AudioAficionado.org  

Go Back   AudioAficionado.org > Turntables & Vinyl > Turntables & Tonearms

Turntables & Tonearms Where Analog still Rules

Reply
 
Thread Tools Display Modes
  #1  
Old 09-03-2009, 12:42 PM
MC352's Avatar
MC352 MC352 is offline
#8
 
Join Date: Apr 2009
Location: Constitution State. Formerly known as the Nutmeg State
Posts: 3,553
Default Am I missing anything not using a MC cartridge?

Can someone explain what I am missing not using a MC cartridge?

Is there really some science behind a MC being better then a MM?

Is it just personal preference?

If I got a MC, I would need a phono pre because the C2200 doesn't have MC cartridge capability. I assume I would use one of the other high level inputs to connect the phono pre amp to. The only question there is do I loose anything sonically using that configuration?
__________________
Chuck
McIntosh, PMC, Bryston, Olive, Rega, Ortofon 2M Black, JL Audio, PS Audio, Alan Maher, Aural Harmony, Black Mountain, Wireworld, Symposium, DIY amp switch box, P Millett DIY headphone amp.
[SIGPIC][/SIGPIC]
Reply With Quote
  #2  
Old 09-03-2009, 12:52 PM
blacsno's Avatar
blacsno blacsno is offline
Senior Member
 
Join Date: Apr 2009
Location: Farmington, Mich
Posts: 678
Default

This was an old article that I used to make my choice.......

Ken


MC or MM cartridges?

The choices the beginner in vinyl playback has to deal with can be myriad. For example ,for your first turntable do you go for one with belt-drive, direct drive or even idler wheel. How about whether the turntable should be one with a solid mount plinth or whether it should be suspended. Besides these choices based on the fundamental construction in turntable designs, the 'involved' beginner may also want to consider the choices of tone arms and types of phono cartridges. Whether this will be a low output MC or a high output MM cartridge. This is on top of the choices of the many competing names in common designs. The confused beginner will often leave the decision to a trusted 'authority' among friends who happened to have a bit more experience spinning vinyls. Others would just find something within their budget, which is recommended by some respected hi-fidelity magazines.

A little knowledge will be always helpful towards making some intelligent choices. Due to space constraints, this discussion will be limited to that of MM/MC phono cartridges.

For the beginner the MM or moving magnet phono cartridge would be the cartridge of choice. The term moving magnet refers to the method used to regenerate the music signal from the record grooves. A tiny, powerful magnet is attached to the diamond tipped cantilever, which actually traces out the music signals from the record grooves. The movement of the cantilever is transmitted to the magnet, which moves in a coil formed from very fine wires. This movement of the magnet in the fixed coils generates the tiny electrical signal, which is then input into a special phono circuit to amplify it to a usable level. Typical output of this type of cartridge is 5 mV. This allows the turntable output to be fed directly to a basic phono input. This type of cartridge is usually quite robust and is thus suitable for use by a beginner.

An MC cartridge uses a similar motor system as the MM cartridge except that the magnet is fixed and the coils, which are fixed to the cantilever vibrate in response to the movement of the stylus tracking the record grooves. The coils have fewer numbers of turns than that of the moving magnet, and are thus lighter and have much lower impedance and inductance. These factors allow for a wider bandwidth and better retrieval of low level information. The MC phono cartridge is thus technically superior to the moving magnet however it does have a number of down sides, which prevents it from being widely use. The main problem with it is the much higher cost. This is not just the higher cost of the MC phono cartridges themselves but also the cost of extra ancillary equipment. This is due to the low output of the MC phono cartridge, which is typically about 0.2 mV. This requires the use of an extra amplification stage. Good quality step-ups as these are called do not come cheap. And if you use an outboard MC step-up device, there’s the additional cost of another pair of interconnects. The cheapest MC phono cartridges are many more times the cost of the cheapest MM cartridges. There are hardly any MM phono cartridges above $1000, but I know of at least one MC cartridge coming in at above $10000. Besides the cost factor, there’s the problem with MC cartridges being rather delicate compared with their MM cousins. That’s why in the arena of DJs, moving cartridges are used exclusively because they stand up to some of the worse abuse that is seldom encountered in the home settings.

