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#112
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Ok, forget about cables for awhile, what I have at other room is Kimber 8TC, dealer
has Transparent Ultra. So I will use my SS Reference cable. Installation completed. amp has 100 hours on it. But now has minor problem. Right channel of amp play way louder than left channel. Bias is spot on. Left channel as so sound a bit distorted, similar sound to cassette tape being recorded far too strong beyond +0dB. Is this because of incomplete pathway for balance connection ? like not all three pins are connected inside. Waiting for dealer to come back to have a check. Oh and I don't see digital tube hour meter inside. Sound ? yes it has great potential. power driving Magico is absolutely fine for my purpose. meter as moving around 1/4 way from peak most of the time. Can't say more until can make it sound level equal between two channels Toga Last edited by TOGA; 10-26-2012 at 03:31 AM. |
#113
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Hi again, not a good news, due to unknown reason that cause problem I mentioned in last post. They will take it back tomorrow. They promised to let me borrow Ref 150 instead tomorrow, which I gladly accepted, so that I will know what the extra 75w bring.
For now, I can tell that this 75watt baby is really powerful, with good deep bass. mid and high is ARC tube's hallmark, so it has to be good, and it is. Overall sound is smooth, musical and so refined. This new feeling is very similar to when I replaced Moon P8RS with ARC Ref40, it brought a nice taste of tube in the right amount. I also can confirm that using 8 ohm output tap make it sound more snappy and faster. while 4-ohm tap make a soft,plush and laid back but can be boring sound in my system. There are 4 tubes as you know and also 4 separate bias for each tube, is this mean I don't need a matched pair in the future ? as I seems to be able to adjust bias for each tube individually. Right now center of sound is emerge in the space between center ch. and right ch. , yes it is that far off. (I checked with mono mode, swapped cables and can confirm that it's the left ch. of the amp that cause this.) So .. cannot tell about sound stage quality. Not able to write more until get a properly functional one tomorrow. Toga |
#114
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Toga, you will need matched pairs of output tubes, most especially for each channel. Because of the push pull nature of the amp, using unmatched tubes will make proper biasing very difficult to achieve. You will notice that increasing the biasing current on a weak tube will result in the over biasing of it's partner tube. On the other hand, once you compensate by reducing the bias on the strong tube, there will not be enough biasing current for the weak tube. This is based on my own personal experience when my dealer supplied me with weaker tubes (still supplied by ARC but with lower designated values) to replace the tubes that went bad when the output coupling caps of my amp failed.
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#115
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Thanks Dafos.
There is one thing that I wanna do when i get my own amp. The signal cables from XLR connectors run toward circuit board at the front thru one inch wide Space between Two very hot tubes. This will make these wires very hot too. Thinking about wrapping wires in this area with some thermal sleeve. I may be too nuts for this idea. . May be. Talking about ref75 that has problem since new. I ve got two bad Levinson 432 out of the box. A failure soft start board on Moon W7M. A blown caps on Arc REF40 and now ref 75 that has one channel ill.. They are not highly reliable at all for these expensive toys. toga |
#116
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High Definition = High Performance!
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faulty Ref 75 is gone back to dealer. Now with Ref 150.
Similar sound, but seems more difficult to maintain. all adjustment must be done with cover off. the cover of 150 is in silver, 75 has one in black. 250 in silver. is that mean we can choose color of cover ? Or design teams keep changing their mind. |
#118
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Last edited by metaphacts; 10-27-2012 at 12:23 PM. |
#119
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Thanks Metaphacts,
I guess all the Ref 75 dealer have in stock are with black cover. Actually R150 with silver top looks nice. I like it. It just doesn't match with Ref40's black plastic top. Now I am impressed with the quietness of R150 fans. Biasing procedure of R150 is a bit more complicate than R75's. Toga |
#120
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Sweet!
