#171
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Personally I think the truth is usually somewhere in the middle. I think copper and aluminium shielding can be effective. I just don't think alone they are a magic bullet, but rather one tool in your chest. The goal of reducing noise should influence the design of the amplifier as well. I also agree the HRS damping plates work well, especially on vintage and more modest components. Let us know how you go with the SOtM sheeting. That would make an interesting thread... Last edited by Bodhisattva; 05-04-2013 at 04:27 PM. |
#172
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Shane, did you go with three feet or four on the mom S.
I also was having a discussion today with someone and the essential Stillpoints characteristic of not altering the signature of a component but rather just improving on it in very linear way was the big takeaway for both of us across quite a range of gear. Other isolation devices may do nice things for the sound but often also in some ways alter the balance or key identity of the componrnt but that is not the experience with Stillpoint Ultras as you mention. I have more Ultra minis, Ultra SS and also Ultra 5s for the speakers arriving in the next day or so and will be able to try a range of combinations with the feet. Expecting some good things for the soundstage but maybe not so many good things for the bank balance unfortunately. Will know a bit more about how they go shortly hopefully. Great to hear they are proving good for the mom. Graham |
#173
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Hi Graham
I went with 4 for the MomS. Most of the weight is in the front of the MomS, and also the on/off button is just under the front of the amp. Supposedly sound better with 4. So what are all your going on? |
#174
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After your comments earlier I thought Stillpoints sounded the way to go so I picked up a couple of sets of Ultra SS from G997 and tried them fairly much under everything. Unfortunately they worked out really well fairly much under everything. 4 feet tends to sound better as you found.
I also tried a handful of different feet with a mix of Carbon, steel, brass, ceramic from about a third the price through to quite similar pricepoints and each time under all components the Stillpoints worked out best in the context of this system. I found the Ultra SSs under the Shindo preamp really revealing (in a good way... not being at all heretical to the current general wisdom of the green brotherhood about not mucking around with after market upgrades), and also the Maggie 20.7s (the speakers are getting up on some uber good Ultra 5s) and surprisingly almost as much so with the Shunyata Cyclopsss (they'll both be getting sets of Ultra SS). Next the amp and DAC also stepped up nicely as well so they will also be up on Ultra SS. Then finally under the mac air and also the linear power supplies for the DAC will get their Ultra minis... cost cutting strategy, will see the difference in performance soon. Everything will be up on Ultras in one type or another. Last edited by audiot servant; 05-06-2013 at 08:01 AM. |
#175
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It seems that Stillpoint Ultra's work very well on front end components, especially with tubes. Last edited by turntable; 05-06-2013 at 08:57 AM. |
#176
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#177
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I would not look at any meter for accuracy. They are purely cosmetic as far as I am concerned and at best can be used as a rough estimate. The jewel like meters on D'Agostino amps are pure eye candy though and I always enjoyed the blue meters of McIntosh as well. If you think that McIntosh is more accurate, I would read the stereophile review of the MC501, the meters indicated 50w when in reality it was 30... That is a HUGE error margin...
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#178
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#179
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Jim, I had to place the sensitivity switch into its lowest setting in the home theater as the Momentum meters were pegged at max! It's a 3 way switch if I remember correctly?
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#180
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Hi! I bought a floor stand for my stereo. Do you recommend to remove the rubber feet underneath the momentum before placing it on the floor stand?
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