#21
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Ryan, I am not going to argue the Class D issue, I am not a big fan of Class D but I do know that plenty of amps and subs use it. So if it works for manufacturers like Jeff Rowland, NuForce, JL Audio and many other respectable guys in the industry, surely it is acceptable in a power conditioner. Now, in terms of noise, using your own Noise Harvesters, they barely blink when plugged into the back of Pure Power and no more than they do plugged into the back of the Power Plant Premier... Want to see some real disco action with them? Plug them into the RGPC units... Especially the Pole Pig. Now, as an experiment, I do go around the house, outside my dedicated line in the stereo room and plug various conditioners and noise harvesters into various receptacles around rooms that share the same line. It is true that the PPP "polutes" a bit less outside itself, judging by the action of the Noise Harvesters, another words it does not feed quite as much noise back into the lines. Is that important when all my gear is on a dedicated line and plugged in on the back end of the Pure Power that runs clean? Nope. I also think the specs of the Pure Power speak for themselves. 48 amps peak and 4200w peak is nothing to sneeze at. |
#22
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Now, there is one thing that I strongly prefer and I don't know what causes it but the Power Plant Premier "leans out" my sound rather noticeably.... This is not something I am willing to compromise with. I had tried various combinations of PPP and RGPC to get my tonal balance back and was able to get it close but PurePower simply sounds more natural, harmonically rich and tonaly balanced. Maybe that is something that can be addressed in future development of PPP, possibly upgraded receptacles, maybe a choice of different internal wiring, who knows, I'll leave that stuff up to you to figure out. Last edited by PHC1; 03-17-2010 at 01:24 PM. |
#23
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I don't know whether Serge is experiencing a voltage drop issue or not, but voltage drop can be a serious issue that needs to be considered and properly dealt with to minimize the problem.
Voltage drop is a result of the combination of wire gauge, wire resistance, wire length, and total connected load. As an example, with a full 20 amp load on #12 CU wire at a distance of 50 feet, the voltage drop calculates to 3.4 volts. In other words, consuming a full 20 amps using the above critera will give you 116.6 volts at 50 feet after the voltage drop. Using the same numbers but changing the wire size to #10 CU, the voltage drop is reduced to 2.1 volts over 50 feet of wire. Of course, a twenty amp load on a 20 amp circuit will trip the circuit breaker, but the voltage drop issue remains the same for discussion purposes. If one extends the distance to 100 feet, #12 CU wire with a 20 amp load will produce a voltage drop of 6.8 volts. 100 feet of #10 CU wire with a 20 amp load will produce a voltage drop of 4.2 volts. When considering the length of circuit wire, one needs to remember to measure the distance up the wall from the circuit breaker, the length of the route the wire travels, and the distance down to the receptacle. The two dedicate 20 amp, 120 volt circuits behind my main system rack have a total wire length of 20 feet from the circuit breaker to each receptacle. The wire is #12 CU. The voltage drop for a 20 amp load would be 1.4 volts. Remember, voltage drop is proportional to the load. As the load is reduced the voltage drop will also be reduced. As an example, at 50 feet a 120 volt, 6 amp load using #12 Cu wire produces a voltage drop of 1 volt. Changing the wire to #10 CU with a 6 amp load produces a voltage drop of 0.6 volts. Hope this helps someone better understand voltage drop as it applies to the current load of our audio systems.
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Dan STUDIO - McIntosh C1000C/P, MC2301 (2), MR88, Aurender N10, Esoteric K-01X, Shunyata Sigma spdif digital cable, Sonos Connect, PurePower 2000, Stillpoints, Furutech Flux 50, Michell Gyro SE, Michell HR Power Supply, SME 309, Ortofon Cadenza Black, Wireworld, Sonus faber Amati Anniversario LIVING ROOM - McIntosh C2300, MC75 (2), MR85, Magnum Dynalab 205, Simaudio MOON Neo 260D-T, Schiit Audio Yggdrasil, Aurender N100H, Shunyata Sigma USB cable, Micro Seiki DD40, Ortofon Cadenza Blue, Nakamichi BX-300, Sony 60ES DAT, PS Audio P10, Furutech Flux 50, Sonos Connect, Stillpoints, Wireworld, Kimber, PMC EB1i, JL Audio f113 VINTAGE - McIntosh MA230, Tandberg 3011A tuner, Olive 04HD, Sony DTC-59ES DAT, McIntosh 4300V, JBL 4312A Last edited by jdandy; 03-17-2010 at 01:41 PM. |
#24
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By the way, JL subs are pretty noisy. In fact until I started using the Pure Power I had all kinds of noise issues between the Ayre KX-R and EAR phono stage and was not able to completely resolve this problem. Neither the PPP nor the PurePower was able to sheild it completely, only inserting the also noisy Pole Pig isolation transformer between the phono stage and Ayre KX-R was I able to solve it. For some strange reason, the Lamm LL2D could care less about the Fathom subs spewing out garbage into the lines with their Class D amps. Go figure. And no, it wasn't a grounding issue at all. As soon as JL subs were unplugged, all issues went away and the phono stage was as quiet as a mouse.
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#25
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#26
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I could but I am not doing for my current home. Next one has 400 amp service. That was the first thing I upgraded.
