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Acoustical Treatments Because the room matters

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  #31  
Old 10-12-2018, 05:02 PM
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Originally Posted by jimtranr View Post
They'll make it kris-kross. And no doubt sharpen the listener's perception of what he/she hears on any given musical run-through.

The Hallograph appears to be a "curlicuing" alternative to diffusing (e.g., QRD), scattering (e.g., GIK scatter plates), or otherwise randomizing reflections in the listening space.

Whether the selection of the specific hardwoods employed is consequential is an open question. If there's a theoretical basis for it and not a gimmick, I suspect (and this is strictly a layman's supposition) it's based on how a given wood's density, grain structure, and related parameters affect the device's reflectivity at its designed "working" frequency range.

Unless an aesthetic consideration--such as it is--governs the decision, the selection of two different hardwoods implies that the Hallograph incorporates a physical "crossover" (mids to highs?). And if that's really the case, is the selection of both the crossover point and the wood employed for each frequency band determined by test-equipment-monitored tests or the listening preferences of the designer?

I don't know if the device's technical/promo literature, if such exists, covers any of this, as I haven't read it.
Jim, it is safe to say that you are waaay overthinking this. There have been so many debates over the years over this as well as many other “audiophile tweaks”, tice clock included that it is pointless to even try to rationalize it. You either buy one and convince yourself/believe in the rainbows and unicorns that suddenly appear in your listening room or you don’t.
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  #32  
Old 10-12-2018, 05:10 PM
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The Hallographs are made up of different woods. Furthermore, there is a degree scale (positive-0-negative) on the base where the tops connect. This is used for fine tuning after placement.
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  #33  
Old 10-12-2018, 05:14 PM
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I’m still trying to decide if oak, cherry or walnut coffee table will sound better in my room. No, not really...
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  #34  
Old 10-12-2018, 05:24 PM
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Serge... if you haven’t heard them, perhaps you should remain open minded.

Frankly, I don’t find these providing positive results anymore bizarre than Stillpoints.
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MX136, MC1.2KW(10) MC2KW(2), MCD1100, MS750(2) MVP881, C1000C/P/T, MPC1500, HT-2 SUBS(2) HT3F(2) WS350(2) XRT2K, XCS2K, XR27(2) XCS350(2) JL GOTHAM v2 SUBS(2) SILENZIO MUSIC SERVER, LUMAGEN RADIANCE SCALER, SONY VPH-G90U 4K PROJECTOR, STEWART 120" MOTORIZED SCREEN, CINEMA-TECH SEATING, WW PLATINUM CABLES
Reference System: ACCUPHASE A300 AMPS, C3900 PRE-AMP, DP1000 CD/SACD TRANSPORT, DC1000 DIGITAL PROCESSOR, DG-68 DIGITAL EQUALIZER, T1200 FM STEREO TUNER, PS1230 POWER SUPPLY, HRS-SXR CUSTOM RACK w/ M3X SHELVES, TAD REFERENCE ONE MK2 LOUDSPEAKERS, WW PLATINUM CABLES
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MX150, MC501(2) MC1.2KW(10) MC2301(2) MR88, MVP881, MCD1100, MDA1000, C1000C/P/T, MPC1500, ESOTERIC K-01X 30th ANNIVERSARY (BLACK) SACD/CD PLAYER, G02-X CLOCK, HT3F(2) XRT2K, XCS2K, XR27(2) JL GOTHAM v2 SUBS(2) JL FATHOM F113v2 SUBS(4) SOUND ANCHOR STANDS(2) KALEIDESCAPE STRATO & TERRA SERVERS 80-TB, LUMAGEN RADIANCE SCALER, SONY VPH-G90U 4K PROJECTOR, STEWART 120" SCREEN, SONUS FABER STRADIVARI, SILENZIO MUSIC SERVER, FORTRESS SEATING, WW PLATINUM CABLES
Analog Rig: CLEARAUDIO INNOVATION WOOD, UNIVERSAL ARM w/ Da VINCI' CART, 2nd UNIVERSAL ARM w/ GOLDFINGER STATEMENT CART, HRS-MXR REFERENCE RACK-GLOSS BLACK w/ M3X SHELVES, AESTHETIX RHEA SIG PHONO-PRE, BRYSTON BHA-1 HEADPHONE AMP, WW PLATINUM CABLES
Reference System: BURMESTER 911MK3 AMP(3), 088 PRE-AMP, 089 CD PLAYER, 100 PHONO PRE-AMP, 948 POWER CONDITIONER, ACCUPHASE DG-68 VOICING EQUALIZER, AVID ACUTUS REFERENCE SP TT, GRAHAM PHANTOM II SUPREME ARM, BENZ MICRO LP-S CART, GRANDIOSO P1X/D1X STACK, G1X RUBIDIUM MASTER CLOCK, N05 NETWORK PLAYER, SILENZIO MUSIC SERVER, HRS-SXR CUSTOM RACK w/ M3X SHELVES, SONUS FABER AIDA SPEAKERS, JL FATHOM F113v2 SUBS(2) SOUND ANCHOR STANDS(2) WW PLATINUM CABLES

