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#11
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If you read what Bob Robbins posted on his site, you will see that he acknowledges going to Berkekey, Ca to Sumiko's offices and learning the method from them. What Robbins has done is create materials and videos explaining the method that he learned from Sumiko. The instructional material posted above explaining how to do it was done without attribution. Jdandy indicated that he did not write it. If you know who wrote that material feel free to elaborate. If you are the one who wrote it, my kudos to you. |
#12
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#13
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As for materials, you would be better served to follow what Dan has posted imo. |
#14
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Anyone out there who can perform this procedure and will make a house call in the Seattle area?
![]() I'm gonna give it a go with my Cremona Auditor M's. Patience is a virtue, usually. ![]() Thanks so much,Dan, for this information! |
#15
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![]() ![]() Interesting. When I auditioned Devore speakers a couple of weeks ago the owner used the same track when setting up each set.
__________________
Glenn... Canton Reference 9 Clearaudio SM Pro Focal Bathys JLA 10" Dominion Kuzma Stabi S w/MC & MM Magnepan 1,7i McIntosh MA8950 & MR88 Oppo 203 Roon Nucleus Rose Hifi RS150B Shunyata Gemini-4 Sony ST-A6B, TA-F6B, ST-J75 & PS-X75 Sorane SA1.2 & TA-1L Stillpoints LP1v2 WW Pt, Au & Ag |
#16
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![]() ![]() Interesting. When I auditioned Devore speakers a couple of weeks ago the owner used the same track when setting up each set.
__________________
Glenn... Canton Reference 9 Clearaudio SM Pro Focal Bathys JLA 10" Dominion Kuzma Stabi S w/MC & MM Magnepan 1,7i McIntosh MA8950 & MR88 Oppo 203 Roon Nucleus Rose Hifi RS150B Shunyata Gemini-4 Sony ST-A6B, TA-F6B, ST-J75 & PS-X75 Sorane SA1.2 & TA-1L Stillpoints LP1v2 WW Pt, Au & Ag |
#17
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Hi,
I am writing from Johannesburg South Africa. I have tried to set up my speakers with the Master Set system and so far have spent about 45 minutes trying to do so. I am using B&W 685 S2 speakers and a Rotel RA05ED amplifier [40 W]. My listening area is a room, 6m wide by 4.5 m deep joined to a dining room, 6m wide by 3.5m deep separated only in part by a 2.5m wall behind the listening position. I am finding it a little bit complicated and have a few questions I hope you are willing to answer: 1. Is my room too big for the system to work? In other words, will my speakers and amplifier have enough power and a movement to do the job? 2. Is there a way to objectively hear somehow what I am listening for in the base? For example if I listened to the song on Apple AirPods on Apple Music with the EQ set on a particular setting, for example Bass Booster, would that give me an idea of the correct song? 4. Does it help to turn the treble knob on the amplifier down while listening for the base or will that mess things up? 5. My room has a glass sliding door to one side and an ordinary door on the other. Should they be closed, open or is it immaterial? 6. Finally, I have a glass table that must stay in the room. Should it be left uncovered while doing the set up? Thank you so much? This is a link to a sketch of my room: https://mega.nz/file/IGp2gRLK#1BtFuz...2SmP1y_zaHYVeo |
#18
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joffieb... Welcome to AA!
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__________________
