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Old 05-30-2009, 02:21 PM
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Default Symposium Acoustics RollerBlock Junior



Symposium Acoustics RollerBlock Junior

Symposium introduced lateral ball bearing isolation with the original Rollerblock® in 1997; since then, Symposium's Rollerblock® Series 2 has been the standard of excellence for ball bearing isolation in the high end audio industry. Many rave reviews and customer comments reinforced their position as the premier ball bearing isolation device. However, it became evident that there was a need for a lower cost "introductory" ball bearing isolation device designed with the same audio expertise and commitment to quality as the original Rollerblock. Thus, Rollerblock Jr. became a reality.

Description
Rollerblock Jr. consists of of 6 tops and bottoms and 3 center bearings, to make 3 "Double Stacked" isolator/coupler units. Each top and bottom is constructed of black anodized, aircraft alloy aluminum, and has a 1.875" diameter (4.76 cm) and 5/8" (1.58 cm) thickness. These dimensions were carefully chosen to make Rollerblock Jr. easy to use and set up, yet strong enough to withstand the rigors of use under heavier equipment such as large amplifiers and heavy loudspeakers. The special cup interior has been designed so that the top and bottom "sandwich" is stable with the ball inserted in the center, making for easy setup. The bottom and top are flat and suitable for all equipment chassis, as well as flat surfaces and carpeting.

Version 1.1 introduced
After its first production run, Rollerblock Jr. was modified to include a 1/4-20 threaded hole dead center in the opposite side from the bearing cup. This threaded hole allows the receptacle to be screw-mounted to many existing equipment foot fastener systems, and facilitates secure fastening with "hanger bolts" into wood cabinets, etc. Also, the alloy material of the blocks was upgraded to 6061 aircraft aluminum. Cup sphericity and all other geometric relationships were maintained.

Ball bearings
Standard Rollerblock Jr. is supplied with 3 chromium steel balls, with Super-precision Grade 10 Tungsten Carbide balls available as an optional upgrade. This configuration is known as "Rollerblock Jr.+", with Tungsten bearings included.

Application
Rollerblock Jr. is effective with virtually all components, especially digital sources (CD players and transports), preamplifiers, and amplifiers, but can also be used to isolate and couple entire shelves and platforms, turntables, power supplies (including AC "line conditioners") and loudspeakers. Rollerblock Jr.'s virtues, like the original Rollerblock Series 2, are subtractive in nature. That is, rather than attempting to compensate for an existing problem or deficiency in a system through the introduction of new resonance, Rollerblock Jr. is designed (as are all Symposium products) to remove the cause of resonance and distortion. Footer devices and accessories should not create another problem by adding a new resonance; many will thicken bass and lower midrange with artificial bass overhang, lending a false "warmth" and impression of superior bass, which eventually becomes fatiguing, damaging timber accuracy and transient response of the entire music system.

Sonic Benefits
Proper installation results in increased transparency, dynamics and musicality, properties which include better harmonic separation and reduction of vibration-produced excessive sibilance. Further, one may expect to discern greater clarity between instruments in the sonic field, and better defined bass performance with more accurate timbral balance.

Theory of Operation
The purpose of a ball bearing isolation device is to laterally isolate a component from external mechanical waves (vibration) without inducing additional colorations or distortions (which can be induced through poor choice of materials, which in turn may resonate or vibrate, inducing new distortions in the component being treated). While it may seem that any sort of ball-and-race bearing will do (such as "marbles and spoons"), proper execution requires care and precision. The careful engineering of the problem is the difference between a "toy" and an essential component, and if not done correctly, will create new problems.