__________________
Ivan FLORIDA MX136, MC1.2KW(10) MC2KW(2), MCD1100, MS750(2) MVP881, C1000C/P/T, MPC1500, HT-2 SUBS(2) HT3F(2) WS350(2) XRT2K, XCS2K, XR27(2) XCS350(2) JL GOTHAM v2 SUBS(2) SILENZIO MUSIC SERVER, LUMAGEN RADIANCE SCALER, SONY VPH-G90U 4K PROJECTOR, STEWART 120" MOTORIZED SCREEN, CINEMA-TECH SEATING, WW PLATINUM CABLES Reference System: ACCUPHASE A300 AMPS, C3900 PRE-AMP, DP1000 CD/SACD TRANSPORT, DC1000 DIGITAL PROCESSOR, DG-68 DIGITAL EQUALIZER, T1200 FM STEREO TUNER, PS1230 POWER SUPPLY, HRS-SXR CUSTOM RACK w/ M3X SHELVES, TAD REFERENCE ONE MK2 LOUDSPEAKERS, WW PLATINUM CABLES CAPE COD MX150, MC501(2) MC1.2KW(10) MC2301(2) MR88, MVP881, MCD1100, MDA1000, C1000C/P/T, MPC1500, ESOTERIC K-01X 30th ANNIVERSARY (BLACK) SACD/CD PLAYER, G02-X CLOCK, HT3F(2) XRT2K, XCS2K, XR27(2) JL GOTHAM v2 SUBS(2) JL FATHOM F113v2 SUBS(4) SOUND ANCHOR STANDS(2) KALEIDESCAPE STRATO & TERRA SERVERS 80-TB, LUMAGEN RADIANCE SCALER, SONY VPH-G90U 4K PROJECTOR, STEWART 120" SCREEN, SONUS FABER STRADIVARI, SILENZIO MUSIC SERVER, FORTRESS SEATING, WW PLATINUM CABLES Analog Rig: CLEARAUDIO INNOVATION WOOD, UNIVERSAL ARM w/ Da VINCI' CART, 2nd UNIVERSAL ARM w/ GOLDFINGER STATEMENT CART, HRS-MXR REFERENCE RACK-GLOSS BLACK w/ M3X SHELVES, AESTHETIX RHEA SIG PHONO-PRE, BRYSTON BHA-1 HEADPHONE AMP, WW PLATINUM CABLES Reference System: BURMESTER 911MK3 AMP(3), 088 PRE-AMP, 089 CD PLAYER, 100 PHONO PRE-AMP, 948 POWER CONDITIONER, ACCUPHASE DG-68 VOICING EQUALIZER, AVID ACUTUS REFERENCE SP TT, GRAHAM PHANTOM II SUPREME ARM, BENZ MICRO LP-S CART, GRANDIOSO P1X/D1X STACK, G1X RUBIDIUM MASTER CLOCK, N05 NETWORK PLAYER, SILENZIO MUSIC SERVER, HRS-SXR CUSTOM RACK w/ M3X SHELVES, SONUS FABER AIDA SPEAKERS, JL FATHOM F113v2 SUBS(2) SOUND ANCHOR STANDS(2) WW PLATINUM CABLES Library System: GRANDIOSO M1 MONOBLOCK AMPS, C1 LINESTAGE PRE-AMP, K1X CD/SACD PLAYER, G1 MASTER RUBIDIUM CLOCK, E02 PHONO-PRE, SILENZIO MUSIC SERVER, AERIAL ACOUSTICS 20T V2, AERIAL SW12 SUBS(2), CANTON REF K1’s, VPI HRX TT w/ SDS POWER SUPPLY, ORTOFON CADENZA BLACK CART, KLAUDIO RCM, SHUNYATA DENALI 6000/S v2, SHUNYATA OMEGA QR’s, WW PLATINUM CABLES Esoteric/Bryston System: ESOTERIC C02-X PRE-AMP, P-02X TRANSPORT, D02-X DAC, G02-X CLOCK, BRYSTON 28B3 CUBED MONOBLOCK AMPS(4), BRYSTON BHA-1 HEADPHONE AMP, SHUNYATA DENALI 6000/S v2(2) EVEREST 8000 POWER CONDITIONER(2) ALTAIRA CG & SG HUBS, AMR-DP777-SE DAC, SILENZIO MUSIC SERVER, TAD REFERENCE ONE MK2 LOUDSPEAKERS, QUADRASPIRE RACK, WW PLATINUM CABLES Accuphase/Canton System: ACCUPHASE E800 INTEGRATED, DP570 CD/SACD PLAYER, T1200 FM STEREO TUNER, DG-68 VOICING EQUALIZER, PS530 POWER SUPPLY, CANTON REF K3’s, CANTON REF K5’s, SILENZIO MUSIC SERVER, HRS MXR REFERENCE MAHOGHANY RACK w/ M3X2 SHELVES, WW GOLD CABLES |
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