#831
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ej,
In addition to what Luis provided here's another ..... http://www.electronicdesign.com/anal...rating-classes once you read the definition of class A operation I'm sure you'll see why 'cross-over' distortion doesn't exist. |
#832
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Recently upgraded from ma6600 to mc452 and c2600. (about 3 weeks ago) Not happy with the new sound I'm getting.
I have vienna acoustics Mozart grands and REL S5 set up in my basement dedicated theater room. (no acoustic treatments) I listen mostly to classical, piano and symphony. This is my second system, I kept the ma6600 paired with mcd550 and VA bach speakers in the living room. The sound Im getting is less detailed, lacking lower end control and overall very bright and unpleasant highs. Definite listening fatigue after about half hour. Do I need to upgrade my speakers? I feel my speakers are the weakest component in my system. What would you recommend for my music tastes and 6-8k range, new or used. I would like to reproduce classical music with concert hall volume levels. I'm thinking I should avoid rear ported design as I need to place them close to the wall. Also, aesthetics are very important, that is why I picked VA initially. Any classical music fans here? |
#833
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Source?
Quote:
I have the same MC452 Amplifier and C2600 pre and truly enjoy my classical music plus everything else Right now I'm feeding a pair of Salk Towers and two Rhythmic 15" subs. and I also have the room treated with GIK panels and some window coverings. The room is 16' by 16' with one open wall behind my sitting position and vaulted ceilings up to 11'. My soundstage is huge, detailed and I am very happy. As close as my live concerts as I have ever had. Tweaking speaker position and treatments to get to were I'm at now. Can I ask what your sources are? My digital server connected via USB to the 2600 really improved with a high quality cable. The C2600 DAC is outstanding IMHO. Zero RF or other noises. One other thing is those tubes need some break in time, probably 200+hours before they get to their potential. Although mine sounded good from the beginning and only got better with time. Don't give up. Regards,
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Luis D. Paret Keller, TX USA Mcintosh MX-151, C2600, MP1100, MC452 and MC205. SALK Streamer III Galibier Stelvio II turntable with Durand Kairos w/ Lyra Kleos and Abis 1.2 w/ Koetsu Black tonearms, Salk Song3 A fronts, Song 3 CC, Vapor Breeze Rears and 2 15" Rhythmic Subs Epson Projector Last edited by jdandy; 09-16-2017 at 01:09 PM. Reason: Active link to non-sponsor sellers against forum rules. |
#834
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ei001h.......The MC452 needs upwards of 120 to 150 hours of break-in before it settles into its permanent voice. Nearly every MC452 owner has reported the same experience.
You may find my McIntosh MC452 Review interesting.
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Dan STUDIO - McIntosh C1000C/P, MC2301 (2), MR88, Aurender N10, Esoteric K-01X, Shunyata Sigma spdif digital cable, Sonos Connect, PurePower 2000, Stillpoints, Furutech Flux 50, Michell Gyro SE, Michell HR Power Supply, SME 309, Ortofon Cadenza Black, Wireworld, Sonus faber Amati Anniversario LIVING ROOM - McIntosh C2300, MC75 (2), MR85, Magnum Dynalab 205, Simaudio MOON Neo 260D-T, Schiit Audio Yggdrasil, Aurender N100H, Shunyata Sigma USB cable, Micro Seiki DD40, Ortofon Cadenza Blue, Nakamichi BX-300, Sony 60ES DAT, PS Audio P10, Furutech Flux 50, Sonos Connect, Stillpoints, Wireworld, Kimber, PMC EB1i, JL Audio f113 VINTAGE - McIntosh MA230, Tandberg 3011A tuner, Olive 04HD, Sony DTC-59ES DAT, McIntosh 4300V, JBL 4312A Last edited by jdandy; 09-16-2017 at 01:11 PM. |
#835
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Thanks Dan, that was very informative review.
My sources are Bluesound node 2 connected via digital out and MCD550 with analogue out. Im using blue jeans speaker cables of different lengths and gauges 6ft and 20ft for L/R. All stock power cables into 15amp line. Interconnects are balanced monoprice. Left speaker is about 2 feet from the wall, right speaker same distance from wall but flanked by sofa on one side and wall on the other. Distance between speakers about 9 feet. In my prior set up I had speakers free standing, about 3 feet from wall. I think my problem is multifactorial, speaker placement being the worst offender. I think it's time to upgrade speakers to better match my amp. Edward |
#836
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Agree!
Quote:
Patience?
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McIntosh C2500 pre amp, MC452 power amp, Autonomic MMS-5A server, PS Audio P15 power plant, DirectStream DAC, DirectStream CD transport, Focal Sopra No2 speakers, JL Audio F113V2 sub woofers (2), Sennheiser HD800 headphones, Dell laptop iTunes/Tidal/Roon, Wireworld cabling |
#837
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I'm in!
mc452 > c52 > Harbeth c7es3 |
#838
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Does anyone have any problem with meters on their mc452? My left channel meter is slightly weaker. Calibration doesn’t help because with speaker cables unplugged, both meters are even.
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McIntosh C1100, MC452 |
#839
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Congratulations biscorbit and welcome to AA.
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Paul Speakers: Von Schweikert VR-5 Anniversary MK II Front L/R, LCR-35 Center, VR-1 Rear L/R Sub: JL Audio F113 Amps: PS Audio BHK Signature 300 Mono, McIntosh MC207 Pre-Amp PS Audio BHK Signature and Gold Note PH-10 Phono Stage/PSU-10 Power Supply Turntable: VPI HR-X 12.7 TONEARM (2) and SDS, Stillpoints LPI Tape Deck Otari 5050B II2 Music Server: Aurender N100H Cartridges: Ortofon Cadenza Black, Lyra Helikon Mono Digital Source: Oppo UDP-205 DAC: Holo Audio Spring 3 KTE SSP: Marantz AV8801 Cables: Wireworld Electra 7 (P) Wireworld Silver Eclipse 7, Shunyata Delta NR (I) Wireworld Silver Eclipse 7 (S) Wireworld Platinum Starlight 7 (USB) AC Power Regeneration: PS Audio DirectStream P15 Power Plant and Shunyata Denali 6000s V2. |
#840
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I don't know if it's true, but I was told that most recording studio doesn't really record music exactly balance as in one channel will always be a little higher that the other.
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McIntosh C2300 preamp, MC601 monoblocks (x2), Vandersteen 2CE Signature II Speakers, Marantz AV8802a preamp processor, Marantz MA500 monoblocks amps, Small Audio Manufacture (SAM) Turntable, Polk Audio Center, Rear Left and Rear Right speakers, SVS Front High Left and Front High Right speakers, Chrysalis Bass Matrix-12 Sub woofer. |
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