A Few of the Problems - and their Solutions
All bearings create noise, called chatter, as they roll upon a surface. This noise is directly transferred into the component, and can become a secondary source of distortion. If chatter is not adequately reduced, the "cure" can become worse than the "disease." Devices which use more than one ball induce more noise than devices with fewer balls, all things being equal. Accordingly, Rollerblock Jr., like all Rollerblock devices, use the fewest number of balls possible - one per device - to ensure the lowest possible chatter. Further, not only is the ratio of the ball diameter to the cup critical for the best compromise between mechanical stability and performance, but so is the absolute size of these elements. Symposium pioneered the lateral plane ball bearing device for use with active components; since 1996 we have experimented with many different combinations and found that a 1/2" ball with our standard cup sphericity offers the best solution for real-world performance. Many positive reviews and a virtual avalanche of positive responses from owners seem to confirm these findings.

For this reason, Rollerblock Jr. employs the same basic ball and cup relationship which is so successful in the state-of-the-art Series 2+ Rollerblock. Experiments with different cup sphericity’s and ball materials have suggested that while different resonant conditions may be created, lateral isolation performance is no better, and in most cases, worse.

Technical Discussion
Rollerblock Jr. uses two cups of similar sphericity, positioned in opposition to each other, with a single ball in between. This "double stack" design was invented and first described by Symposium in our original patent on the Rollerblock, which was filed in 1997 and predates all descriptions of similar "DIY" ("Do It Yourself") devices by several years. The use of a cup, as opposed to a flat surface race, has several advantages when operated without external force fields to damp ball motion (Symposium has since obtained a patent for magnetic bearing bias and stabilization; at present, this technology is employed in the Symposium Isis Rack. For a further technical discussion of the theory behind ball bearing isolation devices, please click here.

Body Material and Mechanical Drainage
The material used in the Rollerblock body is critical to non-resonant, neutral performance: Rollerblock Jr.'s robust aircraft alloy construction resists inherent resonance and also transmits energy through itself and out of the component to mechanical "ground" (in other words, the support surface), for best sonic results.
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Old 05-30-2009, 03:41 PM
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These work wonders & are very inexpensive.
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Reference System: BURMESTER 911MK3 AMP(3), 088 PRE-AMP, 089 CD PLAYER, 100 PHONO PRE-AMP, 948 POWER CONDITIONER, ACCUPHASE DG-68 VOICING EQUALIZER, AVID ACUTUS REFERENCE SP TT, GRAHAM PHANTOM II SUPREME ARM, BENZ MICRO LP-S CART, GRANDIOSO P1X/D1X STACK, G1X RUBIDIUM MASTER CLOCK, N05 NETWORK PLAYER, SILENZIO MUSIC SERVER, HRS-SXR CUSTOM RACK w/ M3X SHELVES, SONUS FABER AIDA SPEAKERS, JL FATHOM F113v2 SUBS(2) SOUND ANCHOR STANDS(2) WW PLATINUM CABLES

Library System: GRANDIOSO M1 MONOBLOCK AMPS, C1 LINESTAGE PRE-AMP, K1X CD/SACD PLAYER, G1 MASTER RUBIDIUM CLOCK, E02 PHONO-PRE, SILENZIO MUSIC SERVER, AERIAL ACOUSTICS 20T V2, AERIAL SW12 SUBS(2), CANTON REF K1’s, VPI HRX TT w/ SDS POWER SUPPLY, ORTOFON CADENZA BLACK CART, KLAUDIO RCM, SHUNYATA DENALI 6000/S v2, SHUNYATA OMEGA QR’s, WW PLATINUM CABLES
Esoteric/Bryston System: ESOTERIC C02-X PRE-AMP, P-02X TRANSPORT, D02-X DAC, G02-X CLOCK, BRYSTON 28B3 CUBED MONOBLOCK AMPS(4), BRYSTON BHA-1 HEADPHONE AMP, SHUNYATA DENALI 6000/S v2(2) EVEREST 8000 POWER CONDITIONER(2) ALTAIRA CG & SG HUBS, AMR-DP777-SE DAC, SILENZIO MUSIC SERVER, TAD REFERENCE ONE MK2 LOUDSPEAKERS, QUADRASPIRE RACK, WW PLATINUM CABLES
Accuphase/Canton System: ACCUPHASE E800 INTEGRATED, DP570 CD/SACD PLAYER, T1200 FM STEREO TUNER, DG-68 VOICING EQUALIZER, PS530 POWER SUPPLY, CANTON REF K3’s, CANTON REF K5’s, SILENZIO MUSIC SERVER, HRS MXR REFERENCE MAHOGHANY RACK w/ M3X2 SHELVES, WW GOLD CABLES
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Old 08-31-2010, 06:29 AM
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I'd like to try these small objects in my MCD500, but there are no sellers in Switzerland

