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View Poll Results: What "modern" stereo McIntosh preamplifiers do you own ?
C45 8 8.08%
C46 10 10.10%
C220 14 14.14%
C2200 28 28.28%
C2300 19 19.19%
C500 T 4 4.04%
C500 P 3 3.03%
C1000 T 10 10.10%
C1000 P 5 5.05%
C1000 P and T 6 6.06%
Multiple Choice Poll. Voters: 99. You may not vote on this poll

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  #11  
Old 04-25-2010, 07:05 PM
delp delp is offline
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c220
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  #12  
Old 04-25-2010, 08:08 PM
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I am a big fan of tone controls when listening to LP's as some of my records just do not sound that great otherwise. I tried using the MCD500 built in pre amp and for digital music it sounded fine but with the C220 is does sound better. The music feels like it has more weight, fuller sounding with a little bit less harshness at the expense of a little bit of the high freq. brightness which usually made me turn the volume lower on the MCD500 pre amp. The C220 is really a very good pre amp and suffers with a identity crisis because it is priced as a entry level piece in the Mcintosh line up. It is the first Mcintosh component that I ever purchased. I have purchased 7 other Mcintosh pieces since the C220, some were sources and amps. that have come and gone in my 2 systems. I am considering the the C2300; I may be wrong but sound wise it may be a lateral move once you discount the phono section and meters. By the way the 2 channel pre amp on the MX120 is also very good.

Last edited by 1KW; 04-25-2010 at 08:10 PM.
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  #13  
Old 04-25-2010, 08:42 PM
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Bummer. Can't vote on this. I shotgun my beer....
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  #14  
Old 04-25-2010, 08:57 PM
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David...thanks for your thoughts on these two preamps as I have them in my sites if I keep my current sysytem. I've used the C2200 and really liked it however the C220 might be what I really need especially if it has a good phono stage the meters don't matter since the 402 has them. The MX120 caught my interest last year and was going to purchase one when something beyond my control interferred. The 120 would be a great replacement for the C39. With the 2 zones, a good phono stage, balanced inputs/outputs it's the cats meow for my current system. If you or anyone else would like to add comments about these two preamps please do so or pm me.

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  #15  
Old 04-25-2010, 09:13 PM
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C220
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  #16  
Old 04-25-2010, 09:34 PM
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Quote:
Originally Posted by 1KW View Post
I am considering the the C2300; I may be wrong but sound wise it may be a lateral move once you discount the phono section and meters.
David.......The C2300 is not a lateral move from the C220 in my opinion. It is a move up in a number of key areas. The build quality of the C2300 is superior to the C220 in many areas. From the extruded aluminum side panels to the glass windowed top cover over the tube compliment, to all the connectors (balanced and unbalanced) being the same premium type used on the C1000, the C2300 is a big step up. This includes remote control of many preamp functions that C220 owners can only dream of, which include a superior moving magnet phono stage, and the inclusion of a very fine moving coil phono stage, both of which have cartridge loading and capacitance adjustments available from the remote control. The only other preamplifier in the McIntosh lineup with that feature is the C1000. It is extremely useful to be seated in the sweet spot while making cartridge loading adjustments. Also available via remote control on the C2300 are balance, bass, and treble adjustments. Of course, there are the famous blue left and right channel output meters, which I can tell you from experience are very useful when using the C2300 with the MC275 amplifiers.

Your comment, "once you discount the phono section and meters", doesn't get near the true differences between the C2300 and the C220. That's like saying, "once you discount the additional power and the double balanced circuitry, the MC501 is just a bigger MC252." I can remember that point of view coming from you until you installed 501's in your system, and then suddenly you developed a whole new tune. The C2300 preamplifier is one of the most neutral and transparent preamps I have ever had the pleasure of using, short of the C1000P, and C1000T I now own.

If you are happy with your C220 that's wonderful. Keep it and enjoy the performance. It certainly does not suffer with an identity crisis, as you put it. It is a fine preamplifier used by many satisfied and pleased audio enthusiasts. Your discounting what the C2300 actually is, and imagining a C220 is nearly the same doesn't make it so, not by a long shot. The C2300 offers a great deal more than just two added meters and an extra phono stage above the C220. If you ever manage to make the decision to purchase a C2300 you will fully understand what I am saying, and it won't take you very long to discover it, either.
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STUDIO - McIntosh C1000C/P, MC2301 (2), MR88, Aurender N10, Esoteric K-01X, Shunyata Sigma spdif digital cable, Sonos Connect, PurePower 2000, Stillpoints, Furutech Flux 50, Michell Gyro SE, Michell HR Power Supply, SME 309, Ortofon Cadenza Black, Wireworld, Sonus faber Amati Anniversario
LIVING ROOM - McIntosh C2300, MC75 (2), MR85, Magnum Dynalab 205, Simaudio MOON Neo 260D-T, Schiit Audio Yggdrasil, Aurender N100H, Shunyata Sigma USB cable, Micro Seiki DD40, Ortofon Cadenza Blue, Nakamichi BX-300, Sony 60ES DAT, PS Audio P10, Furutech Flux 50, Sonos Connect, Stillpoints, Wireworld, Kimber, PMC EB1i, JL Audio f113
VINTAGE - McIntosh MA230, Tandberg 3011A tuner, Olive 04HD, Sony DTC-59ES DAT, McIntosh 4300V, JBL 4312A

