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James |
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JA's First Report from the LAAS
John Atkinson Jun 9, 2017 I admit to having a lot of respect for the audio engineering embodied in Bryston's products. As you will be able to tell from our review of the Bryston BCD-3 CD player in our August issue, they always measure superbly well, which in turn validates the test regime I have developed over the years. (When I encountered a product that measures, shall I say. "idiosyncratically," I have to then spend many hours checking and double-checking, to make sure that something amiss hasn't crept into that regime.) At LAAS, Bryson was showing active versions of the Middle T speakers that Kal Rubinson reviewed in February 2015, with the crossover realized in DSP BAX-1, , and amplification provided by one 3B3 200W stereo amplifier for the bass and two 2.5B3 135W stereo amplifiers for the midrange and treble. Source was a BDP-3 player feeding as BDA-3 D/A processor with a BP26 preamplifier with MPS-2 power supply. Racks and amp stands were all Target and cabling Straightwire Virtuoso and Bryston. According to my notes the sound of this system in a rather small room was "big, open, easy." John Atkinson, Stereophile Last edited by James Tanner - Bryston; 06-09-2017 at 08:50 PM. |
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Congratulations James on the great feedback from JA!
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MEMO: To All Bryston Customers
SUBJECT: Bryston Middle T Active – L.A. Show June 15, 2017 LA Audio Show Report: Loudspeakers - by Neil Gader Auspicious Debuts The Bryston Middle T goes active Bryston demonstrated a tri-amped, fully active version of its three-way, four-driver, mid-sized floorstander, the Middle T. Rather than housing active elements internally like most pro studio monitors, Bryston allows the end user to retain “have-it-your-way” control by adding external amplifiers, including, Bryston hopes, something along the lines of its own B3 Cubed series amps and the BAX-1 DSP Electronic Digital Crossover. Listening to a selection of Nickel Creek alt-bluegrass, and some sax-driven jazz, I was reminded how often I gravitate towards active loudspeakers. The immediacy and speed and bass control with slam is so persuasive that it just gets a little addicting. Neil Gader Absolute Sound Magazine |
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