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#11
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Some great ideas here!
One thing I’d add is that you should balance your door choice with the rest of the room construction. For example If you have built a ‘room within a room’ with isolated walls and hvac, then you should spring for a quality door as it will likely be the biggest source of transmission. If you use normal construction; even double drywall, green glue, and clips then you don’t need a studio quality door because you’ll get sound transmission from the walls and ceiling anyway.
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Main System: Amati Futura Mains Amati Homage VOX Center, Proac Response 1sc Rears, Three MC2301's for L,C,R MC 602 for the rears C 1100, MX 151, MCD 1100, MR 80 Nottingham Dais with Sumiko Palo Santos Presentation SurfacePro 3, JRiver, WW Starlight Platinum USB, Schiit Yggdrasil, Benchmark DAC3 HGC MX 151, OppO BDP-95, JVC RS-500 DILA projector, 106" diagonal Stewart Luxus Screenwall Deluxe with Studiotek 130 G3 material. Lake House: Ohm F, MC 275V, C2300, MR 77, Rega P3 OnDeck: McIntosh MAC 4300v |
#12
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Good point Tom - I’m going through this exercise now and everything should be relative otherwise you’ll end up creating another set of problems or spending unnecessarily... |
#13
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Definitely - you’ve got to leave enough in the budget for a fiber optic star ceiling.
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Main System: Amati Futura Mains Amati Homage VOX Center, Proac Response 1sc Rears, Three MC2301's for L,C,R MC 602 for the rears C 1100, MX 151, MCD 1100, MR 80 Nottingham Dais with Sumiko Palo Santos Presentation SurfacePro 3, JRiver, WW Starlight Platinum USB, Schiit Yggdrasil, Benchmark DAC3 HGC MX 151, OppO BDP-95, JVC RS-500 DILA projector, 106" diagonal Stewart Luxus Screenwall Deluxe with Studiotek 130 G3 material. Lake House: Ohm F, MC 275V, C2300, MR 77, Rega P3 OnDeck: McIntosh MAC 4300v |
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