AudioAficionado.org  

Go Back   AudioAficionado.org > Manufacturers Forums > Audio Research

Audio Research State of the Art Audio Reproduction

Reply
 
Thread Tools Display Modes
  #1  
Old 07-01-2013, 04:27 PM
Clarifixer's Avatar
Clarifixer Clarifixer is offline
Senior Member
 
Join Date: Jan 2013
Location: Central Ohio
Posts: 118
Default REF75 with Summit-X?

I'm looking at the lovely REF75 and also speaker shopping, with the Logan Martin Summit-X being at the top of my list at this moment.

Has anyone heard this combination or perhaps speculate on whether the ARC can handle these speakers? I heard somewhere that 100 wpc. is about the minimum for the Summit-X, but with its powered woofers, I'm wondering if 75 is "good enough" to drive it in nirvana-like fashion. Not that the REF75 could be called marginal in any area other than brute force!

I listen almost exclusively to chamber and orchestral classical music (Mahler is a favorite) usually in the 80-90 dB range and rarely much over 95 dB in full orchestra climaxes. Sometimes some blues and rock, but at about the same volume.

Listening space is part of a very open arrangement but is essentially a 16-1/2 x 17-1/2 corner area that extends another 15 feet in both directions. Ceiling is unfortunately 8'.

Another option I've thought about is grabbing a pair of REF210 monoblocks off Audiogon for around the same budget point, but that REF75 is just stuck in my mind's eye........
__________________
As my dear old dad used to say, "The pain of purchase soon dissipates!"

Last edited by jdandy; 07-01-2013 at 04:58 PM.
Reply With Quote
  #2  
Old 07-01-2013, 06:25 PM
cmalak's Avatar
cmalak cmalak is offline
Member
 
Join Date: Jul 2009
Posts: 7,602
Default

Clarifixer...I don't think you want to drive these with a tube amp despite being 91dB sensitive and having their woofers driven by onboard 200wpc Class D amps. The speaker's impedance is capacitative, decreasing with increasing energy. So the impedance dips down to 0.8 ohm at 20KHz (so the impedance falls from 4ohm nominal rating at 1KHz and keeps on falling throughout the passband as frequency increases), which makes it a prime candidate for speaker-amp interaction. You want a low impedance, high damping factor SS amp to drive these. Here's an exerpt from Dick Olsher's review from TAS:

Quote:
Given its 91dB sensitivity, you would think that driving the ’stat panel would be a piece of cake for even low-power tube amplification. I was looking forward to deploying my substantial collection of 30Wpc tube amplifiers in the pursuit of sonic bliss. Unfortunately, that notion went right out the window. The electrostatic panel’s impedance is capacitive in nature and decreases with increasing energy, reaching a minimum of 0.8 ohms at 20 kHz. That makes the Summit a prime candidate for amplifier-speaker interaction. Unless an amp’s source impedance is very low, meaning that its damping factor (DF) is high, it will invariably roll off the treble. The Berning ZH-230 struggled in this respect as did other tube amps. A typical tube amplifier with a source impedance of about 1 ohm is said to have a DF of 8 relative to an 8-ohm load. The same amp would exhibit a DF of less than one driving the electrostatic panel at 20 kHz. One tube amp in particular started rolling off the Summit at 5 kHz and was down 10 dB at 20 kHz. Make no mistake about it: This represents significant adulteration of the tonal balance. The amps that performed best in preserving the Summit’s frequency response were high-DF solid-state (rather than hollow-state) designs, with a minimum DF of 150 relative to 8 ohms. MartinLogan doesn’t recommend any particular amplifier; however, I can. My two favorite amps for the task at hand turned out to be the Electrocompaniet AW180 (DF=1000) and my Ampzilla II (DF=150), refurbished and upgraded to a FET front end by Mike Bettinger, GASAudio.net.
If you want to stick with tube amps, I would find a tube amp with low source impedance (input impedance) and high damping factor, so that you don't have a tonally skewed/altered presentation. Dick Olsher said on one of his tube amps, there was material roll-off at 5KHz and was down 10dB at 20KHz! Talk about a material tonal balance shift - that kind of roll off will sound thin, recessed, and uninvolving/exciting and just plain wrong.