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Last edited by cédric1; 08-31-2010 at 06:35 AM.
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Old 08-31-2010, 08:17 AM
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Quote:
Originally Posted by cédric1 View Post
I'd like to try these small objects in my MCD500, but there are no sellers in Switzerland

Cédric
PM sent.
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MX136, MC1.2KW(10) MC2KW(2), MCD1100, MS750(2) MVP881, C1000C/P/T, MPC1500, HT-2 SUBS(2) HT3F(2) WS350(2) XRT2K, XCS2K, XR27(2) XCS350(2) JL GOTHAM v2 SUBS(2) SILENZIO MUSIC SERVER, LUMAGEN RADIANCE SCALER, SONY VPH-G90U 4K PROJECTOR, STEWART 120" MOTORIZED SCREEN, CINEMA-TECH SEATING, WW PLATINUM CABLES
Reference System: ACCUPHASE A300 AMPS, C3900 PRE-AMP, DP1000 CD/SACD TRANSPORT, DC1000 DIGITAL PROCESSOR, DG-68 DIGITAL EQUALIZER, T1200 FM STEREO TUNER, PS1230 POWER SUPPLY, HRS-SXR CUSTOM RACK w/ M3X SHELVES, TAD REFERENCE ONE MK2 LOUDSPEAKERS, WW PLATINUM CABLES
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MX150, MC501(2) MC1.2KW(10) MC2301(2) MR88, MVP881, MCD1100, MDA1000, C1000C/P/T, MPC1500, ESOTERIC K-01X 30th ANNIVERSARY (BLACK) SACD/CD PLAYER, G02-X CLOCK, HT3F(2) XRT2K, XCS2K, XR27(2) JL GOTHAM v2 SUBS(2) JL FATHOM F113v2 SUBS(4) SOUND ANCHOR STANDS(2) KALEIDESCAPE STRATO & TERRA SERVERS 80-TB, LUMAGEN RADIANCE SCALER, SONY VPH-G90U 4K PROJECTOR, STEWART 120" SCREEN, SONUS FABER STRADIVARI, SILENZIO MUSIC SERVER, FORTRESS SEATING, WW PLATINUM CABLES
Analog Rig: CLEARAUDIO INNOVATION WOOD, UNIVERSAL ARM w/ Da VINCI' CART, 2nd UNIVERSAL ARM w/ GOLDFINGER STATEMENT CART, HRS-MXR REFERENCE RACK-GLOSS BLACK w/ M3X SHELVES, AESTHETIX RHEA SIG PHONO-PRE, BRYSTON BHA-1 HEADPHONE AMP, WW PLATINUM CABLES
Reference System: BURMESTER 911MK3 AMP(3), 088 PRE-AMP, 089 CD PLAYER, 100 PHONO PRE-AMP, 948 POWER CONDITIONER, ACCUPHASE DG-68 VOICING EQUALIZER, AVID ACUTUS REFERENCE SP TT, GRAHAM PHANTOM II SUPREME ARM, BENZ MICRO LP-S CART, GRANDIOSO P1X/D1X STACK, G1X RUBIDIUM MASTER CLOCK, N05 NETWORK PLAYER, SILENZIO MUSIC SERVER, HRS-SXR CUSTOM RACK w/ M3X SHELVES, SONUS FABER AIDA SPEAKERS, JL FATHOM F113v2 SUBS(2) SOUND ANCHOR STANDS(2) WW PLATINUM CABLES

