#41
|
|||
|
|||
Quote:
Jim |
#42
|
|||
|
|||
Does that mean you don't believe in equipment break-in?
|
#43
|
||||
|
||||
Serge broke-in my Sonus Faber Guarneri Momento's. They sounded terrific right out of the box.
__________________
Dan STUDIO - McIntosh C1000C/P, MC2301 (2), MR88, Aurender N10, Esoteric K-01X, Shunyata Sigma spdif digital cable, Sonos Connect, PurePower 2000, Stillpoints, Furutech Flux 50, Michell Gyro SE, Michell HR Power Supply, SME 309, Ortofon Cadenza Black, Wireworld, Sonus faber Amati Anniversario LIVING ROOM - McIntosh C2300, MC75 (2), MR85, Magnum Dynalab 205, Simaudio MOON Neo 260D-T, Schiit Audio Yggdrasil, Aurender N100H, Shunyata Sigma USB cable, Micro Seiki DD40, Ortofon Cadenza Blue, Nakamichi BX-300, Sony 60ES DAT, PS Audio P10, Furutech Flux 50, Sonos Connect, Stillpoints, Wireworld, Kimber, PMC EB1i, JL Audio f113 VINTAGE - McIntosh MA230, Tandberg 3011A tuner, Olive 04HD, Sony DTC-59ES DAT, McIntosh 4300V, JBL 4312A |
#44
|
||||
|
||||
A speaker driver moves about a gazillion times per second. If there is a break in period, it should be in a few minutes, IMO. I personally think it is our ear/brain combination that breaks in to the new sound. And as for electronics....., I do know my tubes have to warm up a bit.
__________________
Kevin |
#45
|
|||
|
|||
The engine in my new car revs few thousand times a minute, and requires 1,000 miles to break in, which translates to about a month of daily driving. And I won't push it for at least until about 5,000 miles.
My Elipsas could not resolve passages with double bass out of the box very well, for example, but after 2 hours or so of breaking in it improved dramatically, like I was listening to a different pair of speakers. I also have two pairs of the same speakers that were purchased at different times, and the new pair sounded completely different from the older pair until after about a month. |
#46
|
||||
|
||||
My Strad's changed dramatically too after they broke in.
__________________
Ivan FLORIDA MX136, MC1.2KW(10) MC2KW(2), MCD1100, MS750(2) MVP881, C1000C/P/T, MPC1500, HT-2 SUBS(2) HT3F(2) WS350(2) XRT2K, XCS2K, XR27(2) XCS350(2) JL GOTHAM v2 SUBS(2) SILENZIO MUSIC SERVER, LUMAGEN RADIANCE SCALER, SONY VPH-G90U 4K PROJECTOR, STEWART 120" MOTORIZED SCREEN, CINEMA-TECH SEATING, WW PLATINUM CABLES Reference System: ACCUPHASE A300 AMPS, C3900 PRE-AMP, DP1000 CD/SACD TRANSPORT, DC1000 DIGITAL PROCESSOR, DG-68 DIGITAL EQUALIZER, T1200 FM STEREO TUNER, PS1230 POWER SUPPLY, HRS-SXR CUSTOM RACK w/ M3X SHELVES, TAD REFERENCE ONE MK2 LOUDSPEAKERS, WW PLATINUM CABLES CAPE COD MX150, MC501(2) MC1.2KW(10) MC2301(2) MR88, MVP881, MCD1100, MDA1000, C1000C/P/T, MPC1500, ESOTERIC K-01X 30th ANNIVERSARY (BLACK) SACD/CD PLAYER, G02-X CLOCK, HT3F(2) XRT2K, XCS2K, XR27(2) JL GOTHAM v2 SUBS(2) JL FATHOM F113v2 SUBS(4) SOUND ANCHOR STANDS(2) KALEIDESCAPE STRATO & TERRA SERVERS 80-TB, LUMAGEN RADIANCE SCALER, SONY VPH-G90U 4K PROJECTOR, STEWART 120" SCREEN, SONUS FABER STRADIVARI, SILENZIO MUSIC SERVER, FORTRESS SEATING, WW PLATINUM CABLES Analog Rig: CLEARAUDIO INNOVATION WOOD, UNIVERSAL ARM w/ Da VINCI' CART, 2nd UNIVERSAL ARM w/ GOLDFINGER STATEMENT CART, HRS-MXR REFERENCE RACK-GLOSS