#21
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When I bought my Maxx 3's last December I had the choice of going with the newer CST in a smaller floor standing speaker, or sticking with the older Ti dome tweeter in a larger cabinet. I chose the older design as I have had zero issues with it being too bright, or lively, or anything other than revealing. Tube preamp and treated room just emphasize that it's a good tweeter. Strange because my Watt/Puppy 7's tended to be on the brighter side, the Maxx top end is very smooth in comparison. To echo what Charles stated the Maxx 3 is a powerful speaker, the same thing that Daryl Wilson told me right before purchasing them. No desire to jump on the bandwagon. Just because it's new doesn't mean it's better, just different. The fact we can choose is a benefit when deciding. The have to come up with something new to sell speakers.
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Source Esoteric K-01X Preamp Audio Research REF 10 Amplifier D'Agostino Progression monoblocks Speakers Wilson Audio Maxx 3 Cables Transparent Reference Gen 5 Equipment rack and amp stands HRS Power conditioning Transparent Power outlets GTX-D(G) Gold-Plated duplex receptacles dedicated 20 amp lines. |
#22
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I believe that the Alexx may employ dual spider woofers. It just makes sense to eventually employ Wilson's well developed dual spider sub woofer technology into the woofers of Wilson's full range larger loudspeakers and Alexx may be the first. This would create a true power speaker like the Maxx3 with the geometry of the XLF in a smaller platform than the Maxx3. Power which is defined as enormous low bass capability without woofer overload/doubling and the ability to ramp up to almost live music sound levels is what separates the Maxx3 from its smaller cabinet cousins. This would truly replace the Maxx3 and set the stage for a smaller but more potent XLF in the future with a metal dome tweeter that will possess the low frequency response needed to mate with the Wilson midrange. Technology marches onward. Of course it goes without saying but I will say it anyway, I may be totally incorrect because I am speculating. But it seems to me that we need true advances in speaker technology and not simply refinements of existing platforms or steps backward.
Last edited by Charles; 11-17-2015 at 12:28 PM. |
#23
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Handsome.
Toga |
#24
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#25
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#26
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[ame]https://m.youtube.com/watch?v=HIItQTEb0Wo&feature=youtu.be[/ame]
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#27
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IMO, Wilson's best industrial design to date but
Why not black socket cap bolts instead of silver. Don't most users leave grill covers off? Whats with the metal port trough? Sticks out like a sore thumb. Looks like a cheap short cut design. It should be molded in to the body |
#28
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Would love to have one.
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#29
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Preamp: McIntosh C1100T/C1100C, McIntosh MX180 Amp: McIntosh MC611 (2), MC601 (3), MI254 Digital: McIntosh D1100, McIntosh MCT450, Meridian 808v6, Aurender N20, Aurender ACS10, Oppo 203 Analog: McIntosh MT10, Hana Umami Red Phono preamp: Simaudio Moon 610LP, 820S Signal cables: WW Gold Eclipse 7 speaker cables; Shunyata Sigma v2 XLR (2); Sigma v1 XLR (2), Transparent Ref XL (MM2) XLR; WW Silver Eclipse 7 (4) Digital cables: Shunyata Omega USB, Omega Ethernet, Sigma Ethernet; WW Platinum 7 Coax, AES/EBU Switch: Innuos PhoenixNet Power: Audioquest Niagara 7000, Audioquest 5000, Audioquest Dragon, Hurricane PC, Shunyata Alpha HC, AQ NRG Edison outlets, (8) 20 amp dedicated lines, 125 amp subpanel Speakers: Wilson Sasha DAW, Dynaudio Contour 30, Dynaudio Contour 25C Subs: REL s/812 (6), REL s/510 (3) Accessories: HRS M3X2 shelf (MT10), Stillpoints Ultra II v2 w/ bases (21), Ultra SS (12), Mini (12), LPi v1 Sound treaments: Artnovion |
#30
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