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Thelonious Monk - Underground
(1968, Columbia) -1C / -1D Columbia Santa Maria pressing
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Cary/AES AE-3 preamp/Fosgate Tube Phono Pre/Rega P9/Benz Wood//VPI 16.5/McIntosh MC 2205/JBL 4430 |
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Steve Lacy - The Forest And The Zoo
(1967, ESP) free jazz on the ESP label, recorded live October, 1966. Great sound quality.
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Cary/AES AE-3 preamp/Fosgate Tube Phono Pre/Rega P9/Benz Wood//VPI 16.5/McIntosh MC 2205/JBL 4430 |
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John Coltrane - Crescent
(1964, Impulse!) 1980's UK pressing on Jasmine; JAS 41 McCoy Tyner (piano), Jimmy Garrison (double bass) and Elvin Jones (drums)
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Cary/AES AE-3 preamp/Fosgate Tube Phono Pre/Rega P9/Benz Wood//VPI 16.5/McIntosh MC 2205/JBL 4430 |
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Yoko Ono Plastic Ono Band - Feeling The Space
(1973, Apple) MASTERED BY Capitol Wly in the deadwax, mastered by Wally Traugott released fall '73 around the time that Mind Games was released, and before Yoko had reconciled with Lennon. He plays on a couple of tracks here. Great backing band here.
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Cary/AES AE-3 preamp/Fosgate Tube Phono Pre/Rega P9/Benz Wood//VPI 16.5/McIntosh MC 2205/JBL 4430 |
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Great Speckled Bird - s/t
(1969, Ampex) Monarch symbol in the deadwax Ian & Sylvia's band - produced by Todd Rundgren. Great sound quality. David Briggs on piano.
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Cary/AES AE-3 preamp/Fosgate Tube Phono Pre/Rega P9/Benz Wood//VPI 16.5/McIntosh MC 2205/JBL 4430 |
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John Lennon - Imagine
(1971, Apple) Bell Sound sf in the deadwax, mastered by Sam Feldman
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Cary/AES AE-3 preamp/Fosgate Tube Phono Pre/Rega P9/Benz Wood//VPI 16.5/McIntosh MC 2205/JBL 4430 |
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John Lennon - Mind Games
(1973, Apple) Winchester symbol in the deadwax
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Cary/AES AE-3 preamp/Fosgate Tube Phono Pre/Rega P9/Benz Wood//VPI 16.5/McIntosh MC 2205/JBL 4430 |
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Best Sirs, Bob
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Amps:VAC 450iQ Monos in Silver Flake on HRS M3X2-1921's, HRS G7 Footers/G-Links & Sound Anchor Conecoasters. Preamp:VAC Statement (on order) (Silver Flake) Digital Source: dCS Rossini CD/SACD Transport, Vivaldi APEX DAC, Upsampler Plus & matching Clock (Silver) Analogue Preamp:VAC Renaissance SE Phono stage in Silver Flake with XLR Output Option & with Nordost Valhalla XLR's. Analogue Sources:SME 20/2 w/SME V arm & Nordost Odin 2 Tone Arm Cable, Palo Santos Presentation Cartridge & Akai GX-400D Reel-to-Reel w/relapped heads by JRF Magnetic Sciences. Akai RC-17 cabled remote (original owner since 1974). Vibration Control:TT on HRS M3X2-1921 shelf. Speakers:Wilson Audio Alexia V (on order in Ferrari Argento Silver/Parchment grills sitting on Acoustic Diode Kit). Power Cables:4 Nordost Odin Supreme Reference on amps, preamp & DAC. Ansuz Acoustics C2 on Transport & Clock. Power Distribution:Ansuz Mainz D3 Distributor & Ansuz Mainz C2 1M Power Cable Power Outlets:Furutech GTX-D NCF (R) duplex outlet, GTX Wall Plate & Duplex Cover (x2) on dedicated, same panel phase, 20A breakers. Speaker Cables:2M Nordost Odin 2 Supreme Reference on Nordost Sort Lifts. Signal Cables:Nordost Odin XLR's on dCS DAC & Amps. Digital Cables: Nordost Odin 2's, 110-ohm AES/EBU on dCS Transport to DAC. Clock Cables:5 each 75 ohm 1.25M Nordost Valhalla BNC/BNC Digital Ethernet Cable: WireWorld Platinum 1M Starlight® 8 Twinax Headphones:Vintage Koss Pro IV AA. RCM: Audio Desk PRO Tube Test Gear:Mint late '60's/calibrated Heathkit TT-1A, MaxiMatcher Power Amp & Preamp & Space Tech Labs ATT-3.02 tube test sets. |
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The Bob Brookmeyer 4 - 7x Wilder
(1961, Verve) MONO w/ Jim Hall, guitar
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Cary/AES AE-3 preamp/Fosgate Tube Phono Pre/Rega P9/Benz Wood//VPI 16.5/McIntosh MC 2205/JBL 4430 |
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