Thus for a person who is just starting out spinning vinyl, it is best to go with a modest moving magnet set-up. If properly done, it does not give anything away in terms of musical performance and enjoyment. Compared with a well set-up MC based system, it would lose out in terms of low level resolution. Consider also that a poorly set-up MC based system can sound horrendous, and often worse than a mediocre MM based system. The greater definition of a MC cartridge can often work against it.

For me I am perfectly happy playing with cheap moving cartridges. It is possible to achieve very satisfying sound using a modest cartridge on a high quality turntable/ tonearm combination. Try using a super high quality on a mediocre turntable/ tonearm and you will find the first combination far more enjoyable. This is because in the hierarchy of vinyl playback, the cartridge occupy the lowest rung of importance below that of the turntable and the tonearm.
__________________
McIntosh C2300:Gold Lions 12AX7, McIntosh MC452, McIntosh D1100 , Bryston bdp-3, McIntosh MEN220
Linn Sondek 25th LP-12 upgraded, Encounter MK-3, Lyra Delos, Wegne Plinth, Ultra Origin DC motor, Cetech Subchassis
Sonus Faber Cremona, (2) JL Audio F110 subs, Squeeze Server v7.9 Windows 2012 Server 25TB, Audio Metallurgy GA-0 XLR & RCA, Wireworld Silver Eclipse speaker cable, PS Audio Power Plant Premier (2), WireWorld Silver Power Cables, Tascam DA3000
Reply With Quote
  #3  
Old 09-03-2009, 01:55 PM
Jerome W's Avatar
Jerome W Jerome W is offline
Member
 
Join Date: Apr 2009
Posts: 13,240
Default

Quote:
Originally Posted by blacsno View Post
This was an old article that I used to make my choice.......

Ken


MC or MM cartridges?

The choices the beginner in vinyl playback has to deal with can be myriad. For example ,for your first turntable do you go for one with belt-drive, direct drive or even idler wheel. How about whether the turntable should be one with a solid mount plinth or whether it should be suspended. Besides these choices based on the fundamental construction in turntable designs, the 'involved' beginner may also want to consider the choices of tone arms and types of phono cartridges. Whether this will be a low output MC or a high output MM cartridge. This is on top of the choices of the many competing names in common designs. The confused beginner will often leave the decision to a trusted 'authority' among friends who happened to have a bit more experience spinning vinyls. Others would just find something within their budget, which is recommended by some respected hi-fidelity magazines.

A little knowledge will be always helpful towards making some intelligent choices. Due to space constraints, this discussion will be limited to that of MM/MC phono cartridges.

For the beginner the MM or moving magnet phono cartridge would be the cartridge of choice. The term moving magnet refers to the method used to regenerate the music signal from the record grooves. A tiny, powerful magnet is attached to the diamond tipped cantilever, which actually traces out the music signals from the record grooves. The movement of the cantilever is transmitted to the magnet, which moves in a coil formed from very fine wires. This movement of the magnet in the fixed coils generates the tiny electrical signal, which is then input into a special phono circuit to amplify it to a usable level. Typical output of this type of cartridge is 5 mV. This allows the turntable output to be fed directly to a basic phono input. This type of cartridge is usually quite robust and is thus suitable for use by a beginner.

An MC cartridge uses a similar motor system as the MM cartridge except that the magnet is fixed and the coils, which are fixed to the cantilever vibrate in response to the movement of the stylus tracking the record grooves. The coils have fewer numbers of turns than that of the moving magnet, and are thus lighter and have much lower impedance and inductance. These factors allow for a wider bandwidth and better retrieval of low level information. The MC phono cartridge is thus technically superior to the moving magnet however it does have a number of down sides, which prevents it from being widely use. The main problem with it is the much higher cost. This is not just the higher cost of the MC phono cartridges themselves but also the cost of extra ancillary equipment. This is due to the low output of the MC phono cartridge, which is typically about 0.2 mV. This requires the use of an extra amplification stage. Good quality step-ups as these are called do not come cheap. And if you use an outboard MC step-up device, there’s the additional cost of another pair of interconnects. The cheapest MC phono cartridges are many more times the cost of the cheapest MM cartridges. There are hardly any MM phono cartridges above $1000, but I know of at least one MC cartridge coming in at above $10000. Besides the cost factor, there’s the problem with MC cartridges being rather delicate compared with their MM cousins. That’s why in the arena of DJs, moving cartridges are used exclusively because they stand up to some of the worse abuse that is seldom encountered in the home settings.