Library System: GRANDIOSO M1 MONOBLOCK AMPS, C1 LINESTAGE PRE-AMP, K1X CD/SACD PLAYER, G1 MASTER RUBIDIUM CLOCK, E02 PHONO-PRE, SILENZIO MUSIC SERVER, AERIAL ACOUSTICS 20T V2, AERIAL SW12 SUBS(2), CANTON REF K1’s, VPI HRX TT w/ SDS POWER SUPPLY, ORTOFON CADENZA BLACK CART, KLAUDIO RCM, SHUNYATA DENALI 6000/S v2, SHUNYATA OMEGA QR’s, WW PLATINUM CABLES
Esoteric/Bryston System: ESOTERIC C02-X PRE-AMP, P-02X TRANSPORT, D02-X DAC, G02-X CLOCK, BRYSTON 28B3 CUBED MONOBLOCK AMPS(4), BRYSTON BHA-1 HEADPHONE AMP, SHUNYATA DENALI 6000/S v2(2) EVEREST 8000 POWER CONDITIONER(2) ALTAIRA CG & SG HUBS, AMR-DP777-SE DAC, SILENZIO MUSIC SERVER, TAD REFERENCE ONE MK2 LOUDSPEAKERS, QUADRASPIRE RACK, WW PLATINUM CABLES
Accuphase/Canton System: ACCUPHASE E800 INTEGRATED, DP570 CD/SACD PLAYER, T1200 FM STEREO TUNER, DG-68 VOICING EQUALIZER, PS530 POWER SUPPLY, CANTON REF K3’s, CANTON REF K5’s, SILENZIO MUSIC SERVER, HRS MXR REFERENCE MAHOGHANY RACK w/ M3X2 SHELVES, WW GOLD CABLES

Last edited by Masterlu; 10-12-2018 at 05:28 PM.
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  #35  
Old 10-12-2018, 05:28 PM
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Quote:
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Serge... if you haven’t heard them, perhaps you should remain open minded.
Problem is that I have. No rainbows or unicorns sadly or I would have bought them. As always, YMMV.
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  #36  
Old 10-12-2018, 05:40 PM
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Originally Posted by PHC1 View Post
Jim, it is safe to say that you are waaay overthinking this. There have been so many debates over the years over this as well as many other “audiophile tweaks”, tice clock included that it is pointless to even try to rationalize it. You either buy one and convince yourself/believe in the rainbows and unicorns that suddenly appear in your listening room or you don’t.
Actually, Serge, that was just a way of taking a mental-exercise break from the Cold War spy novel I've been knocking out since May--sort of a test to see if the brain's still functioning as a reasoning entity after living for long key-pounding stretches in an alternate, if made-up, reality.

I'm not into stones or clocks or horny horses--though I wouldn't turn up my nose at a pot of gold should it suddenly appear in my listening room--but, as you've probably already seen more than once, I'm more than a little interested in room acoustics (and, among other things, how they may affect the perception of a room becoming "energized" during musical playback).

