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#1
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Dynamic Range
Thought everyone might be interested in this. Album list dynamic range database.
http://dr.loudness-war.info |
#2
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Thank you, I have been using that for many years already.
Very helpful. |
#3
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Didn't know this existed. Thank you for posting!!!
- Bob
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“After silence, that which comes nearest to expressing the inexpressible is music.” ― Aldous Huxley Dali Epicon 8, Luxman 509X, highy modified MDHT Orchid Dac, Cambridge Audio CD transport, iMac, Core Power 1800, Shunyata and Nordost cables |
#4
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Thanks JD.....I've been using it for many years as well.
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Paul Speakers: Von Schweikert VR-5 Anniversary MK II Front L/R, LCR-35 Center, VR-1 Rear L/R Sub: JL Audio F113 Amps: PS Audio BHK Signature 300 Mono, McIntosh MC207 Pre-Amp PS Audio BHK Signature and Gold Note PH-10 Phono Stage/PSU-10 Power Supply Turntable: VPI HR-X 12.7 TONEARM (2) and SDS, Stillpoints LPI Tape Deck Otari 5050B II2 Music Server: Aurender N100H Cartridges: Ortofon Cadenza Black, Lyra Helikon Mono Digital Source: Oppo UDP-205 DAC: Holo Audio Spring 3 KTE SSP: Marantz AV8801 Cables: Wireworld Electra 7 (P) Wireworld Silver Eclipse 7, Shunyata Delta NR (I) Wireworld Silver Eclipse 7 (S) Wireworld Platinum Starlight 7 (USB) AC Power Regeneration: PS Audio DirectStream P15 Power Plant and Shunyata Denali 6000s V2. |
#5
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Indeed, a good reference site. I use it every time I purchase a CD.
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#6
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What difference does the dynamic range mean? You either enjoy the album or you don't. You can find great music no matter how wide the dynamic range might be.
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#7
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Quote:
If you have a Ferrari, and enjoy driving in the hills I can agree. But having a map to identify roads that give you a more “spirited” drive can make a typical mountain drive even more fun. The same is true for having an album you enjoy PLUS a presentation that shows what your system can do.
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Main > Aurender N10/N100 / Antipodes K50 > Aries Cerat Kassandra mk2 - Playback Designs Dream DAC > D'agostino Momentum HD > PS Audio P10 > D'Agostino S250 > Sonus Faber Aida / REL S812 Six Pack + 4 JL Audio F113 Fathoms > B&W Signature HTM > Anthem Statement D2v > Mcintosh MC205 > Focal 1000 (side surrounds) > Bryston TIW (rear surrounds) Secondary System > Aurender N100h> AMR777SE > D'agostino Momentum Integrated > Wilson Sasha DAW |
#8
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Quote:
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#9
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Quote:
There are different schools of thought A system that is designed to resolve detail can sound harsh and unforgiving with badly recorded material. It’s a given. A system that makes harsher recordings sound good tends to mask detail so in a good recording, you won’t be retrieving as much as you could. I don’t think one approach is any better than the other. That being said, the DR database does provide one thing. If there is an album I like, I can try to find the best (highest DR) version of the album. I have mentioned my obsession with Brothers in Arms [emoji51] before elsewhere http://dr.loudness-war.info/album/li...others+in+arms And this database tells me that the Mobile Fidelity versions are better. And they are. Also, the latest version of DirectStream’s Snowmass OS seems to have achieved a bit of an anomaly in that it is both highly detailed and makes a lot of my harsher sounding recordings sound better. I haven’t quite explained that yet.
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#10
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That's certainly true. But dynamics, and the nuance of dynamics, are key aspects of musicianship. So they are often a clue as to the quality of a performance or recording.
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