#9291
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Quote:
And I couldn't help but think of... the great George Benson!
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Sonus Faber Elipsa SE | REL S/812 | Goldmund Telos 280 | EAR Yoshino 912 | Merason DAC1 | Innuos ZENith Mk3 | Clearaudio Innovation Basic + TT5 + Lyra Delos | Studer A810+A807 | Nakamichi Dragon | RDacoustic Hybrid Acoustic Diffuser |
#9292
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Lee Mogan, "Cornbread". Excellent recording & pressing.
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Glenn... Canton Reference 9 Clearaudio SM Pro Focal Bathys JLA 10" Dominion Kuzma Stabi S w/MC & MM Magnepan 1,7i McIntosh MA8950 & MR88 Oppo 203 Roon Nucleus Rose Hifi RS150B Shunyata Gemini-4 Sony ST-A6B, TA-F6B, ST-J75 & PS-X75 Sorane SA1.2 & TA-1L Stillpoints LP1v2 WW Pt, Au & Ag |
#9293
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Art Blakey & The Jazz Messengers - Just Coolin'
Qobuz 24/192 I found this review worth reading: This time capsule, recorded in 1959 in Rudy Van Gelder's Hackensack, NJ, living room and left undisturbed in the Blue Note vaults until now, contains the essential DNA of the first flowering of hard bop in the late '50s. All the genre hallmarks are present: There are intricate chase-scene originals and clever arrangements (the standard "Close Your Eyes") and brash blues-inflected outbursts that light up the solos. And yet, transcending those individual traits, defining not just the notes but the very spirit of the endeavor, is a quality that doesn't get discussed enough in jazz—precision, as in persnickety dotted i's and crossed t's. At times it's downright startling hearing these five musicians nail the details to the wall. They're hardly "just coolin'" here; they're attentive to the small nuances of tunes that might have been written the morning of the session. You can detect the commitment in the pitch-bending doiiiits and the staccato single-note jabs, in the explosion of a long-cresting press roll and the deliberate, nothing-extra stride of a Blakey-trademarked medium-tempo swing. You can hear it in the way trumpeter Lee Morgan and tenor saxophonist Hank Mobley phrase together, adding grace notes that are almost inaudible but key nonetheless. And you can't miss it in the thrillingly open lanes where the solos happen. Blakey was revered for the communication he cultivated between musicians; using a repertoire of hits and jabs, he pulled his collaborators into rich, sometimes boisterous discussions, a mode of interplay that in many ways defines hard bop. There are plenty of examples on this record, but perhaps the most crystalline comes during Morgan's first few choruses on "Jimerick," a blazing uptempo blues. He begins with a short inversion of the theme, first restating it in a lazy way. Then he articulates more aggressively, as though trying to establish consensus on the tempo. Blakey picks that up, and jabs out an even sharper response from the metal rim of the snare drum. That unleashes some mean Morgan double-time bebop; what began as a single-note bugle call becomes an intricate conversation. Each element of that conversation is notable for its clarity, and each new soloist contributes to it in a different way—check the unhurried, wonderfully lucid way Mobley carves up the opening "Hipsippy Blues." The tune is one of three originals Mobley wrote for the date, and if it's familiar that's because it was included on a monumental live recording captured a few months later—At the Jazz Corner of the World, a fiery and complex document that's become part of the "essential listening" jazz canon. Just Coolin', which is apparently the only other recording of this short lived incarnation of the group, might be a step below that in terms of intensity. But only a step. © Tom Moon/Qobuz
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Stereo: Hegel H590, Grimm Audio MU1, Mola Mola Tambaqui, Burmester 948 - V3 & V6 racks, Vivid Audio G2 Giyas, REL Carbon Special (pair), Silent Angel Bonn N8 Ethernet Switch & Forester F1, Wireworld Platinum Eclipse IC and SE SC, Furutech Digiflux AV: Hegel C-53, Marantz AV8802A, Oppo BDP-203EU, Pioneer Kuro 60", Vivid Audio C1 & V1w's, Wireworld Platinum Eclipse, SE & E Second system (veranda): Halgorythme preamp and monoblocks, Burmester 061, Avalon Avatar, Sharkwire & Wireworld cables |
#9294
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Born 2 Groove
Euge Groove Great sax play by a local to me musician! Narada B000QCU9UI Regards, Jim
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It's all about the Music, but I sure like the way my gear makes it come alive! |
#9295
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"Poppin'" with Hank Mobley. Very nice recording.
