC Digital Ethernet Cable: WireWorld Platinum 1M Starlight® 8 Twinax Headphones:Vintage Koss Pro IV AA. RCM: Audio Desk PRO Tube Test Gear:Mint late '60's/calibrated Heathkit TT-1A, MaxiMatcher Power Amp & Preamp & Space Tech Labs ATT-3.02 tube test sets. Last edited by vintage_tube; 10-11-2017 at 12:16 AM. |
#49
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Looks like I've got a lot to learn here....
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Main System: Amati Futura Mains Amati Homage VOX Center, Proac Response 1sc Rears, Three MC2301's for L,C,R MC 602 for the rears C 1100, MX 151, MCD 1100, MR 80 Nottingham Dais with Wave Mechanic Sumiko Palo Santos Presentation SurfacePro 3, RPi 4, ROON, WW Starlight Platinum USB, Schiit Yggdrasil, Benchmark DAC3 HGC MX 151, OppO BDP-95, JVC RS-500 DILA projector, 106" diagonal Stewart Luxus Screenwall Deluxe with Studiotek 130 G3 material. Lake House: Ohm F, MC 275V, C2300, MR 77, Rega P3 OnDeck: McIntosh MAC 4300v |
#50
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It will be in the future.
Currently, the MQA implementation is more like a work in progress. Last edited by wklie; 10-11-2017 at 09:26 AM. |
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