#11
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Quote:
The person who saves the money is the guy that is buying the equipment from you. He ends off paying half what you did but only gets to enjoy it after you do. |
#12
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I would never judge anyone that spends their money on their likes etc. I hope they take care of the family 1st.
That said most audio gear purchases are like buying a new car, soon as at leaves the lot you take a major hit, but how do you put a price on enjoyment? You cant take it with you.. As "Jamie Colby says" Just wish I had more green backs, I for sure would own even more gear, I love this stuff! |
#13
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I agree with OP's premise. I have LOTS of time and money wasted over the years with half-measures, side-steps, and searches for giant killers or lower-cost synergistic matches. Getting a sizable chunk of money and addressing the WHOLE system in (roughly) one go, with my "end game" components, is what finally delivered me deep into truly high-end musical bliss territory. Even given the huge expense, it was well worth it to me (nothing else is enough of a priority for spending this cash), and now I get to bask in the result every day instead of playing the perpetual "find the weakest link" and "what if I swap X with Y" frustration games. And there are no longer "good days" vs. "bad days" with my system! I think that phenomenon is a sign that something in the reproduction is subtly "off", and some days your ear/brain system is more forgiving of the flaw than others.
Also, now I have dealer warranties and support on nearly all of this stuff. That said, all the back-and-forth gear churn over the years did eventually hone into what I really wanted. It was just a really inefficient way to do it. Working with a knowledgeable dealer can help a lot. Last edited by mulveling; 02-19-2018 at 12:19 PM. |
#14
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Just to add, most folks who are starting in the hobby do not have the money to buy the latest or best. They have to gradually walk their way towards that perfect system.
I agree with the OP that one can do lots of research and learn about brands etc. Also, a good (knowledgeable) dealer can help immensely. Quite often dealers have excellent used equipment that was traded by a customer. |
#15
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Don't like the depreciation hit so I only buy used/vintage in the best condition I can find. With McIntosh, this usually means you don't lose much and very often there is even some potential for future appreciation. Nearly impossible when buying new.
Speakers I will buy new. |
#16
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Some really good thoughts and comments so far guys. Appreciate it.
Yes, buying preowned, barring some rare and unfortunate incidences of things that can and do go wrong with preowned gear transactions, is the most economical way. Most of my gear in the first decade of this hobby was purchased preowned and resold often at the same amount some time later if purchased at the typical 50-60% discount from retail prices. |
#17
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As a side note, manufacturers constantly bringing new models to the market are eroding the resale value and hurting the brand value long term. Not going to mention the names since they are quite popular and it is not just one or two of the better known brands... At 70% off and still no sale there is very little desire in buying any of their new, expensive models.
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#18
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Serge.......There are times when it isn't so much about the money, but more about a desired goal. While I agree that purchasing gear in incremental steps to ultimately arrive at your final goal is an expensive route to go, it does provide satisfaction along the way, as well as a learning curve that builds a knowledge base. Most of us cannot plunk down $120K or more to set up a dream system right out of the chute, so we crab walk our way in the general direction while hoping to arrive at our desired destination sooner than later. In the end, though, I think it is less about money, and more about reaching a long term goal. No doubt about it, personal discretionary dollars have many avenues to be spent, and family commitments can put a big damper on the amount of funds that can be funneled elsewhere, but audio enthusiasts will manage to divert some discretionary income to support their end game. As I see it, the actual amount of money spent isn't the true yardstick. It is the personal satisfaction we gain from assembling a first rate sound system one way or the other.
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Dan STUDIO - McIntosh C1000C/P, MC2301 (2), MR88, Aurender N10, Esoteric K-01X, Shunyata Sigma spdif digital cable, Sonos Connect, PurePower 2000, Stillpoints, Furutech Flux 50, Michell Gyro SE, Michell HR Power Supply, SME 309, Ortofon Cadenza Black, Wireworld, Sonus faber Amati Anniversario LIVING ROOM - McIntosh C2300, MC75 (2), MR85, Magnum Dynalab 205, Simaudio MOON Neo 260D-T, Schiit Audio Yggdrasil, Aurender N100H, Shunyata Sigma USB cable, Micro Seiki DD40, Ortofon Cadenza Blue, Nakamichi BX-300, Sony 60ES DAT, PS Audio P10, Furutech Flux 50, Sonos Connect, Stillpoints, Wireworld, Kimber, PMC EB1i, JL Audio f113 VINTAGE - McIntosh MA230, Tandberg 3011A tuner, Olive 04HD, Sony DTC-59ES DAT, McIntosh 4300V, JBL 4312A |
#19
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Not sure it was mentioned here but along the way of buying ‘not quite what I was striving for’, I learned a lot about the art of acoustics, what I liked and what I didn’t. Buying used really reduced the overall cost of buying and selling.
My current system is a dream for me but it is not what I dreamt of when I jumped back into this hobby six years ago. At that time, I dreamt of vintage Infinity Betas and any McIntosh amplification I could afford. I achieved that and learned along the way the state of the art in speakers had advanced. At present, I don’t strive for anything else in the sound I have and am pretty set in my equipment purchases - save perhaps for digital pieces as they evolve. That is not to say I think I have the end all system. I know that is not the case but there is a balance against my fixed income stage of life. I will keep exploring other ways to advance my room with things like isolation devices and other room treatments.
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Main Equipment: Kharma Elegance dB11-S, JL Audio F113v2 X 2, Block Audio Line & Mono SE Amplification, Bricasti M21 DAC, Antipodes Kala K-50 Server, Clearaudio Performance SE. Satisfy tonearm & Maestro wood MM cartridge. Power: Shunyata Everest 8000, Sigma XC v2, Sigma NR v2, Block Audio PCs, Defender, ADDPowr Wizard Grounding: Shunyata Altaira CGS - 4 X Alpha CGS cables, Network : Supra Cat 8+, Twin (Nenon) Modified Buffalo GS2016 Switches, Keces P3 LPSU, Cables: Wireworld Platinum 8 USB, Wireworld Platinum Eclipse 8 Speaker cables, 6M & 1M Tubulus Concentus ICs, Other: Multiple GIK products, Stillpoint Apertures, Stillpoint Minis and Ultra SS, Three 20 Amp lines, Furutech GTX - Gold outlets, Adona Rack |
#20
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Quote:
It takes a certain amount of self convincing, support groups such as AA (which is actually the opposite of any support group by definition of a support group's mission of ridding one of those habits or offer emotional support ) love for the gear and music and of course there has to be some physiological explanation why grown men salivate at the sight of an expensive amplifier and secrete enough adrenaline and testosterone to lift a 100lb amp and drag it across the house to fire it up immediately when the box arrives and there is no one to help! It is an addiction for sure. Agreed on enjoying "the ride", it is fun. We love to play with toys and the more the better. Establishing the frame of reference makes it much easier to justify the next purchase which will increase the level of performance. The negatives that I do see is that once we reach some plateau which only years before we could have only dreamt of, pausing just enough to get a glimpse of the vistas and take a breath of the rarified air, we keep climbing towards the summit which is always covered in clouds and can be very elusive as to the actual heights... Then that $120k dream system becomes a $200k dream system and then a $300k system and so on. Spend it if you got it as they say. I am not here to lecture anyone of course, this is just a good, healthy discussion. |
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