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Photography Digital & Film Buffs here |
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#11
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I usually keep the 17-55 AF-S DX NIKKOR F/2.8G IF-ED lens on my camera for 90% of my photos.
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#12
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I had several "fast" professional quality zooms (24-70 f2.8, 70-200 f2.8, a 17-35 f2.8, and more recently a 17-55 f2.8) all Nikkor lenses.
I really enjoyed using them . . . for a while . . . until I got older with bad back, bad knees and other normal complaints that hit us over 55's (me, I'm way over 55) I found that I was grabbing a point and shoot a lot of the time and leaving my SLR's at home . . Just too heavy to carry around . . . and no fun . . . So, I sold all of the fast glass. Bought a Nikon 50 f1.4, a Nikon 16-85mm f/3.5-5.6, and a Nikon 70-300mm f/4.5-5.6 - both of the zooms have VR (Canon calls it IS) and I couldn't be happier. I also have a 12-24 f4 Nikon lens that I seldom use. I use the lenses on a Nikon D300 and a D90, and my old eyes can't tell any difference in the quality of pictures taken with the fast glass as opposed to the slower but definitely lighter lenses. I print my own pictures in sizes up to 13X19 and image quality is superb with the slower zooms. When I travel, I pack the D-300, the 16-85, the 70-300, and a flash in a fairly small bag and actually once again enjoy taking pictures. My wife uses the D90 with an 18-200 Nikon lens, which is an even more manageable package and her results are often spectacular. I still carry a point and shoot (Canon S-90) in my pocket as a "just in case" camera - and I do love that little camera - but that is another story. Needless to say, my answer to your question is a resounding Heck No, you don't need fast glass - only thing I can see that it does for you is make you look better to people who notice that kind of thing.
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.... I have a record player and a cd player and some other stuff that sounds pretty good. MAIN SYSTEM: . . . Audio Physic Caldera III Loudspeakers, Spectral DMC 30SL Preamp, Spectral DMA 250 Amp, Spectral/MIT interconnects and speaker cable, Basis Debut V Vacuum turntable, Walker Precision Speed Controller, Graham tonearm, [B]Koetsu Rosewood or Grado Statement 1 Cartridges, PASS - X-ono Phono Stage, Esoteric K03 CD/SACD Player, Lexicon RT-20 Universal Player, Exact Power EP-15A & SP-15A power regeneration and conditioning devices. Symposium Acoustics Svelte pads & RollerBlock Jr's under speakers. ASC Tube Traps, Arcici Suspense Rack System, OPPO and Cambridge Streaming Devices. DOWNSTAIRS SYSTEM: . . . Sonus Faber Guarneri Memento Speakers, JL Audio F112 Sub, McIntosh MA7000 Integrated Amp, McIntosh MVP871 Universal Disc Player, OPPO BDP-105 Blu-Ray Player, VPI Scoutmaster with periphery ring clamp, VPI SDS Motor Drive, Koetsu Pro IV, or Clearaudio Discovery Cartridges, Mark Levinson No. 25s phono stage, Wadia 170i Transport with a Meridian Bitstream 203 DAC, VPI HW-17 Pro Record Cleaning Machine, Five Richard Gray RGPC 400 devices scattered around the two systems, Arcici Suspense Rack System, Discovery Essence and Essential Cables, 14,000 ± LPs . Last edited by AudioNut; 11-04-2010 at 11:27 AM. |
#13
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f/4 zooms will also work well IF they have image stabilization, but then that adds more weight too.
The new version 2 of the Canon 70-200 L f/2.8 USM IS is worth every ounce (or pound). MikeSp
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MX150, MC501's (3), MC352's (2), Aerial Acoustics Model 9's for mains, Aerial Acoustics CC5 for center, and Def Tech surrounds, JL Audio F113's (2) with Sound Anchor Stands, 60 inch Pioneer Kuro, Tivos, Monster HTPS 7000MKII, Oppo BDP-83SE, PS3; dedicated HT still under construction [system used primarily for movies]. |
#14
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I picked up the 24-70 2.8 lens last week. It is built like one would expect from a pro lens. I an enjoying using it . Here are few shots taken while I was driving around this past weekend. The last picture was George Washington's headquarters during the revolutionary war.
Last edited by 1KW; 11-08-2010 at 09:32 PM. |
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