I suspect that what people who hear a difference with the Hallograph are experiencing is the effect of an at least semi-randomized redistribution of the sonic energy bubble, a redirection of otherwise-direct reflections that constrict the sonic image and its constituent elements. That will have to remain at "suspect" because after all that I've already done treatment-wise to our living/dining room and bedroom to enhance the perceived performance of their respective audio systems, my wife won't let a Hallograph--or anything even faintly resembling another Stonehenge monolith--anywhere near our door.
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Bedroom: Aurender N150, TEAC UD-505 (AKM version), EMIA Cu Elmaformer passive line stage, conrad-johnson MF2500, Paradigm Studio 20 v5. Shunyata Delta D6, Altaira CG hub. Shunyata Alpha XC, Delta NR v2, Alpha USB, Alpha and Venom CGC/SGC. Wireworld Eclipse 8 interconnect & speaker cables. Stillpoints footers, Butcher Block Acoustics maple platforms. Stillpoints and GIK acoustic panels.

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Last edited by jimtranr; 10-12-2018 at 05:54 PM.
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  #37  
Old 10-12-2018, 06:10 PM
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Originally Posted by jimtranr View Post
Actually, Serge, that was just a way of taking a mental-exercise break from the Cold War spy novel I've been knocking out since May--sort of a test to see if the brain's still functioning as a reasoning entity after living for long key-pounding stretches in an alternate, if made-up, reality.

I'm not into stones or clocks or horny horses--though I wouldn't turn up my nose at a pot of gold should it suddenly appear in my listening room--but, as you've probably already seen more than once, I'm more than a little interested in room acoustics (and, among other things, how they may affect the perception of a room becoming "energized" during musical playback).

I suspect that what people who hear a difference with the Hallograph are experiencing is the effect of an at least semi-randomized redistribution of the sonic energy bubble, a redirection of otherwise-direct reflections that constrict the sonic image and its constituent elements. That will have to remain at "suspect" because after all that I've already done treatment-wise to our living/dining room and bedroom to enhance the perceived performance of their respective audio systems, my wife won't let a Hallograph--or anything even faintly resembling another Stonehenge monolith--anywhere near our door.
Jim, I am a firm believer of the conventional and proven methods of absorption and diffusion to shape the sound field and help tame early reflections. It works and it can be proven with both science and measuring equipment as well as your ears, no need to engage the imagination so often required to justify the expenditure of any audiophile tweak. You won’t find a Hollograph anywhere near that measuring equipment because there won’t be anything to measure. Products that fall into the category of tweaks rely on getting as many reviewers to wax poetic about it and then disseminate the same fantasy among the enthusiast groups as possible. I’m sure you’ve read Emperor’s new clothes? It applies heavily here. Having said that, I’m out of this topic and I can’t believe I even have to state the obvious here that a few twirly sticks can not and do not shape a sound field in any significant way whatsoever but hey guys, knock yourselves out and have fun.
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  #38  
Old 10-12-2018, 06:40 PM
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Quote:
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Jim, I am a firm believer of the conventional and proven methods of absorption and diffusion to shape the sound field and help tame early reflections. It works and it can be proven with both science and measuring equipment as well as your ears, no need to engage the imagination so often required to justify the expenditure of any audiophile tweak. You won’t find a Hollograph anywhere near that measuring equipment because there won’t be anything to measure. Products that fall into the category of tweaks rely on getting as many reviewers to wax poetic about it and then disseminate the same fantasy among the enthusiast groups as possible. I’m sure you’ve read Emperor’s new clothes? It applies heavily here. Having said that, I’m out of this topic and I can’t believe I even have to state the obvious here that a few twirly sticks can not and do not shape a sound field in any significant way whatsoever but hey guys, knock yourselves out and have fun.
The same can be said about cables. Nothing to measure scientifically, but most audiophiles agree they make a difference.
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  #39  
Old 10-12-2018, 06:40 PM
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I have a green felt pen available if you want to rub it on it.
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  #40  
Old 10-12-2018, 07:14 PM
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The same can be said about cables. Nothing to measure scientifically, but most audiophiles agree they make a difference.
Actually they can be measured but what that information holds is not really applicable to logic and practical applications as they are very slight and do not fall into the bandwidth we would be interested in. Do they make a difference? Yes some do but that doesn’t mean that at least a few dozen companies are not riding on the coattails of those “Kings of cables”. When it comes to tweaks??? How many bought the tice clock, the black light green cd mats, used green pens to color their cd’s, footers, platforms, maple blocks, the list is exhausting. I’ve been into this hobby almost 3 decades now, I’ve been around the block with most of the tweaks out there and have listened to probably 90% of cables as well. Like I said, believe what you will and have fun within it.
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