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Audio Research State of the Art Audio Reproduction |
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#11
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#12
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BTW, who are the REF PHONO 2 owners who will take the upgrade route towards the SE ?
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There are two means of refuge from the miseries of life: music and cats Albert Schweitzer |
#13
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When I grow up, I want to be a little boy. - Joseph Heller Aural pleasures courtesy of SME, Dynavector, Audio Research, Simaudio, Wireworld, & Wilson |
#14
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I believe I received the 3rd one made...The Ref 5 SE on order should be shipping in 2 weeks. The Ref Phono is incredible...
I really think ARC has...with their latest product line-up...hit it out of the park |
#15
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Enatai, I keenly await your comparison between the Benz ebony lp and the Lyra Titan. I replaced a Lyra Skala for a Benz LpS but have been wondering how it compares to the top of the line Titan.
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#16
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I am picking up the SME 20/3 today. I will have the Lyra Titan i on the arm. To clarify, the Benz Ebony LP is not the LP-S version. Its an 8 year old model that I bought when I originally bought the SME 20/2. I purchased the Lyra Titan 2 years ago and it has been on the 20/2 ever since. As discussed, I listened to both on the new 20/3. The Benz LP excels in the midrange and has a warmth and bloom that is majical. Not colored...but there is less extension in the lows and highs. I could happily live with this cartridge and plan to keep as its so easy to swap. The Lyra Titan i is by comparison...more extended at the extremes and more dynamic. It seems to excel in transparency and extension. It is musical(not sounding etched or clinical) and provides a much clearer view of the performance and pinpoint imaging. Like I said...I will keep both...but to start the Lyra gets the call. I do plan on comparing the the SME with the new LP 12SE setup I also just purchased. The Linn currently sits on a HRS M3X base that is set up for its weight...HRS is sending me an extra set of feet for the base...and the torque tool...so that I can change the M3X to accomodate the heavier SME easily.
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#17
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Pictures
Here are some pictures of my 2 new turntables. You can see the two side by side...by I have not compared them yet....going to let both break-in. I took some pictures to show difference in the 20/3 platter over the 20/2 (tinge of sadness as I packed the 20/2 up). You can also see where the new Ref 250s landed...and a picture of the Ref Phono 2 SE (the shiny buttons) and Radikal PS for the Linn
see link below http://gallery.me.com/npdomino#gallery Last edited by enatai252; 12-10-2011 at 12:29 PM. Reason: bad link |
#18
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That link is a no go -- asks for an apple login/password
Bob
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Amps:VAC 450iQ Monos in Silver Flake on HRS M3X2-1921's, HRS G7 Footers/G-Links & Sound Anchor Conecoasters. Preamp:VAC Statement (on order) (Silver Flake) Digital Source: dCS Rossini CD/SACD Transport, Vivaldi APEX DAC, Upsampler Plus & matching Clock (Silver) Analogue Preamp:VAC Renaissance SE Phono stage in Silver Flake with XLR Output Option & with Nordost Valhalla XLR's. Analogue Sources:SME 20/2 w/SME V arm & Nordost Odin 2 Tone Arm Cable, Palo Santos Presentation Cartridge & Akai GX-400D Reel-to-Reel w/relapped heads by JRF Magnetic Sciences. Akai RC-17 cabled remote (original owner since 1974). Vibration Control:TT on HRS M3X2-1921 shelf. Speakers:Wilson Audio Alexia V (on order in Ferrari Argento Silver/Parchment grills sitting on Acoustic Diode Kit). Power Cables:4 Nordost Odin Supreme Reference on amps, preamp & DAC. Ansuz Acoustics C2 on Transport & Clock. Power Distribution:Ansuz Mainz D3 Distributor & Ansuz Mainz C2 1M Power Cable Power Outlets:Furutech GTX-D NCF (R) duplex outlet, GTX Wall Plate & Duplex Cover (x2) on dedicated, same panel phase, 20A breakers. Speaker Cables:2M Nordost Odin 2 Supreme Reference on Nordost Sort Lifts. (on Order) Signal Cables:Nordost Odin XLR's on dCS DAC & Amps. Digital Cables: Nordost Odin 2's, 110-ohm AES/EBU on dCS Transport to DAC. Clock Cables:5 each 75 ohm 1.25M Nordost Valhalla BNC/BNC Digital Ethernet Cable: WireWorld Platinum 1M Starlight® 8 Twinax Headphones:Vintage Koss Pro IV AA. RCM: Audio Desk PRO Tube Test Gear:Mint late '60's/calibrated Heathkit TT-1A, MaxiMatcher Power Amp & Preamp & Space Tech Labs ATT-3.02 tube test sets. |
#19
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MobileMe Gallery Last edited by enatai252; 12-13-2011 at 07:12 PM. |
#20
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That link did the trick. Very nice & well done. Great gear.
Bob
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Amps:VAC 450iQ Monos in Silver Flake on HRS M3X2-1921's, HRS G7 Footers/G-Links & Sound Anchor Conecoasters. Preamp:VAC Statement (on order) (Silver Flake) Digital Source: dCS Rossini CD/SACD Transport, Vivaldi APEX DAC, Upsampler Plus & matching Clock (Silver) Analogue Preamp:VAC Renaissance SE Phono stage in Silver Flake with XLR Output Option & with Nordost Valhalla XLR's. Analogue Sources:SME 20/2 w/SME V arm & Nordost Odin 2 Tone Arm Cable, Palo Santos Presentation Cartridge & Akai GX-400D Reel-to-Reel w/relapped heads by JRF Magnetic Sciences. Akai RC-17 cabled remote (original owner since 1974). Vibration Control:TT on HRS M3X2-1921 shelf. Speakers:Wilson Audio Alexia V (on order in Ferrari Argento Silver/Parchment grills sitting on Acoustic Diode Kit). Power Cables:4 Nordost Odin Supreme Reference on amps, preamp & DAC. Ansuz Acoustics C2 on Transport & Clock. Power Distribution:Ansuz Mainz D3 Distributor & Ansuz Mainz C2 1M Power Cable Power Outlets:Furutech GTX-D NCF (R) duplex outlet, GTX Wall Plate & Duplex Cover (x2) on dedicated, same panel phase, 20A breakers. Speaker Cables:2M Nordost Odin 2 Supreme Reference on Nordost Sort Lifts. (on Order) Signal Cables:Nordost Odin XLR's on dCS DAC & Amps. Digital Cables: Nordost Odin 2's, 110-ohm AES/EBU on dCS Transport to DAC. Clock Cables:5 each 75 ohm 1.25M Nordost Valhalla BNC/BNC Digital Ethernet Cable: WireWorld Platinum 1M Starlight® 8 Twinax Headphones:Vintage Koss Pro IV AA. RCM: Audio Desk PRO Tube Test Gear:Mint late '60's/calibrated Heathkit TT-1A, MaxiMatcher Power Amp & Preamp & Space Tech Labs ATT-3.02 tube test sets. |
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