Library System: GRANDIOSO M1 MONOBLOCK AMPS, C1 LINESTAGE PRE-AMP, K1X CD/SACD PLAYER, G1 MASTER RUBIDIUM CLOCK, E02 PHONO-PRE, SILENZIO MUSIC SERVER, AERIAL ACOUSTICS 20T V2, AERIAL SW12 SUBS(2), CANTON REF K1’s, VPI HRX TT w/ SDS POWER SUPPLY, ORTOFON CADENZA BLACK CART, KLAUDIO RCM, SHUNYATA DENALI 6000/S v2, SHUNYATA OMEGA QR’s, WW PLATINUM CABLES
Esoteric/Bryston System: ESOTERIC C02-X PRE-AMP, P-02X TRANSPORT, D02-X DAC, G02-X CLOCK, BRYSTON 28B3 CUBED MONOBLOCK AMPS(4), BRYSTON BHA-1 HEADPHONE AMP, SHUNYATA DENALI 6000/S v2(2) EVEREST 8000 POWER CONDITIONER(2) ALTAIRA CG & SG HUBS, AMR-DP777-SE DAC, SILENZIO MUSIC SERVER, TAD REFERENCE ONE MK2 LOUDSPEAKERS, QUADRASPIRE RACK, WW PLATINUM CABLES
Accuphase/Canton System: ACCUPHASE E800 INTEGRATED, DP570 CD/SACD PLAYER, T1200 FM STEREO TUNER, DG-68 VOICING EQUALIZER, PS530 POWER SUPPLY, CANTON REF K3’s, CANTON REF K5’s, SILENZIO MUSIC SERVER, HRS MXR REFERENCE MAHOGHANY RACK w/ M3X2 SHELVES, WW GOLD CABLES
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Old 08-31-2010, 12:34 PM
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Quote:
Originally Posted by cédric1 View Post
I'd like to try these small objects in my MCD500, but there are no sellers in Switzerland

Cédric
Good choice. The Rollerblocks are a very nice enhancement.
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Old 08-31-2010, 12:49 PM
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Quote:
Originally Posted by cédric1 View Post
I'd like to try these small objects in my MCD500, but there are no sellers in Switzerland.
Cédric.......I started with a set of three Rollerblock Jr.'s under my MCD500. I liked what I heard. Now I have them under the MCD500, MEN220, MS750, C1000C and C1000P. The Symposium Rollerblock Jr.'s added a subtle, yet impressive improvement in my sound system's performance. I think you will like what they do.
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Old 08-31-2010, 01:26 PM
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And they make the components jiggle. That alone is worth the price of admission...
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Old 08-31-2010, 01:59 PM
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Quote:
Originally Posted by Vesuvius View Post
And they make the components jiggle. That alone is worth the price of admission...
E.......I agree. Jiggle is a good thing.


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STUDIO - McIntosh C1000C/P, MC2301 (2), MR88, Aurender N10, Esoteric K-01X, Shunyata Sigma spdif digital cable, Sonos Connect, PurePower 2000, Stillpoints, Furutech Flux 50, Michell Gyro SE, Michell HR Power Supply, SME 309, Ortofon Cadenza Black, Wireworld, Sonus faber Amati Anniversario
LIVING ROOM - McIntosh C2300, MC75 (2), MR85, Magnum Dynalab 205, Simaudio MOON Neo 260D-T, Schiit Audio Yggdrasil, Aurender N100H, Shunyata Sigma USB cable, Micro Seiki DD40, Ortofon Cadenza Blue, Nakamichi BX-300, Sony 60ES DAT, PS Audio P10, Furutech Flux 50, Sonos Connect, Stillpoints, Wireworld, Kimber, PMC EB1i, JL Audio f113
VINTAGE - McIntosh MA230, Tandberg 3011A tuner, Olive 04HD, Sony DTC-59ES DAT, McIntosh 4300V, JBL 4312A

Last edited by jdandy; 08-31-2010 at 02:23 PM.
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Old 08-31-2010, 02:41 PM
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hello Dan

Hey, the Americans are very expressive .....

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Old 08-31-2010, 04:04 PM
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Quote:
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E.......I agree. Jiggle is a good thing.




OMG
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