Last edited by jdandy; 04-25-2010 at 10:22 PM.
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  #17  
Old 04-25-2010, 10:11 PM
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MX136, MC1.2KW(10) MC2KW(2), MCD1100, MS750(2) MVP881, C1000C/P/T, MPC1500, HT-2 SUBS(2) HT3F(2) WS350(2) XRT2K, XCS2K, XR27(2) XCS350(2) JL GOTHAM v2 SUBS(2) SILENZIO MUSIC SERVER, LUMAGEN RADIANCE SCALER, SONY VPH-G90U 4K PROJECTOR, STEWART 120" MOTORIZED SCREEN, CINEMA-TECH SEATING, WW PLATINUM CABLES
Reference System: ACCUPHASE A300 AMPS, C3900 PRE-AMP, DP1000 CD/SACD TRANSPORT, DC1000 DIGITAL PROCESSOR, DG-68 DIGITAL EQUALIZER, T1200 FM STEREO TUNER, PS1230 POWER SUPPLY, HRS-SXR CUSTOM RACK w/ M3X SHELVES, TAD REFERENCE ONE MK2 LOUDSPEAKERS, WW PLATINUM CABLES
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MX150, MC501(2) MC1.2KW(10) MC2301(2) MR88, MVP881, MCD1100, MDA1000, C1000C/P/T, MPC1500, ESOTERIC K-01X 30th ANNIVERSARY (BLACK) SACD/CD PLAYER, G02-X CLOCK, HT3F(2) XRT2K, XCS2K, XR27(2) JL GOTHAM v2 SUBS(2) JL FATHOM F113v2 SUBS(4) SOUND ANCHOR STANDS(2) KALEIDESCAPE STRATO & TERRA SERVERS 80-TB, LUMAGEN RADIANCE SCALER, SONY VPH-G90U 4K PROJECTOR, STEWART 120" SCREEN, SONUS FABER STRADIVARI, SILENZIO MUSIC SERVER, FORTRESS SEATING, WW PLATINUM CABLES
Analog Rig: CLEARAUDIO INNOVATION WOOD, UNIVERSAL ARM w/ Da VINCI' CART, 2nd UNIVERSAL ARM w/ GOLDFINGER STATEMENT CART, HRS-MXR REFERENCE RACK-GLOSS BLACK w/ M3X SHELVES, AESTHETIX RHEA SIG PHONO-PRE, BRYSTON BHA-1 HEADPHONE AMP, WW PLATINUM CABLES
Reference System: BURMESTER 911MK3 AMP(3), 088 PRE-AMP, 089 CD PLAYER, 100 PHONO PRE-AMP, 948 POWER CONDITIONER, ACCUPHASE DG-68 VOICING EQUALIZER, AVID ACUTUS REFERENCE SP TT, GRAHAM PHANTOM II SUPREME ARM, BENZ MICRO LP-S CART, GRANDIOSO P1X/D1X STACK, G1X RUBIDIUM MASTER CLOCK, N05 NETWORK PLAYER, SILENZIO MUSIC SERVER, HRS-SXR CUSTOM RACK w/ M3X SHELVES, SONUS FABER AIDA SPEAKERS, JL FATHOM F113v2 SUBS(2) SOUND ANCHOR STANDS(2) WW PLATINUM CABLES

