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High Definition Vinyl Is Happening
“High Definition Vinyl” Is Happening, Possibly as Early as Next Year
With a new $4.8 million investment, an Austrian startup says it could have “HD vinyl” in stores by 2019 “High Definition Vinyl” has moved closer to a turntable near you. In 2016, a European patent filing described a way of manufacturing records that the inventors claimed would have higher audio fidelity, louder volume, and longer playing times than conventional LPs. Now, the Austrian-based startup Rebeat Innovation has received $4.8 million in funding for the initiative, founder and CEO Günter Loibl told Pitchfork. Thanks to the investment, the first “HD vinyl” albums could hit stores as early as 2019, Loibl said. The HD vinyl process involves converting audio digitally to a 3D topographic map. Lasers are then used to inscribe the map onto the “stamper,” the part that stamps the grooves into the vinyl. According to Loibl, these methods allow for records to be made more precisely and with less loss of audio information. The results, he said, are vinyl LPs that can have up to 30 percent more playing time, 30 percent more amplitude, and overall more faithful sound reproduction. The technique would also avoid the chemicals that play a role in traditional vinyl manufacturing. Plus, the new-school HD vinyl LPs would still play on ordinary record players. What’s next? Rebeat Innovation has ordered a big laser system, for about $600,000, with hopes that it will be shipped by July, Loibl said. Once that system is up and running, Loibl said he plans to produce test stampers for five to-be-determined “early mover” pressing plants. In September, the first test stampers would arrive at those plants. “Our goal is to officially present our test stampers at the Making Vinyl conference in October,” Loibl said, referring to the vinyl trade event held in Detroit. “It will take another eight months to do all the fine adjustments. So by summer 2019 we shall see the first HD vinyls in the stores.” https://pitchfork.com/news/high-defi...-as-next-year/ |
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very cool -- looking forward to hearing how this progresses.
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Last edited by aKnyght; 04-12-2018 at 12:13 PM. |
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OK, cant wait to demo a record or 2 Vs a normal 180 pressing. thanks for the news
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Anytime there is innovation to improve an audio format we all win, thanks for sharing. Looking forward to hearing more, no pun intended
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If that digital conversion process does not rob the vinyl of the "analog warmth", then the rest of the process sounds extremely promising.
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well put ditto
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Digitizing analog.
I'll approach this next greatest thing with some skepticism.
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McIntosh MA8000; McIntosh MC1502; Canton Vento Reference 1 DC; E.A.T. E-Flat; Soundsmith Paua Mk II; Technics SL 1210 MK5; Audio Technica AT-150 MLX; Tascam BR-20; Teac X1000R; Pioneer RT-707; Oppo UDP 205; Denon DCD A-100; HP All-In-One Touchscreen Server; JRiver MC 28; Woo Audio WA6; Shure SRH 1840; SVS SB 1000; Jolida 502BRC; Jolida JD9; VPI 16.5 RCM; Wireworld Oasis 8 Speaker Cables; Audoquest Columbia 72 DBS IC's; Panamax PM-5400 (source components only) |
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I'll wait for MQA-vinyl...
(Stole that quote from another forum).
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Stereo: Hegel H590, Grimm Audio MU1, Mola Mola Tambaqui, Burmester 948 - V3 & V6 racks, Vivid Audio G2 Giyas, REL Carbon Special (pair), Silent Angel Bonn N8 Ethernet Switch & Forester F1, Wireworld Platinum Eclipse IC and SE SC, Furutech Digiflux AV: Hegel C-53, Marantz AV8802A, Oppo BDP-203EU, Pioneer Kuro 60", Vivid Audio C1 & V1w's, Wireworld Platinum Eclipse, SE & E Second system (veranda): Halgorythme preamp and monoblocks, Burmester 061, Avalon Avatar, Sharkwire & Wireworld cables |
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Think I'll hold my breathe.
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Glenn... Canton Reference 9 Clearaudio SM Pro Focal Bathys JLA 10" Dominion Kuzma Stabi S w/MC & MM Magnepan 1,7i McIntosh MA8950 & MR88 Oppo 203 Roon Nucleus Rose Hifi RS150B Shunyata Gemini-4 Sony ST-A6B, TA-F6B, ST-J75 & PS-X75 Sorane SA1.2 & TA-1L Stillpoints LP1v2 WW Pt, Au & Ag |
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As far as having more amplitude/dynamic range there is no reason you can't do this in the analog domain. Some may prefer the sound of this process, but you can reproduce the effect using analog techniques in ways that preserve faithfulness only analog can bring compared to present day microprocessor technologies/binary math.
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Primary System (Always in flux): Analog Source: Rega RP10 Phono Preamp: Bryston BP2/PS3 Digital Software: Roon, Tidal Streaming Digital Music Server: Melco N1A/2 Digital Sources: Totaldac d1-twelve SE MkII (factory upgraded from MKI) with "live power" 4 output power supply, Oppo UDP-205 Preamplifier: Rogue Audio RP-9 (factory upgraded from RP-7) Amplifier: Vandersteen M5-HPA Speakers: Vandersteen Quatro Wood CT w/IsoAcoustics Gaia 1 feet Cabling: WW Platinum Starlight 7 digital wires, Totaldac Gigafilter USB filter, AQ Sky XLR, AQ Fire RCA Speaker Cables: AudioQuest Oak spades ---> bi-wire spades Power Cables: Esprit PC (for DAC), 2 WW Platinum Electra PC (Preamp/Phono Preamp), AQ NRG10 (Melco N1A/2), AQ Blizzard (Quatro Wood CT built-in subs) Power Conditioning: 2 AQ Niagara 1000, 3 Oyaide R1 outlets Sound Treatments: 23 ASC Tube Traps and 10 Panels Last edited by ylee; 04-15-2018 at 12:23 AM. |
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