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Glenn... Canton Reference 9 Clearaudio SM Pro Focal Bathys JLA 10" Dominion Kuzma Stabi S w/MC & MM Magnepan 1,7i McIntosh MA8950 & MR88 Oppo 203 Roon Nucleus Rose Hifi RS150B Shunyata Gemini-4 Sony ST-A6B, TA-F6B, ST-J75 & PS-X75 Sorane SA1.2 & TA-1L Stillpoints LP1v2 WW Pt, Au & Ag |
#9296
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Streaming it now Glenn. One of the few albums of Mobley I don't own.
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Stereo: Hegel H590, Grimm Audio MU1, Mola Mola Tambaqui, Burmester 948 - V3 & V6 racks, Vivid Audio G2 Giyas, REL Carbon Special (pair), Silent Angel Bonn N8 Ethernet Switch & Forester F1, Wireworld Platinum Eclipse IC and SE SC, Furutech Digiflux AV: Hegel C-53, Marantz AV8802A, Oppo BDP-203EU, Pioneer Kuro 60", Vivid Audio C1 & V1w's, Wireworld Platinum Eclipse, SE & E Second system (veranda): Halgorythme preamp and monoblocks, Burmester 061, Avalon Avatar, Sharkwire & Wireworld cables |
#9297
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Bart - a great line-up. Sad bad about Sonny Clark. Too many 'could have been great' jazz artists went down the same way the 2nd half of the 20th century.
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Glenn... Canton Reference 9 Clearaudio SM Pro Focal Bathys JLA 10" Dominion Kuzma Stabi S w/MC & MM Magnepan 1,7i McIntosh MA8950 & MR88 Oppo 203 Roon Nucleus Rose Hifi RS150B Shunyata Gemini-4 Sony ST-A6B, TA-F6B, ST-J75 & PS-X75 Sorane SA1.2 & TA-1L Stillpoints LP1v2 WW Pt, Au & Ag |
#9298
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Duke Ellington And His Orchestra - Masterpieces By Ellington
Columbia Masterworks (1951)/Analogue Productions (2014), vinyl
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Tony D'Agostino Momentum S250 MxV & HD pre; Linn Klimax Organik DSM, SonicTransporter, EtherRegen; Acoustic Signature Typhoon Neo, Koetsu RSP, Boulder 1108; Sf Il Cremonese; Shunyata Everest, Altaira, Sigma & Alpha v2 |
#9299
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_________________ - Michael Amp: MC1.2KW x 2, MC602, MC2300 Preamp: C52, MX136, C34V Digital Source: Oppo BDP 105, Pioneer 47Ai, CAL MkII Analog Source: MT10, Technics RS 1700 Speakers: VMPS Super Tower lll Subwoofer: JL Audio F113 Power Cables: Wireworld Platinum Electra 7 Speaker Cables: Straightwire Serenade ll Signal Cables: Wireworld Silver Eclipse 7 Power Isolation: RGP 1200C Rack: Adona Eris 9TW modified to Eris 12TW Amp: Yamaha RX Z9 Digital Source: Pioneer BDP 94HD, Oppo UDP-205 Front Speakers: Monitor Audio Center Speaker: B&W CC6 Rear Speakers: B&W DM 602 Surround Speakers: B&W DM 602 Subwoofer: Velodyne SPL 12BV Television: Samsung 75 inch 4K Q90R |
#9300
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Jazz at Lincoln Center Orchestra & Wynton Marsalis - Live in Cuba
Blue Engine (2010), via Qobuz Very entertaining and brilliant technical performances, if not terribly original.
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Tony D'Agostino Momentum S250 MxV & HD pre; Linn Klimax Organik DSM, SonicTransporter, EtherRegen; Acoustic Signature Typhoon Neo, Koetsu RSP, Boulder 1108; Sf Il Cremonese; Shunyata Everest, Altaira, Sigma & Alpha v2 |
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