Thus for a person who is just starting out spinning vinyl, it is best to go with a modest moving magnet set-up. If properly done, it does not give anything away in terms of musical performance and enjoyment. Compared with a well set-up MC based system, it would lose out in terms of low level resolution. Consider also that a poorly set-up MC based system can sound horrendous, and often worse than a mediocre MM based system. The greater definition of a MC cartridge can often work against it.

For me I am perfectly happy playing with cheap moving cartridges. It is possible to achieve very satisfying sound using a modest cartridge on a high quality turntable/ tonearm combination. Try using a super high quality on a mediocre turntable/ tonearm and you will find the first combination far more enjoyable. This is because in the hierarchy of vinyl playback, the cartridge occupy the lowest rung of importance below that of the turntable and the tonearm.

Very well said !!
I had a Goldring 1042 MM that was half the cost of my Talismann MC. It was not for sure half good. Differences are subtle. A great MM can be better than many MC.
I think the most important thing is the balance between TT, arm and cart, more than the choice of MM vs MC. That's why I went for a single brand set-up. I think that for amateurs, it 's a safier way than trying and setting up different arms and carts....

Jérôme

PS : too bad that setting up a cart is so long. When you buy a TT, you would like to hear it with different carts, but that's quite never possible.
So you choose on comments from respected friends / experts....
__________________
There are two means of refuge from the miseries of life: music and cats
Albert Schweitzer
Reply With Quote
  #4  
Old 09-18-2009, 08:42 PM
markc2's Avatar
markc2 markc2 is offline
Senior Member
 
Join Date: Apr 2009
Location: Pflugerville TX
Posts: 299
Default

I went from a Grado Sonata, to a Lyra Dorian, and finally a Lyra Skala, when I got the Dorian, I had to get a phono pre-amp. and jumped up to an Ittok from an Akito arm.

Given what I experienced, there was a big jump in information. There is more of everything, from dynamics to low level information, to just more of the instruments in your room. Things start and get very quiet, especially on half way decent to good records. The quality of the recording trumps all but it's amazing what's on those records to begin with.

hope that helps a little.

Mark
__________________
Quad ESL-63 USA Monitors * Purist Audio Aqueous Anniversary Speaker Cable * MC275mkV * Homemade Silver Cable * Bottlehead Quickie* Red Dawn RCA* EAR 834P Deluxe * LP12/ Ittok VII & Lyra Skala *
Reply With Quote
  #5  
Old 10-26-2009, 05:30 PM
PHC1 PHC1 is offline
Guest
 
Join Date: Apr 2009
Location: Pa
Posts: 23,609
Default

Quote:
Originally Posted by C220MC275 View Post
Very well said !!
I had a Goldring 1042 MM that was half the cost of my Talismann MC. It was not for sure half good. Differences are subtle. A great MM can be better than many MC.
I think the most important thing is the balance between TT, arm and cart, more than the choice of MM vs MC. That's why I went for a single brand set-up. I think that for amateurs, it 's a safier way than trying and setting up different arms and carts....

Jérôme

PS : too bad that setting up a cart is so long. When you buy a TT, you would like to hear it with different carts, but that's quite never possible.
So you choose on comments from respected friends / experts....
Jerome, I suspect all is not well with the matching of your arm and cartridge. Unless the Satisfy Ebony is somehow drastically different than the Satisfy Carbon (I don't think it is), the Talismann is quite a bit off the mark for an optimal match. The Talismann is a low compliance cartridge to begin with, it should not be matched up with a low mass arm. The resonant frequency of the arm/cartridge is also at 14.3 Hz which is above optimal.