BLACK w/ M3X SHELVES, AESTHETIX RHEA SIG PHONO-PRE, BRYSTON BHA-1 HEADPHONE AMP, WW PLATINUM CABLES Reference System: BURMESTER 911MK3 AMP(3), 088 PRE-AMP, 089 CD PLAYER, 100 PHONO PRE-AMP, 948 POWER CONDITIONER, ACCUPHASE DG-68 VOICING EQUALIZER, AVID ACUTUS REFERENCE SP TT, GRAHAM PHANTOM II SUPREME ARM, BENZ MICRO LP-S CART, GRANDIOSO P1X/D1X STACK, G1X RUBIDIUM MASTER CLOCK, N05 NETWORK PLAYER, SILENZIO MUSIC SERVER, HRS-SXR CUSTOM RACK w/ M3X SHELVES, SONUS FABER AIDA SPEAKERS, JL FATHOM F113v2 SUBS(2) SOUND ANCHOR STANDS(2) WW PLATINUM CABLES Library System: GRANDIOSO M1 MONOBLOCK AMPS, C1 LINESTAGE PRE-AMP, K1X CD/SACD PLAYER, G1 MASTER RUBIDIUM CLOCK, E02 PHONO-PRE, SILENZIO MUSIC SERVER, AERIAL ACOUSTICS 20T V2, AERIAL SW12 SUBS(2), CANTON REF K1’s, VPI HRX TT w/ SDS POWER SUPPLY, ORTOFON CADENZA BLACK CART, KLAUDIO RCM, SHUNYATA DENALI 6000/S v2, SHUNYATA OMEGA QR’s, WW PLATINUM CABLES Esoteric/Bryston System: ESOTERIC C02-X PRE-AMP, P-02X TRANSPORT, D02-X DAC, G02-X CLOCK, BRYSTON 28B3 CUBED MONOBLOCK AMPS(4), BRYSTON BHA-1 HEADPHONE AMP, SHUNYATA DENALI 6000/S v2(2) EVEREST 8000 POWER CONDITIONER(2) ALTAIRA CG & SG HUBS, AMR-DP777-SE DAC, SILENZIO MUSIC SERVER, TAD REFERENCE ONE MK2 LOUDSPEAKERS, QUADRASPIRE RACK, WW PLATINUM CABLES Accuphase/Canton System: ACCUPHASE E800 INTEGRATED, DP570 CD/SACD PLAYER, T1200 FM STEREO TUNER, DG-68 VOICING EQUALIZER, PS530 POWER SUPPLY, CANTON REF K3’s, CANTON REF K5’s, SILENZIO MUSIC SERVER, HRS MXR REFERENCE MAHOGHANY RACK w/ M3X2 SHELVES, WW GOLD CABLES |
#47
|
|||
|
|||
Anticipation
My Cremona's sounded very good right out of the box. Bass did improve as the speakers broke in. |
#48
|
||||
|
||||
Quote:
My concern with a speaker driver that "breaks in" would be that performance would quickly reach a point where it peaks, then begin to deteriorate. Of course, deterioration would probably be gradual and you would probably not even know it happened. Sort of like the piston rings gradually wearing out as the miles on an engine rack up. In the old days, the materials used needed to "seat" and then, over time, would wear out much quicker than today's materials, which do not need to "seat" in the first place. I do remember seeing one article where drivers were measured over time, and my recollection was that there was a change in measured performance but it was minimal. Lastly, why would any manufacturer let a speaker out of the factory that doesn't sound as good as it can. And I don't buy the excuse that it would be too hard to break in every driver. If it made a difference, they would figure it out.
__________________
Kevin |
#49
|
||||
|
||||
I think this requires a double dose of Lurk
__________________
Chuck McIntosh, PMC, Bryston, Olive, Rega, Ortofon 2M Black, JL Audio, PS Audio, Alan Maher, Aural Harmony, Black Mountain, Wireworld, Symposium, DIY amp switch box, P Millett DIY headphone amp. [SIGPIC][/SIGPIC] |
#50
|
|||
|
|||
Actually the rubber on the speakers particularly the woofers does soften up and become more compliant over time which I would imagine allows it to respond easier to sudden changes of dynamics and to work better particularly at lower power.
|
|
|
Audio Aficionado Sponsors | |