#61
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Quote:
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#62
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Adjusting VTA has really helped dial in this Ovation and Talisman. I went a little more tail down and bingo! I have the sound I was looking for. I'm at 56 db gain and 475 ohm loading on the Nova, right around 3 g tracking force on the Talisman. The extra bit of tail down smoothed out the shrieking I was getting with the cartridge at 475 ohm. It still has good energy and dynamics, but now it sound much smoother and more full bodied.
This has convinced me to spring for the cost (as pricey as it is) of the VTA Lifter. I'm staying up later than I usually do because I'm enjoying what I am hearing so much.
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—Dean |
#63
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Clearaudio Innovation Wood is mine - is the outer clamp worth having and why?
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#64
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I too own the Innovation and also the outer clamp.....the clamp really couples the LP to the platter for a quieter back ground, improves tracking and everything is just more solid from top to bottom.......a record weight also is nice to use with the outer ring, makes for a nice pairing.....as always YMMV!
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#65
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Down Under
Nice to have a Clearaudio site.I quite like my Clearaudio Harmony Mg with the Clearaudio Reference phono stage run in balanced mode is a good way to while away the hours.I only wish there were more spare hours to while away!
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#66
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Quote:
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—Dean Last edited by Josquin des Prez; 08-24-2012 at 07:14 PM. |
#67
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How well do you like peanut butter & jelly
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#68
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Ha! Well, I pay cash for all my audio/music purchases, so the issue isn't whether I can sacrifice elsewhere. It's whether I have the cash up front to pay for it.
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—Dean |
#69
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Anyone else see anything?
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Silver is the new black. |
#70
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Dunno -- cartridge cover on incorrectly???
Bob
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Amps:VAC 450iQ Monos in Silver Flake on HRS M3X2-1921's, HRS G7 Footers/G-Links & Sound Anchor Conecoasters. Preamp:VAC Statement (on order) (Silver Flake) Digital Source: dCS Rossini CD/SACD Transport, Vivaldi APEX DAC, Upsampler Plus & matching Clock (Silver) Analogue Preamp:VAC Renaissance SE Phono stage in Silver Flake with XLR Output Option & with Nordost Valhalla XLR's. Analogue Sources:SME 20/2 w/SME V arm & Nordost Odin 2 Tone Arm Cable, Palo Santos Presentation Cartridge & Akai GX-400D Reel-to-Reel w/relapped heads by JRF Magnetic Sciences. Akai RC-17 cabled remote (original owner since 1974). Vibration Control:TT on HRS M3X2-1921 shelf. Speakers:Wilson Audio Alexia V (on order in Ferrari Argento Silver/Parchment grills sitting on Acoustic Diode Kit). Power Cables:4 Nordost Odin Supreme Reference on amps, preamp & DAC. Ansuz Acoustics C2 on Transport & Clock. Power Distribution:Ansuz Mainz D3 Distributor & Ansuz Mainz C2 1M Power Cable Power Outlets:Furutech GTX-D NCF (R) duplex outlet, GTX Wall Plate & Duplex Cover (x2) on dedicated, same panel phase, 20A breakers. Speaker Cables:2M Nordost Odin 2 Supreme Reference on Nordost Sort Lifts. Signal Cables:Nordost Odin XLR's on dCS DAC & Amps. Digital Cables: Nordost Odin 2's, 110-ohm AES/EBU on dCS Transport to DAC. Clock Cables:5 each 75 ohm 1.25M Nordost Valhalla BNC/BNC Digital Ethernet Cable: WireWorld Platinum 1M Starlight® 8 Twinax Headphones:Vintage Koss Pro IV AA. RCM: Audio Desk PRO Tube Test Gear:Mint late '60's/calibrated Heathkit TT-1A, MaxiMatcher Power Amp & Preamp & Space Tech Labs ATT-3.02 tube test sets. |
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