#11
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The two best events acoustically I have heard at a pop/rock venue.
Brandi Carlile in the Corson Auditorium at Interlochen. The acoustics were so good they did several songs a cappella . Leonard Cohen at the Fox Theater in Detroit. The sound and mix was perfect and as close to his Live In London recording as you could get. |
#12
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Quote:
Give me a good studio recording and no one making any noise around me and I'm in musical heaven. The "listening with an audience to share the experience" is for the birds. Last edited by GaryProtein; 08-20-2018 at 05:50 PM. |
#13
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Quote:
You have a right to your opinion but in general I'll take live music in most instances. The only exceptions might be artists in large stadium venues or where when drunks are the target audience. Then again I think watching movies at home rather than on large screens with audience sharing gasps, laughs, shock etc is a waste of time. (I can't remember the last time we had an issues with cell phones, people talking at a movie) Listening to a recording is excellent for what it is a representation of live music. A recording is is like taking photographs of painting in The Louvre, del Prado, Hermitage. They are nice and clear but it is not the same. |
#14
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I don't have a home theater, but I do have a 65" TV with very good powered speakers and I can say I don't feel I miss anything compared to being in a theater. I guess I'm not a very discriminating movie watcher, which is not to say I don't appreciate a fine theater system. A musical recording is much more than a representation of live music to me and I can sit in my chair about 20 feet from the speakers and bring myself into the performance and feel like I am at the concert. I agree that a photograph of fine paintings is not the same as seeing the painting. I do like to look VERY closely at the detail in paintings. I like to look closely at individual brush strokes and see if they accidentally left any brush hairs in the paint. Gail hates when I do that, but I like to check for the painter's attention to details and to see how well the very old paintings have been cleaned or restored. Last edited by GaryProtein; 08-20-2018 at 09:39 PM. |
#15
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LOL Tony! Was scrolling this on the 75" TV with my wife in the room and we both felt we smelled smoke just by looking at Keith's picture! Maybe that's because both of us read his autobiography a few years ago.
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Sources: Vinyl: Clearaudio Innovation Wood turntable with 9" Universal tonearm, Da Vinci V2 cartridge, Stillpoints SS & Stillpoints clamp, McIntosh MVP 901, Apple Mac mini via Benchmark DAC 1, Aurender N100C via Schiit Yggdrasil Control: McIntosh C1100, Mcintosh MX151 Power: Mcintosh MC2301s (front), McIntosh MC501 (center), Mcintosh MC402 (rear) Speakers: Sonus Faber Amati Futura (front and back), SF Vox center Power/connections: PS Audio Power Port receptacles, RGPC 400 pro (2) WireWorld interconnects and speaker cable |
#16
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Wife and I attend several shows a year, mostly rock based like classic or progressive rock, the occasional R&B show.
Biggest issue is volume, which seems to have been getting louder so we take and wear plugs almost always. Made an error and left plugs at home for Scorpions show last year, with Megadeth open act, and they had the volume past 100!! It was insanely loud, ear piercing and hurt. I am not a Megadeth fan, so had my fingers in my ears walking around asking people for plugs....even offering money! Finally got 2prs and enjoyed the rest of the show. Flipside, saw King Crimson last year and the volume was pretty high but never put plugs in as the dynamics were fantastic. We walked out of that 3 hour show and could still hear and talk afterwards, venue acoustics play a big part clearly as this show was at The Moore Theater and Scorpions at Tacoma Dome, horrible sounding venue...... But in general there is not much better than going to see and experience live music. We love it |
#17
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One aspect in smaller venues is that there isn't a need for (much) amplification for jazz and blues, and the engineers typically seem to overdo it. We had a great jazz club here in Atlanta, Churchill Grounds, that probably spoiled us, and sadly shut down about two years ago.
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Sources: Vinyl: Clearaudio Innovation Wood turntable with 9" Universal tonearm, Da Vinci V2 cartridge, Stillpoints SS & Stillpoints clamp, McIntosh MVP 901, Apple Mac mini via Benchmark DAC 1, Aurender N100C via Schiit Yggdrasil Control: McIntosh C1100, Mcintosh MX151 Power: Mcintosh MC2301s (front), McIntosh MC501 (center), Mcintosh MC402 (rear) Speakers: Sonus Faber Amati Futura (front and back), SF Vox center Power/connections: PS Audio Power Port receptacles, RGPC 400 pro (2) WireWorld interconnects and speaker cable |
#18
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Last year we were in a small village in England, looking for a pub to drink something.
We entered a nice one, and there was a live concert with a blues band. We sat at 2m distance, and they were good! The interaction with the (small) crowd drove them to higher and higher intensity. We cheered and applauded. This is the kind of experience you only have during live performances. We love it!!
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Stereo: Hegel H590, Grimm Audio MU1, Mola Mola Tambaqui, Burmester 948 - V3 & V6 racks, Vivid Audio G2 Giyas, REL Carbon Special (pair), Silent Angel Bonn N8 Ethernet Switch & Forester F1, Wireworld Platinum Eclipse IC and SE SC, Furutech Digiflux AV: Hegel C-53, Marantz AV8802A, Oppo BDP-203EU, Pioneer Kuro 60", Vivid Audio C1 & V1w's, Wireworld Platinum Eclipse, SE & E Second system (veranda): Halgorythme preamp and monoblocks, Burmester 061, Avalon Avatar, Sharkwire & Wireworld cables |
#19
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+1. Seems we live in the era of "who can act the bigger ass in public".
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Glenn... Canton Reference 9 Clearaudio SM Pro Focal Bathys JLA 10" Dominion Kuzma Stabi S w/MC & MM Magnepan 1,7i McIntosh MA8950 & MR88 Oppo 203 Roon Nucleus Rose Hifi RS150B Shunyata Gemini-4 Sony ST-A6B, TA-F6B, ST-J75 & PS-X75 Sorane SA1.2 & TA-1L Stillpoints LP1v2 WW Pt, Au & Ag |
#20
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Common knowledge that the warm up band does not get use the entire sound system as the main act. This is why the opening band usually sounds really bad. Usually the mix is without the lower end and pearling loud. Then the main act comes on everyone thinks wow.
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