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#27
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Short Unpdate: After another 20+ hours these babies are even better. A few of my female opera CD's had a bit of a metalic sound before this combination and now that is all but eliminated. All female voices have become richer with more body and male voices enriched with a smooth fullness. A few of the instrumentals I have seemed recorded in such a way as to have the individual instruments blend as one sound and now each piece has an individual space of the soundstage. I could not be more pleased with the results.
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#28
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Thanks for the update HK!
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Ivan FLORIDA MX136, MC1.2KW(10) MC2KW(2), MCD1100, MS750(2) MVP881, C1000C/P/T, MPC1500, HT-2 SUBS(2) HT3F(2) WS350(2) XRT2K, XCS2K, XR27(2) XCS350(2) JL GOTHAM v2 SUBS(2) SILENZIO MUSIC SERVER, LUMAGEN RADIANCE SCALER, SONY VPH-G90U 4K PROJECTOR, STEWART 120" MOTORIZED SCREEN, CINEMA-TECH SEATING, WW PLATINUM CABLES Reference System: ACCUPHASE A300 AMPS, C3900 PRE-AMP, DP1000 CD/SACD TRANSPORT, DC1000 DIGITAL PROCESSOR, DG-68 DIGITAL EQUALIZER, T1200 FM STEREO TUNER, PS1230 POWER SUPPLY, HRS-SXR CUSTOM RACK w/ M3X SHELVES, TAD REFERENCE ONE MK2 LOUDSPEAKERS, WW PLATINUM CABLES CAPE COD MX150, MC501(2) MC1.2KW(10) MC2301(2) MR88, MVP881, MCD1100, MDA1000, C1000C/P/T, MPC1500, ESOTERIC K-01X 30th ANNIVERSARY (BLACK) SACD/CD PLAYER, G02-X CLOCK, HT3F(2) XRT2K, XCS2K, XR27(2) JL GOTHAM v2 SUBS(2) JL FATHOM F113v2 SUBS(4) SOUND ANCHOR STANDS(2) KALEIDESCAPE STRATO & TERRA SERVERS 80-TB, LUMAGEN RADIANCE SCALER, SONY VPH-G90U 4K PROJECTOR, STEWART 120" SCREEN, SONUS FABER STRADIVARI, SILENZIO MUSIC SERVER, FORTRESS SEATING, WW PLATINUM CABLES Analog Rig: CLEARAUDIO INNOVATION WOOD, UNIVERSAL ARM w/ Da VINCI' CART, 2nd UNIVERSAL ARM w/ GOLDFINGER STATEMENT CART, HRS-MXR REFERENCE RACK-GLOSS BLACK w/ M3X SHELVES, AESTHETIX RHEA SIG PHONO-PRE, BRYSTON BHA-1 HEADPHONE AMP, WW PLATINUM CABLES Reference System: BURMESTER 911MK3 AMP(3), 088 PRE-AMP, 089 CD PLAYER, 100 PHONO PRE-AMP, 948 POWER CONDITIONER, ACCUPHASE DG-68 VOICING EQUALIZER, AVID ACUTUS REFERENCE SP TT, GRAHAM PHANTOM II SUPREME ARM, BENZ MICRO LP-S CART, GRANDIOSO P1X/D1X STACK, G1X RUBIDIUM MASTER CLOCK, N05 NETWORK PLAYER, SILENZIO MUSIC SERVER, HRS-SXR CUSTOM RACK w/ M3X SHELVES, SONUS FABER AIDA SPEAKERS, JL FATHOM F113v2 SUBS(2) SOUND ANCHOR STANDS(2) WW PLATINUM CABLES Library System: GRANDIOSO M1 MONOBLOCK AMPS, C1 LINESTAGE PRE-AMP, K1X CD/SACD PLAYER, G1 MASTER RUBIDIUM CLOCK, E02 PHONO-PRE, SILENZIO MUSIC SERVER, AERIAL ACOUSTICS 20T V2, AERIAL SW12 SUBS(2), CANTON REF K1’s, VPI HRX TT w/ SDS POWER SUPPLY, ORTOFON CADENZA BLACK CART, KLAUDIO RCM, SHUNYATA DENALI 6000/S v2, SHUNYATA OMEGA QR’s, WW PLATINUM CABLES Esoteric/Bryston System: ESOTERIC C02-X PRE-AMP, P-02X TRANSPORT, D02-X DAC, G02-X CLOCK, BRYSTON 28B3 CUBED MONOBLOCK AMPS(4), BRYSTON BHA-1 HEADPHONE AMP, SHUNYATA DENALI 6000/S v2(2) EVEREST 8000 POWER CONDITIONER(2) ALTAIRA CG & SG HUBS, AMR-DP777-SE DAC, SILENZIO MUSIC SERVER, TAD REFERENCE ONE MK2 LOUDSPEAKERS, QUADRASPIRE RACK, WW PLATINUM CABLES Accuphase/Canton System: ACCUPHASE E800 INTEGRATED, DP570 CD/SACD PLAYER, T1200 FM STEREO TUNER, DG-68 VOICING EQUALIZER, PS530 POWER SUPPLY, CANTON REF K3’s, CANTON REF K5’s, SILENZIO MUSIC SERVER, HRS MXR REFERENCE MAHOGHANY RACK w/ M3X2 SHELVES, WW GOLD CABLES |
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