#31
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I still have the first "good" film camera I ever owned . . . A Zeiss Contaflex (I ) that my dad bought new in 1955. - In fact I'm "messing with it" as I write this post.
The Contaflex was the first SLR that Zeiss made in West Germany, and it was the first SLR ever made with a leaf shutter - A Synchro Compur - with speeds from 1 second - 1/500. It had a non-interchangable 45mm Zeiss Tessar F2.8 lens which was actually very sharp. Everything on this remarkable 60 year old camera still works, and I have taken pictures with it during the past couple of years. I used it all through high school and college and took thousands of slides with it. When my dad bought the Contaflex, I was "just a kid" but i was pushing him to buy a Kodak Retina IIIc (little "c"), which was a rangefinder camera of similar quality - because Kodak had better looking ads. I'm glad he bought the Contaflex because it surely has held up well to a lot of use. Cost of the Contaflex in 1955 (as can be seen in the ad below) was $169.00 which in todays dollars would be $1360.36.
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.... I have a record player and a cd player and some other stuff that sounds pretty good. MAIN SYSTEM: . . . Audio Physic Caldera III Loudspeakers, Spectral DMC 30SL Preamp, Spectral DMA 250 Amp, Spectral/MIT interconnects and speaker cable, Basis Debut V Vacuum turntable, Walker Precision Speed Controller, Graham tonearm, [B]Koetsu Rosewood or Grado Statement 1 Cartridges, PASS - X-ono Phono Stage, Esoteric K03 CD/SACD Player, Lexicon RT-20 Universal Player, Exact Power EP-15A & SP-15A power regeneration and conditioning devices. Symposium Acoustics Svelte pads & RollerBlock Jr's under speakers. ASC Tube Traps, Arcici Suspense Rack System, OPPO and Cambridge Streaming Devices. DOWNSTAIRS SYSTEM: . . . Sonus Faber Guarneri Memento Speakers, JL Audio F112 Sub, McIntosh MA7000 Integrated Amp, McIntosh MVP871 Universal Disc Player, OPPO BDP-105 Blu-Ray Player, VPI Scoutmaster with periphery ring clamp, VPI SDS Motor Drive, Koetsu Pro IV, or Clearaudio Discovery Cartridges, Mark Levinson No. 25s phono stage, Wadia 170i Transport with a Meridian Bitstream 203 DAC, VPI HW-17 Pro Record Cleaning Machine, Five Richard Gray RGPC 400 devices scattered around the two systems, Arcici Suspense Rack System, Discovery Essence and Essential Cables, 14,000 ± LPs . |
#32
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The Kodak Retina IIIc ad from about the same time as the Contaflex ad above. I guess my dad balked at the extra $6.00 that the Retina cost!
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.... I have a record player and a cd player and some other stuff that sounds pretty good. MAIN SYSTEM: . . . Audio Physic Caldera III Loudspeakers, Spectral DMC 30SL Preamp, Spectral DMA 250 Amp, Spectral/MIT interconnects and speaker cable, Basis Debut V Vacuum turntable, Walker Precision Speed Controller, Graham tonearm, [B]Koetsu Rosewood or Grado Statement 1 Cartridges, PASS - X-ono Phono Stage, Esoteric K03 CD/SACD Player, Lexicon RT-20 Universal Player, Exact Power EP-15A & SP-15A power regeneration and conditioning devices. Symposium Acoustics Svelte pads & RollerBlock Jr's under speakers. ASC Tube Traps, Arcici Suspense Rack System, OPPO and Cambridge Streaming Devices. DOWNSTAIRS SYSTEM: . . . Sonus Faber Guarneri Memento Speakers, JL Audio F112 Sub, McIntosh MA7000 Integrated Amp, McIntosh MVP871 Universal Disc Player, OPPO BDP-105 Blu-Ray Player, VPI Scoutmaster with periphery ring clamp, VPI SDS Motor Drive, Koetsu Pro IV, or Clearaudio Discovery Cartridges, Mark Levinson No. 25s phono stage, Wadia 170i Transport with a Meridian Bitstream 203 DAC, VPI HW-17 Pro Record Cleaning Machine, Five Richard Gray RGPC 400 devices scattered around the two systems, Arcici Suspense Rack System, Discovery Essence and Essential Cables, 14,000 ± LPs . |
#33
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Julian,
You sure have taken great care of your Contaflex - it's a fantastic looking camera even today! I wonder how long my D7000 will last. It seems almost disposable. My FE has lasted over 30 years and I see no reason why it won't make it further. One thing I like about film cameras is you get a free upgrade when a new film is introduced - like Fuji Velvia. Guess that will happen much less often now.
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Main System: Amati Futura Mains Amati Homage VOX Center, Proac Response 1sc Rears, Three MC2301's for L,C,R MC 602 for the rears C 1100, MX 151, MCD 1100, MR 80 Nottingham Dais with Wave Mechanic Sumiko Palo Santos Presentation SurfacePro 3, RPi 4, ROON, WW Starlight Platinum USB, Schiit Yggdrasil, Benchmark DAC3 HGC MX 151, OppO BDP-95, JVC RS-500 DILA projector, 106" diagonal Stewart Luxus Screenwall Deluxe with Studiotek 130 G3 material. Lake House: Ohm F, MC 275V, C2300, MR 77, Rega P3 OnDeck: McIntosh MAC 4300v |
#34
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Thank you Tom, that's a great image!
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#35
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Quote:
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#36
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Years ago, I went to a digital photo seminar led by pro (whose name escapes me). It was at the Apple store in Palo Alto, shortly after it opened. He talked about density - the digital cameras at the time simply didn't have the resolution (not only xy but also color depth) to compete with film. He said "Capture on film, scan (tango drum scan) then manipulate/print..." Digital cameras have come a long way since then, but... I wonder if a DSLR is at the level of, say, 35mm ? |
#37
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Des PS Luv the Contaflex pic-- fine camera! |
#38
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John,
Velvia 50 was introduced in 2007. It is essentiually the original Velvia on a new film base. I don't know of any others introduced since then.
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Main System: Amati Futura Mains Amati Homage VOX Center, Proac Response 1sc Rears, Three MC2301's for L,C,R MC 602 for the rears C 1100, MX 151, MCD 1100, MR 80 Nottingham Dais with Wave Mechanic Sumiko Palo Santos Presentation SurfacePro 3, RPi 4, ROON, WW Starlight Platinum USB, Schiit Yggdrasil, Benchmark DAC3 HGC MX 151, OppO BDP-95, JVC RS-500 DILA projector, 106" diagonal Stewart Luxus Screenwall Deluxe with Studiotek 130 G3 material. Lake House: Ohm F, MC 275V, C2300, MR 77, Rega P3 OnDeck: McIntosh MAC 4300v |
#39
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I am using an old Polaroid.
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#40
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when discussing resolution, the size of the original should be considered - film or sensor (the sensor in the aforementioned Phase back has 2.5 times the area of a frame of 35mm film). to obtain the same effective resolution, you'd have to scan a piece of 35mm film at ~7,735 dpi to equal one frame from the 80mp Phase back. also, unless i'm thinking incorrectly (it is pretty late right now), isn't the 80mp back effectively at ~4,872 dpi? the area is roughly 1.59" x 2.12" so wouldn't 300 dpi only yield ~303.7k pixels instead of the 80,145,280 the back is capable of? Last edited by srosenberg; 07-12-2012 at 05:05 AM. |
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