#71
|
|||
|
|||
I have a feeling when I stop by to pick up the PPP for a test drive that it will actually be your TT demo my wallet will be afraid of
|
#72
|
||||
|
||||
No kidding. I have been reading this thread...danger danger!
__________________
Unison Research Sinfonia Anniversary. McIntosh D100 > Bluesound Node2i > Tidal. Clearaudio Performance DC. Gold Note PH-10, Gold Note PSU-10. Isol-8 InLine. Shunyata Research Hydra Delta D6. Wireworld. Acoustic Zen. Audioquest. Klipsch Cornwall III. Greg |
#73
|
|||
|
|||
Quote:
|
#74
|
|||
|
|||
I was glad to spend some time talking to Bill Peugh from Sumiko today.
Bill knows the SME tables really well inside and out and I went over my setup with him thoroughly. I think we covered just about every parameter of the table and arm and Bill shared many of his setup tips and what he has discovered over the years of playing with them. I had my work cut out for me when I got home and started applying and testing the various settings. I had to tweak just about everything across the board. It was fun to do small incremental adjustments and hear the sound changing. I started by bumping up the suspension a few mm above the factory recommended level and re-leveling the table. Followed by the damping of the tonearm, I went up on the damping screw until it barely touched the surface of the silicone fluid in the resevoir. After these two adustments, the soundstage opened up tremendously. It was fun listening to my new Jimi Hendrix vinyl and all of a sudden hearing the sound effects coming from the adjacent room on the left. Next up I adjusted the VTA and VTF some more to achieve a balance of bass and detailed top end, added .5 gm of dynamic balance to the tonearm from balanced keeping the overall VTF in the range, followed by anti-skate by ear. After I also adjusted the speed of the motor by ear as Bill recommended a few small steps at a time and suddenly everything just locked in just like Bill said it would. Table is sounding pretty incredible now. I was amazed just how much more can be had from an optimized setting. I doubt I would have achieved nearly as good results in a few months of experimenting as I did in a few hours after the advice from Bill. Last edited by PHC1; 04-09-2010 at 07:51 PM. |
#75
|
||||
|
||||
Serge.......Both the SME 20/2 turntable and the SME Series V tonearm are engineering marvels. It is enjoyable to read your posts, and know that someone as focused as you owns this equipment, and can appreciate the improvements that each tweak produces. It is a fine vinyl spinning and tracking system indeed.
__________________
Dan STUDIO - McIntosh C1000C/P, MC2301 (2), MR88, Aurender N10, Esoteric K-01X, Shunyata Sigma spdif digital cable, Sonos Connect, PurePower 2000, Stillpoints, Furutech Flux 50, Michell Gyro SE, Michell HR Power Supply, SME 309, Ortofon Cadenza Black, Wireworld, Sonus faber Amati Anniversario LIVING ROOM - McIntosh C2300, MC75 (2), MR85, Magnum Dynalab 205, Simaudio MOON Neo 260D-T, Schiit Audio Yggdrasil, Aurender N100H, Shunyata Sigma USB cable, Micro Seiki DD40, Ortofon Cadenza Blue, Nakamichi BX-300, Sony 60ES DAT, PS Audio P10, Furutech Flux 50, Sonos Connect, Stillpoints, Wireworld, Kimber, PMC EB1i, JL Audio f113 VINTAGE - McIntosh MA230, Tandberg 3011A tuner, Olive 04HD, Sony DTC-59ES DAT, McIntosh 4300V, JBL 4312A |
#76
|
|||
|
|||
Quote:
I am hoping I will have a chance in the future to try other table and tonearm combinations as I derrive much satisfaction from getting a chance to experience and spend time listening to some of these very impressive analog playback engineering marvels. |
#77
|
|||
|
|||
I have heard Serges analog SME TT and it not only is eye candy but sounds fantastic and is fabulous as well.
|
#78
|
||||
|
||||
Finally upgraded Serge. Well done!!
|
#79
|
||||
|
||||
Quote:
__________________
There are two means of refuge from the miseries of life: music and cats Albert Schweitzer |
#80
|
||||
|
||||
Quote:
howie |
|
|
Audio Aficionado Sponsors | |