I think with these babies you will want to stick with high powered and high DF SS amps. If that's not your cup of tea than you may want to consider more tube-friendly speakers with a benign load (i.e., at least above 6 ohms and fairly flat without major peaks and valleys in the impedance graph as tube amps don't like to see major shifts in load).
Reply With Quote
  #3  
Old 07-01-2013, 08:27 PM
MPS's Avatar
MPS MPS is offline
Senior Member
 
Join Date: Sep 2012
Location: Global
Posts: 163
Default

^ Well said.
However if you do prefer using tube amp, I am very happy with my VT200mkII which drives low impedance load with ease. Speakers are ML CLX.
Reply With Quote
  #4  
Old 07-01-2013, 08:49 PM
Myles B. Astor's Avatar
Myles B. Astor Myles B. Astor is offline
Member
 
Join Date: Nov 2011
Location: New York City
Posts: 1,316
Default

Quote:
Originally Posted by Clarifixer View Post
I'm looking at the lovely REF75 and also speaker shopping, with the Logan Martin Summit-X being at the top of my list at this moment.

Has anyone heard this combination or perhaps speculate on whether the ARC can handle these speakers? I heard somewhere that 100 wpc. is about the minimum for the Summit-X, but with its powered woofers, I'm wondering if 75 is "good enough" to drive it in nirvana-like fashion. Not that the REF75 could be called marginal in any area other than brute force!

I listen almost exclusively to chamber and orchestral classical music (Mahler is a favorite) usually in the 80-90 dB range and rarely much over 95 dB in full orchestra climaxes. Sometimes some blues and rock, but at about the same volume.

Listening space is part of a very open arrangement but is essentially a 16-1/2 x 17-1/2 corner area that extends another 15 feet in both directions. Ceiling is unfortunately 8'.

Another option I've thought about is grabbing a pair of REF210 monoblocks off Audiogon for around the same budget point, but that REF75 is just stuck in my mind's eye........
The ML really begin to sing when you give them some horsepower. 275 watts is great, a kilowatt even better, all things being equal

One thing to be aware of though. Although the Summit-X is self powered, the quality of the main amps is still very important. In short, the amp in the speaker reflects the quality of the main amp. In my experience, while the ART was good in the bass, the Cello was even better--even though the X's are self powered.
__________________
Myles Astor, Senior Editor., Positive-Feedback.com, Goldmund Telos 300 amplifier, Goldmund Mimesis 37S Nextgen preamplifier, Doshi EVO phono and tape stages; Zellaton Plural EVO speakers; VPI Vanquish Turntable, VPI 12-inch Fat Boy gimbal arm and SAT LM-12 arm; Lyra Atlas SL Lambda, Fuuga mk.2, vdh Colibri Master Signature cartridges; Technics 1506/FM heads; Various cables including TA, MIT, Kubala-Sosna, Skogrand, Viero L3 Equilibrio speaker cables, Audience, SRA Craz 3 rack, Isobase and OHIO Class XL+2.1 platforms.
Reply With Quote
  #5  
Old 07-02-2013, 04:55 AM
Ritmo Ritmo is offline
Member
 
Join Date: Jun 2010
Location: Florida
Posts: 4,053
Default

Clarifixer,

The Ref75 is a wonderful amp. If your heart is set on getting one, I would seriously recommend you listen to the NOLA KO speakers. I listened to this combination at RMAF last year and felt it was terrific.
__________________
Mike
Reply With Quote
  #6  
Old 07-02-2013, 09:07 PM
Clarifixer's Avatar
Clarifixer Clarifixer is offline
Senior Member
 
Join Date: Jan 2013
Location: Central Ohio
Posts: 118
Default

Funny how life throws a curveball at times. In a conversation with a dealer yesterday, he mentioned he was rotating out the demo REF150 he had been using for speaker and component auditions with about 400 hours on it. It is like new, having been unpacked and put directly into service at the store for a couple of years, with no one messing with it but him. For sale with a full three-year warranty and a very nice price.

I bit.