Library System: GRANDIOSO M1 MONOBLOCK AMPS, C1 LINESTAGE PRE-AMP, K1X CD/SACD PLAYER, G1 MASTER RUBIDIUM CLOCK, E02 PHONO-PRE, SILENZIO MUSIC SERVER, AERIAL ACOUSTICS 20T V2, AERIAL SW12 SUBS(2), CANTON REF K1’s, VPI HRX TT w/ SDS POWER SUPPLY, ORTOFON CADENZA BLACK CART, KLAUDIO RCM, SHUNYATA DENALI 6000/S v2, SHUNYATA OMEGA QR’s, WW PLATINUM CABLES
Esoteric/Bryston System: ESOTERIC C02-X PRE-AMP, P-02X TRANSPORT, D02-X DAC, G02-X CLOCK, BRYSTON 28B3 CUBED MONOBLOCK AMPS(4), BRYSTON BHA-1 HEADPHONE AMP, SHUNYATA DENALI 6000/S v2(2) EVEREST 8000 POWER CONDITIONER(2) ALTAIRA CG & SG HUBS, AMR-DP777-SE DAC, SILENZIO MUSIC SERVER, TAD REFERENCE ONE MK2 LOUDSPEAKERS, QUADRASPIRE RACK, WW PLATINUM CABLES
Accuphase/Canton System: ACCUPHASE E800 INTEGRATED, DP570 CD/SACD PLAYER, T1200 FM STEREO TUNER, DG-68 VOICING EQUALIZER, PS530 POWER SUPPLY, CANTON REF K3’s, CANTON REF K5’s, SILENZIO MUSIC SERVER, HRS MXR REFERENCE MAHOGHANY RACK w/ M3X2 SHELVES, WW GOLD CABLES
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  #18  
Old 04-25-2010, 10:24 PM
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Dan the extruded case of the C2300 as well as remote control function of the bass, treble, balance or blue meters does not do anything to improve performance ie make the pre amp sound better. My point was that the C220 and C2300 sound more similar then different for non- phono sources . I have listened to both side be side when I visited audioclassics in the past. All the points you made are valid and do add up to make the C2300 a more expensive and higher end pre amp. then the C220 however to me only the phono stage of this pre amp. makes for notable increase in performance .
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  #19  
Old 04-25-2010, 10:55 PM
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Quote:
Originally Posted by 1KW View Post
Dan the extruded case of the C2300 as well as remote control function of the bass, treble, balance or blue meters does not do anything to improve performance ie make the pre amp sound better. My point was that the C220 and C2300 sound more similar then different for non- phono sources . I have listened to both side be side when I visited audioclassics in the past. All the points you made are valid and do add up to make the C2300 a more expensive and higher end pre amp. then the C220 however to me only the phono stage of this pre amp. makes for notable increase in performance .
David.......Yes, the remote control functions DO improve the C2300 preamplifier's performance by making it more enjoyable to use, and easier to accurately setup, particularly the phono stages. As for the audible differences, I auditioned the C220 against the C2300, both driving MC501 amplifiers, and XRT1K speakers. If you did not hear any difference between the two preamps that's fine, although I don't agree with you. I spent the better part of three hours alone with the two preamps. I was able to switch the C220 and the C2300 back and forth on the MC501 amps, listening to familiar music I brought with me. I heard a large enough difference in the two preamps to purchase the C2300 from the McIntosh dealer that day. I won't attempt to run through the differences I noted between the C220 and the C2300, there has been plenty written already. For me it was simple. The C2300 went home with me, and the C220 stayed at the dealer.

As is true with everyone here, we are both entitled to our own opinions. I don't have a dog in your hunt anyway, so it matters not to me whether you keep your C220 or buy something different from McIntosh or any another manufacturer. The only reason I chimed in was due to your off hand comments about the C2300, which I know from personal experience don't even scratch the surface of the differences in the two preamps under discussion.
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STUDIO - McIntosh C1000C/P, MC2301 (2), MR88, Aurender N10, Esoteric K-01X, Shunyata Sigma spdif digital cable, Sonos Connect, PurePower 2000, Stillpoints, Furutech Flux 50, Michell Gyro SE, Michell HR Power Supply, SME 309, Ortofon Cadenza Black, Wireworld, Sonus faber Amati Anniversario
LIVING ROOM - McIntosh C2300, MC75 (2), MR85, Magnum Dynalab 205, Simaudio MOON Neo 260D-T, Schiit Audio Yggdrasil, Aurender N100H, Shunyata Sigma USB cable, Micro Seiki DD40, Ortofon Cadenza Blue, Nakamichi BX-300, Sony 60ES DAT, PS Audio P10, Furutech Flux 50, Sonos Connect, Stillpoints, Wireworld, Kimber, PMC EB1i, JL Audio f113
VINTAGE - McIntosh MA230, Tandberg 3011A tuner, Olive 04HD, Sony DTC-59ES DAT, McIntosh 4300V, JBL 4312A
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  #20  
Old 04-25-2010, 10:59 PM
1KW 1KW is offline
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Good points Dan now back to our regularly scheduled program
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