Ivan FLORIDA MX136, MC1.2KW(10) MC2KW(2), MCD1100, MS750(2) MVP881, C1000C/P/T, MPC1500, HT-2 SUBS(2) HT3F(2) WS350(2) XRT2K, XCS2K, XR27(2) XCS350(2) JL GOTHAM v2 SUBS(2) SILENZIO MUSIC SERVER, LUMAGEN RADIANCE SCALER, SONY VPH-G90U 4K PROJECTOR, STEWART 120" MOTORIZED SCREEN, CINEMA-TECH SEATING, WW PLATINUM CABLES Reference System: ACCUPHASE A300 AMPS, C3900 PRE-AMP, DP1000 CD/SACD TRANSPORT, DC1000 DIGITAL PROCESSOR, DG-68 DIGITAL EQUALIZER, T1200 FM STEREO TUNER, PS1230 POWER SUPPLY, HRS-SXR CUSTOM RACK w/ M3X SHELVES, TAD REFERENCE ONE MK2 LOUDSPEAKERS, WW PLATINUM CABLES CAPE COD MX150, MC501(2) MC1.2KW(10) MC2301(2) MR88, MVP881, MCD1100, MDA1000, C1000C/P/T, MPC1500, ESOTERIC K-01X 30th ANNIVERSARY (BLACK) SACD/CD PLAYER, G02-X CLOCK, HT3F(2) XRT2K, XCS2K, XR27(2) JL GOTHAM v2 SUBS(2) JL FATHOM F113v2 SUBS(4) SOUND ANCHOR STANDS(2) KALEIDESCAPE STRATO & TERRA SERVERS 80-TB, LUMAGEN RADIANCE SCALER, SONY VPH-G90U 4K PROJECTOR, STEWART 120" SCREEN, SONUS FABER STRADIVARI, SILENZIO MUSIC SERVER, FORTRESS SEATING, WW PLATINUM CABLES Analog Rig: CLEARAUDIO INNOVATION WOOD, UNIVERSAL ARM w/ Da VINCI' CART, 2nd UNIVERSAL ARM w/ GOLDFINGER STATEMENT CART, HRS-MXR REFERENCE RACK-GLOSS BLACK w/ M3X SHELVES, AESTHETIX RHEA SIG PHONO-PRE, BRYSTON BHA-1 HEADPHONE AMP, WW PLATINUM CABLES Reference System: BURMESTER 911MK3 AMP(3), 088 PRE-AMP, 089 CD PLAYER, 100 PHONO PRE-AMP, 948 POWER CONDITIONER, ACCUPHASE DG-68 VOICING EQUALIZER, AVID ACUTUS REFERENCE SP TT, GRAHAM PHANTOM II SUPREME ARM, BENZ MICRO LP-S CART, GRANDIOSO P1X/D1X STACK, G1X RUBIDIUM MASTER CLOCK, N05 NETWORK PLAYER, SILENZIO MUSIC SERVER, HRS-SXR CUSTOM RACK w/ M3X SHELVES, SONUS FABER AIDA SPEAKERS, JL FATHOM F113v2 SUBS(2) SOUND ANCHOR STANDS(2) WW PLATINUM CABLES Library System: GRANDIOSO M1 MONOBLOCK AMPS, C1 LINESTAGE PRE-AMP, K1X CD/SACD PLAYER, G1 MASTER RUBIDIUM CLOCK, E02 PHONO-PRE, SILENZIO MUSIC SERVER, AERIAL ACOUSTICS 20T V2, AERIAL SW12 SUBS(2), CANTON REF K1’s, VPI HRX TT w/ SDS POWER SUPPLY, ORTOFON CADENZA BLACK CART, KLAUDIO RCM, SHUNYATA DENALI 6000/S v2, SHUNYATA OMEGA QR’s, WW PLATINUM CABLES Esoteric/Bryston System: ESOTERIC C02-X PRE-AMP, P-02X TRANSPORT, D02-X DAC, G02-X CLOCK, BRYSTON 28B3 CUBED MONOBLOCK AMPS(4), BRYSTON BHA-1 HEADPHONE AMP, SHUNYATA DENALI 6000/S v2(2) EVEREST 8000 POWER CONDITIONER(2) ALTAIRA CG & SG HUBS, AMR-DP777-SE DAC, SILENZIO MUSIC SERVER, TAD REFERENCE ONE MK2 LOUDSPEAKERS, QUADRASPIRE RACK, WW PLATINUM CABLES Accuphase/Canton System: ACCUPHASE E800 INTEGRATED, DP570 CD/SACD PLAYER, T1200 FM STEREO TUNER, DG-68 VOICING EQUALIZER, PS530 POWER SUPPLY, CANTON REF K3’s, CANTON REF K5’s, SILENZIO MUSIC SERVER, HRS MXR REFERENCE MAHOGHANY RACK w/ M3X2 SHELVES, WW GOLD CABLES |
#19
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1. No your room is not too large. Masters is about the room/speaker interaction. No matter how large or how small the room, there is always interaction. 2. Using EQ defeats any attempt you are making to properly place the speaker. As you stop at a position, ask the following questions about the bass: 1) Is the bass output higher? (Louder) 2) Is it extended? (Lower) 3) Is it linear? (Can you hear all the notes in the correct relationship to one another?) 4. (What happened to 3?) - The signal should be full range without any alteration. Do not EQ, do not cut. You need to know every aspect of the room/speaker interaction. 5. Leave the door as you would during normal listening. 6. Leave the glass top table as it will be when you are listening. You are setting up around the room, using it to your advantage when you can and windowing out where it is a detriment. Best wishes for success. |
#20
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‘Nuff said.
I would only add that this could take days for you to feel like you got it. Don’t rush. Enjoy the process.
__________________
Main Equipment: Kharma Elegance dB11-S, JL Audio F113v2 X 2, Block Audio Line & Mono SE Amplification, Bricasti M21 DAC, Antipodes Kala K-50 Server, Clearaudio Performance SE. Satisfy tonearm & Maestro Wood MM cartridge. Power: Shunyata Everest 8000, Sigma XC v2, Sigma NR v2, Block Audio PCs, Defender, ADDPowr Wizard Grounding: Shunyata Altaira CGS - 4 X Alpha CGS cables, Network : Supra Cat 8+, Twin (Nenon) Modified Buffalo GS2016 Switches, Keces P3 LPSU, Cables: Wireworld Platinum 8 USB, Wireworld Platinum Eclipse 8 Speaker cables, 6M & 1M Tubulus Concentus ICs, Other:Two PSI Audio AVAA C20, Multiple GIK products, Stillpoint Apertures, Stillpoint Minis and Ultra SS, Three 20 Amp lines, Furutech GTX - Gold outlets, Adona Rack |
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