It may not be as pretty as the REF75 with its VU meters and all, but a very serious component with a bit more potential to drive a heavy load. I think I'll just ponder all the new possibilities for a while.....
__________________
As my dear old dad used to say, "The pain of purchase soon dissipates!"
Reply With Quote
  #7  
Old 07-02-2013, 11:06 PM
NOLG4EVR NOLG4EVR is offline
Senior Member
 
Join Date: Apr 2013
Posts: 688
Default

Quote:
Originally Posted by Clarifixer View Post
Funny how life throws a curveball at times. In a conversation with a dealer yesterday, he mentioned he was rotating out the demo REF150 he had been using for speaker and component auditions with about 400 hours on it. It is like new, having been unpacked and put directly into service at the store for a couple of years, with no one messing with it but him. For sale with a full three-year warranty and a very nice price.

I bit.

It may not be as pretty as the REF75 with its VU meters and all, but a very serious component with a bit more potential to drive a heavy load. I think I'll just ponder all the new possibilities for a while.....
Good purchase. I have heard the ref 75, ref 150 as well as the ref 250's. All very good amps. I think you will be very happy with the 150. BTW, what pre and speakers are you planning on running with it?
__________________
[SIGPIC][/SIGPIC]
J.J.

Shindo D'Yquems
Shindo Vosne Romanee
Devore 0/96
Luxman PD-171
Dynavector xx2 MkII
Luxman DA-06
Mac Mini
Magnum Dynalab MD 107t
Shindo and A23 Cables
Reply With Quote
  #8  
Old 07-03-2013, 12:51 AM
Ritmo Ritmo is offline
Member
 
Join Date: Jun 2010
Location: Florida
Posts: 4,053
Default

Quote:
Originally Posted by Clarifixer View Post
Funny how life throws a curveball at times. In a conversation with a dealer yesterday, he mentioned he was rotating out the demo REF150 he had been using for speaker and component auditions with about 400 hours on it. It is like new, having been unpacked and put directly into service at the store for a couple of years, with no one messing with it but him. For sale with a full three-year warranty and a very nice price.

I bit.

It may not be as pretty as the REF75 with its VU meters and all, but a very serious component with a bit more potential to drive a heavy load. I think I'll just ponder all the new possibilities for a while.....
Excellent choice - congratulations!
__________________
Mike
Reply With Quote
  #9  
Old 07-03-2013, 01:00 AM
cmalak's Avatar
cmalak cmalak is offline
Member
 
Join Date: Jul 2009
Posts: 7,602
Default

Clarifixer...if your dealer is open to it, see if he will let you demo the Ref 150s on your Summit Xs before finally pulling the trigger. Better safe than sorry. If it's a good match, than you are home free with an excellent amp. Congrats!
Reply With Quote
  #10  
Old 07-03-2013, 05:16 AM
magoo magoo is offline
Guest
 
Join Date: Feb 2013
Posts: 381
Default

It would also be worth a look at the Martin Logan owners club site, Arc have a good following over there. On paper specs have their place, but so does real world experience.
Reply With Quote
Reply


Posting Rules
You may not post new threads
You may not post replies
You may not post attachments
You may not edit your posts

BB code is On
Smilies are On
[IMG] code is On
HTML code is Off

Forum Jump

Audioaficionado.org tested by Norton Internet Security

All times are GMT -4. The time now is 07:54 AM.



Powered by vBulletin® Version 3.8.10
Copyright ©2000 - 2024, vBulletin Solutions, Inc.
©Copyright 2009-2023 AudioAficionado.org.Privately owned, All Rights Reserved.
Audio Aficionado Sponsors
AudioAficionado Subscriber
AudioAficionado Subscriber
Inspire By Dennis Had
Inspire By Dennis Had
Harmonic Resolution Systems
Harmonic Resolution Systems
Wyred4Sound
Wyred4Sound
Dragonfire Acoustics
Dragonfire Acoustics
GIK Acoustics
GIK Acoustics
Esoteric
Esoteric
AC Infinity
AC Infinity
JL Audio
JL Audio
Add Powr
Add Powr
Accuphase - Soulution
Accuphase - Soulution
Audio by E
Audio by E
Canton
Canton
Bryston
Bryston
WireWorld Cables
WireWorld Cables
Stillpoints
Stillpoints
Bricasti Design
Bricasti Design
Furutech
Furutech
Shunyata Research
Shunyata Research
Legend Audio & Video
Legend Audio & Video