This could explain why you think it is not that much better than your last cartridge.

Clearaudio Moving Coil Cartridges
Reply With Quote
  #6  
Old 10-26-2009, 06:26 PM
jetblack's Avatar
jetblack jetblack is offline
Love Those Tunes
 
Join Date: Apr 2009
Location: Jasper, GA
Posts: 1,252
Default

Quote:
Originally Posted by blacsno View Post
An MC cartridge uses a similar motor system as the MM cartridge except that the magnet is fixed and the coils, which are fixed to the cantilever vibrate in response to the movement of the stylus tracking the record grooves. The coils have fewer numbers of turns than that of the moving magnet, and are thus lighter and have much lower impedance and inductance. These factors allow for a wider bandwidth and better retrieval of low level information. The MC phono cartridge is thus technically superior to the moving magnet however it does have a number of down sides, which prevents it from being widely use. The main problem with it is the much higher cost. This is not just the higher cost of the MC phono cartridges themselves but also the cost of extra ancillary equipment. This is due to the low output of the MC phono cartridge, which is typically about 0.2 mV. This requires the use of an extra amplification stage. Good quality step-ups as these are called do not come cheap. And if you use an outboard MC step-up device, there’s the additional cost of another pair of interconnects. The cheapest MC phono cartridges are many more times the cost of the cheapest MM cartridges. There are hardly any MM phono cartridges above $1000, but I know of at least one MC cartridge coming in at above $10000. Besides the cost factor, there’s the problem with MC cartridges being rather delicate compared with their MM cousins. That’s why in the arena of DJs, moving cartridges are used exclusively because they stand up to some of the worse abuse that is seldom encountered in the home settings.

Thus for a person who is just starting out spinning vinyl, it is best to go with a modest moving magnet set-up. If properly done, it does not give anything away in terms of musical performance and enjoyment. Compared with a well set-up MC based system, it would lose out in terms of low level resolution. Consider also that a poorly set-up MC based system can sound horrendous, and often worse than a mediocre MM based system. The greater definition of a MC cartridge can often work against it.
MC352,

It's a matter of how the cartridge works with your system. And if the (MM or MC) cartridge doesn't work well with your system, what lengths are you willing to go to make an MC work with your system (after all, the differences between MM & MC are subtle). We all should be looking for that balance between TT, arm and cart, regardless of what cartridge type we are working with.
__________________
MX136, MC501s, MC402, MCD500
RtR 300Ds, JL Fathom F112, Mirage OM-C3, JBL 2600s
Dual CS 606, Ortofon 2M Black
Tandberg TD20A, Harmon Kardon HK 400xM
PPP, Power Port, WW Ag Eclipse IC's & Speaker Cables, WW Ag Electra PC's
Reply With Quote
Reply


Posting Rules
You may not post new threads
You may not post replies
You may not post attachments
You may not edit your posts

BB code is On
Smilies are On
[IMG] code is On
HTML code is Off

Forum Jump

Audioaficionado.org tested by Norton Internet Security

All times are GMT -4. The time now is 04:45 PM.



Powered by vBulletin® Version 3.8.10
Copyright ©2000 - 2024, vBulletin Solutions, Inc.
©Copyright 2009-2023 AudioAficionado.org.Privately owned, All Rights Reserved.
Audio Aficionado Sponsors
AudioAficionado Subscriber
AudioAficionado Subscriber
Inspire By Dennis Had
Inspire By Dennis Had
Harmonic Resolution Systems
Harmonic Resolution Systems
Wyred4Sound
Wyred4Sound
Dragonfire Acoustics
Dragonfire Acoustics
GIK Acoustics
GIK Acoustics
Esoteric
Esoteric
AC Infinity
AC Infinity
JL Audio
JL Audio
Add Powr
Add Powr
Accuphase - Soulution
Accuphase - Soulution
Audio by E
Audio by E
Canton
Canton
Bryston
Bryston
WireWorld Cables
WireWorld Cables
Stillpoints
Stillpoints
Bricasti Design
Bricasti Design
Furutech
Furutech
Shunyata Research
Shunyata Research
Legend Audio & Video
Legend Audio & Video